‘Your only duty – shall I call it your pleasure – will be to spend your time on my beach in bathing trunks, walking among my guests, sunning yourself, swimming, drinking cocktails. You would like that?’
There was no answer.
‘Don’t you see – all the guests will thus be able to observe this fascinating picture by Soutine. You will become famous, and men will say, “Look, there is the fellow with ten million francs upon his back.” You like this idea, Monsieur? It pleases you?’
Drioli looked up at the tall man in the canary gloves, still wondering whether this was some sort of a joke. ‘It is a comical idea,’ he said slowly. ‘But do you really mean it?’
‘Of course I mean it.’
‘Wait,’ the dealer interrupted. ‘See here, old one. Here is the answer to our problem. I will buy the picture, and I will arrange with a surgeon to remove the skin from your back, and then you will be able to go off on your own and enjoy the great sum of money I shall give you for it.’
‘With no skin on my back?’
‘No, no, please! You misunderstand. This surgeon will put a new piece of skin in the place of the old one. It is simple.’
‘Could he do that?’
‘There is nothing to it.’
‘Impossible!’ said the man with the canary gloves. ‘He’s too old for such a major skin-grafting operation. It would kill him. It would kill you, my friend.’
‘It would kill me?’
‘Naturally. You would never survive. Only the picture would come through.’
‘In the name of God!’ Drioli cried. He looked around aghast at the faces of the people watching him, and in the silence that followed, another man’s voice, speaking quietly from the back of the group, could be heard saying, ‘Perhaps, if one were to offer this old man enough money, he might consent to kill himself on the spot. Who knows?’ A few people sniggered. The dealer moved his feet uneasily on the carpet.
Then the hand in the canary glove was tapping Drioli again upon the shoulder. ‘Come on,’ the man was saying, smiling his broad white smile. ‘You and I will go and have a good dinner and we can talk about it some more while we eat. How’s that? Are you hungry?’
Drioli watched him, frowning. He didn’t like the man’s long flexible neck, or the way he craned it forward at you when he spoke, like a snake.
‘Roast duck and Chambertin,’ the man was saying. He put a rich succulent accent on the words, splashing them out with his tongue. ‘And perhaps a soufflé aux marrons, light and frothy.’
Drioli’s eyes turned up towards the ceiling, his lips became loose and wet. One could see the poor old fellow beginning literally to drool at the mouth.
‘How do you like your duck?’ the man went on. ‘Do you like it very brown and crisp outside, or shall it be…’
‘I am coming,’ Drioli said quickly. Already he had picked up his shirt and was pulling it frantically over his head. ‘Wait for me, Monsieur. I am coming.’ And within a minute he had disappeared out of the gallery with his new patron.
It wasn’t more than a few weeks later that a picture by Soutine, of a woman’s head, painted in an unusual manner, nicely framed and heavily varnished, turned up for sale in Buenos Aires. That – and the fact that there is no hotel in Cannes called Bristol – causes one to wonder a little, and to pray for the old man’s health, and to hope fervently that wherever he may be at this moment, there is a plump attractive girl to manicure the nails of his fingers, and a maid to bring him his breakfast in bed in the mornings.
Neck
When, about eight years ago, old Sir William Turton died and his son Basil inherited The Turton Press (as well as the title), I can remember how they started laying bets around Fleet Street as to just how long it would be before some nice young woman managed to persuade the little fellow that she must look after him. That is to say, him and his money.
The new Sir Basil Turton was maybe forty years old at the time, a bachelor, a man of mild and simple character who up to then had shown no interest in anything at all except his collection of modern paintings and sculpture. No woman had disturbed him; no scandal or gossip had ever touched his name. But now that he had become the proprietor of quite a large newspaper and magazine empire, it was necessary for him to emerge from the calm of his father’s country house and come up to London.
Naturally, the vultures started gathering at once, and I believe that not only Fleet Street but very nearly the whole of the city was looking on eagerly as they scrambled for the body. It was slow motion, of course, deliberate and deadly slow motion, and therefore not so much like vultures as a bunch of agile crabs clawing for a piece of horsemeat under water.