I dont feel good, he said.
Dont you puke.
I think I might.
She took his wrist in her spider’s hand and leveled her eyes at him. Dont you puke, she said.
I need to lie down.
She pushed back her chair without speaking and rose and took his arm. He stood woozily. He wanted mightily to vomit.
She took him across the room to a small cot. He looked like some medieval hero led by a small black gnome. He sat on the cot and lay back with his feet on the floor. She took down a lamp and lit it and put back the glass and turned to watch him. On the mantel a small brass amphora held a dark crepe rose and there was a mounted grackle with dull glass eyes and there were small objects, a box, a pincushion. In the lamplight the glass of the mirror in which these things lay doubled was the color of rhenish wine and it was streaked with mauve and metal blue, with petals of peeling spectra. She stepped from the hearth and crossed the room and went out. In the corner stood a coattree hung with celluloid birds green and yellow, and when the door closed they turned silently in the wind and dark flowers in the old coalscuttle swayed like paper cobras. Suttree stared at the fire within the iron teeth of the grate. She was gone for a long time. When she came back she stooped to look at him. He lay as before. The nausea had passed and he felt more and more removed from all that was. He said: Should I go home?
It dont make no difference where you go.
He went to raise himself up from the cot but when he was half sitting he became unsure as to whether he should walk about. There seemed no purpose to it. He lay back down. After a while he lifted his feet into the cot and stretched out his legs. The shifting of the flames in the coalgrate bloomed on the wall like the pulse of distant lightning. Suddenly the fire seemed to be far away and he seemed to be in another room. He seemed to be somewhere else. He looked at the old black woman. Her eyes were closed but when he looked at her she opened them. She was whispering something silently to herself like one in prayer but it was not prayer.
What is that stuff?
She didnt answer. She turned her face in profile, a black androgynous silhouette.
He felt hollow inside and there seemed to be a cool wind moving through him like wind in a street. A door closed on all that he had been. Look at me, he said.
Hush boy. I dont need to look at you.
Suddenly he realized that this scene was past and he was looking at its fading reality like a watcher from another room. Then he was watching the watcher. He was aware of the light in the room and his hands on the iron of the cot under his thighs but he could not determine where he was. And then he was somewhere else.
He had begun to move. He was wheeling in a vast brown circle and he was moving in a helix outward and each few minutes he would pass again the place where he had been. The shape of the fire in the grate would wheel past and the twin cups of light from the black candles on the table in the corner and the old hag’s sere and shrunken face. And pass again.
He felt a laying on of hands, dry claws divesting him. A clammy fear clogged his heart. Unknowing if his eyes saw or saw not. They seemed lidless and opened or closed beheld things all the same. His own hand put out to save him seemed to sink in a nameless mucilage and he lay like a moth in a web. Dust fell from her, her eyes rolled wetly in the red glow from the fireplace. A dried black and hairless figure rose from her fallen rags, the black and shriveled leather teats like empty purses hanging, the thin and razorous palings of the ribs wherein hung a heart yet darker, parchment cloven to the bones, spindleshanked and bulbed of joint. Black faltress, portress of hell-gate. None so ready as she. Her long fiat nipples swung above him. Black and crepey skin of her neck, the plaguey mouth upon him. A gray and handstitched scar flickered in the light. Where she’d survived some murder. Tin figures, the toadstone, dragged on his chest where they hung from her neck by plaited horsehair strands. In the yard he heard a bird scream. They are not rooks in those obsidian winter trees but stranger fowl, pale lean and salamandrine birds that move by night unburnt through the moon’s blue crucible. Suttree craned his neck to breathe. Dead reek of aged female flesh, a stale aridity. Dry wattled nether lips hung from out the side of her torn stained drawers. Her thighs spread with a sound of rending ligaments, dry bones dragging in their sockets. Her shriveled cunt puckered open like a mouth gawping. He flailed bonelessly in the grip of a ghast black succubus, he screamed a dry and soundless scream. In the pale reach of firelight on the ceiling spiders were clambering toward the cracks in the high corners of the room and his spine was sucked from his flesh and fell clattering to the floor like a jointed china snake.
The fire had died in the room, the candles burned to pools of grease in their dishes. Suttree saw with perfect clarity a parade he’d watched through the legs of the crowd like a thing that passed in a forest, the floats of colored crepe and the band with its drum and horns and the polished wine broadcloth and gold braid and the majordomo in a stained shako wielding a baton and prancing and farting like a brewery horse. He saw what had been so how a caravan of pennanted cars wound through the rain on a dark day and how Clayton in corduroy knickers and aviator’s cap marched with his sisters in a high ceilinged room where the paneled doors were drawn and a nurse in a white uniform called closeorder drill and tapped out the time with a cane and he could remember the stamped brass grapes of an umbrella stand cool and metallic under his tongue and he knew that in that house some soul lay dying.