So Cold the River(6)

“Sometimes one sentence is enough to make a hell of a difference. If it’s the right words, the right sound… it can have an impact.”

“Then I’ll arrange a time for you to visit. I also know that you like to have photos and family artifacts. I already brought something for you.”

She reached into her purse and withdrew a glass bottle, maybe eleven inches tall. Her purse had been resting in the sunlight, but the bottle was surprisingly cold when she passed it into his hand. Light green glass, with etching across it that said Pluto Water, America’s Physic.

“Look at the bottom,” Alyssa Bradford said.

He turned the bottle over and found another etching, this one the image of a jaunty devil with horns, forked tail, and a sword in his belt. One hand was raised, as if in a wave. The word Pluto was etched beneath the figure.

“What is it?”

“Mineral water. That’s what made the town famous, and what built the hotels and brought people in from all over the world.”

There was a stopper held in place with a wire press-down, and below it the bottle was filled with a cloudy liquid the color of sandstone.

“They drank this stuff?” Eric said.

“Drank it out of the bottles, yes, but they also had spas, springs you’d sit in that would supposedly cure physical ailments. That was the big deal at the resorts. People would come from all over the world to visit those springs for the healing effects.”

Eric was running his thumb over that etched figure on the base, watching sediment rise and settle inside the glass with his motions.

“Isn’t it just a gorgeous bottle?” Alyssa Bradford said. “It’s the one thing I found that had something to do with his hometown. I think it’s fantastic that he kept it all these years. That bottle is about eighty years old. Maybe more.”

“What’s with the devil?”

“He’s Pluto. It’s the Roman version of Hades. God of the underworld.”

“Seems like a strange mascot for a company to choose.”

“Well, the mineral water came from underground springs. I suppose that inspired them. Anyhow, he’s a happy-looking devil, isn’t he?”

He was that. Cheerful, welcoming. That water inside the bottle, though, was a different story. Something about its odd color and those fine, grainy flakes of sediment turned Eric’s stomach, and he set the bottle on the table and slid it back to her.

“No, you can keep it for now,” she said. “I’d like you to take it with you. See if you can find someone who can give an accurate date for it.”

He didn’t want the bottle at all, but he accepted it when she pushed it across the table, wrapped his hand around it and felt that unnatural penetrating cold from within.

“What do you have in that purse, dry ice?”

“It always feels that way, actually,” she said. “I don’t understand why. Something about the mineral content? Or maybe that old glass.”

He put the bottle in his briefcase and refilled his coffee while she wrote him a five-thousand-dollar check, keeping his palm pressed against the warm side of the mug until she’d signed it and torn it free and handed it to him.





3


IT WAS THE SORT of story that begged for telling, and with the addition of those wild, extravagant hotels in so rural a place, it was a story with a strong visual component. Perfect for film. Maybe this could go somewhere beyond the Bradfords. Maybe, if he did it right, this could open some doors that had swung shut in his face out in L.A.

Before even setting foot in the town, Eric had swiftly developed a sort of possessive fear about the place, a worry that somebody else was going to get there first. The stories he’d found in his first pass of research were countless. Rich and poor, gangsters and politicians, the explosion and then death of the passenger trains, Prohibition and the effects of the stock-market collapse—all of it had swirled through these bizarre little towns. They were a microcosm, really, a story of America. It was a chance to do something real again.

Alyssa Bradford called him three days after their meeting to say he could check into the West Baden Springs Hotel on the first Friday of May. That was just one week away, and she’d arranged for him to have his first—maybe his only, depending on the man’s health—chance to talk with Campbell Bradford on the Thursday prior. Alyssa warned that the old man was not well, might not be able to communicate. Eric said he still wanted to give it a shot.

Claire called that night, and when he saw her number on the caller ID, he felt flushed with relief and gratitude—it had been a week since they’d spoken, and each day was drawing longer and harder on him. Then she said, “I was just calling to check on you,” and that was all it took to erase the positive feelings. Calling to check on him? Like he was suicidal or something now that they weren’t together, incapable of maintaining a life without her in it?