Speechless(92)
“Nice of you to grace us with your presence, Chelsea,” he says without turning around.
I drop into my seat and lay my head down on my desk. I’m too tired to be embarrassed.
I’m dragging all day, totally out of it, preoccupied with feeling guilty about Dad. And with thinking about Sam, and how much I’m looking forward to working at the diner again tonight, and then I feel even guiltier, because—hello!—this horrible, awful thing has happened to my father, something I am at least partially to blame for. I should not be happy about anything right now.
Asha notices. At lunch in the library, she pokes me in the elbow with her pencil and says, “Hey, did you even hear what I said? About finding the axis of symmetry?”
I definitely did not. And I definitely do not care. I’m too busy zoning out. A much more productive use of my time than geometry.
She sighs and rolls the pencil between her fingers. “We can work on it later,” she says. She pulls out her knitting—the yarn is a mix of green and silver, this shiny, glinting material, and I remember the scarf she told Sam she’d make for him.
I write Sam? on my whiteboard and slide it over to her.
She nods and says, “I finished Noah’s a few days ago,” and then looks at me from underneath her eyelashes. “I’m visiting him this weekend.”
I scratch Sam’s name off the board with my thumbnail. I don’t want to think about Noah in the hospital. What are people like after they wake up from comas? Even I’m not naive enough to believe it’s like the movies, where the person just opens their eyes and is perfectly functional. I wonder if he can talk. If the police have interviewed him yet like they interviewed me. If he even remembers that night at all.
“You could come,” Asha says, carefully neutral.
Come to the hospital? Yeah, right. I’d probably be kicked out on arrival. There is no way Noah wants me there.
I don’t answer. I just take out my sketchpad and doodle absently. Sam and I still have to figure out our project. The last time we talked about it, he mentioned maybe making the characters out of papier-mâché, but the wire netting Ms. Kinsey has doesn’t bend well enough for it to seem feasible. So now we’re back to square one.