He turned back from Anne, thinking he’d steal another glance at that crazy damn cloud, but this time when he looked at the window, what he saw froze him.
Campbell was sitting where Anne McKinney had just been. He was staring dead on into the window, his face reflected clear as a bell, his dark eyes shimmering like the rain that splattered the glass.
You was told to listen, Josiah, he said. Said you wanted to go home and take what was yours, and when a ride was offered in exchange for a piece of work, you agreed to it. But you failed to listen, boy. Needs to be a day of reckoning come upon this valley. It was mine once, should’ve been yours, and they took it from us. Took it from me, took it from you. You going to let that stand, boy? Are you going to let that stand?
Josiah didn’t answer. He just stared into the glass, into Campbell’s reflected eyes.
I could’ve chose anyone for this task, Campbell said. Could’ve chose Eric Shaw, or his black friend, or Danny Hastings. You question my strength, boy, question the power of my influence? That’s foolish. It didn’t have to be you. But you were here, my own blood, and that meant something to me. Doesn’t mean a damn thing to you, though.
“It does,” Josiah said. “It does.”
Then listen, damn it. Do what needs to be done.
Josiah turned to him then, anxious to say that he was more than willing to do what needed to be done, that he was just having some trouble understanding what in the hell it was exactly. When he turned, though, Campbell was gone, the old woman there in his place, looking at Josiah with fearful eyes.
He looked back at the window. Campbell was there again, but he was silent.
“I’ll do your work,” Josiah said. “I’ll do it. Just show me what needs done.”
Anne’s fear had grown as the morning went on and Josiah Bradford’s ravings turned stronger and stranger. Those muttered conversations had become something else, and now she could tell that Josiah was no longer imagining an exchange with someone, he was seeing someone, speaking directly to him as if he were in the room with him. Wasn’t a soul in sight but Anne, and he sure wasn’t talking to her.
When he got to the last bit and said I’ll do your work in a voice that seemed untethered to his person, she squeezed her hands tightly together and looked away from him. He’d whirled on her once and she’d been afraid he might do something, but then he’d just turned back to the window and carried on with his conversation.
She wouldn’t watch him anymore. Better to pretend she wasn’t seeing or hearing any of this, better to pretend she wasn’t even in the room.
He took to pacing again, in and out of the room, and each time he came back, he’d look from her to the window, do it suspiciously, as if trying to catch her at something he thought he saw her doing in the reflection. Then he went all the way into the kitchen and began to rattle around, and when he stepped back into the living room, she stole a glance and felt her heart seize.
There was a knife in his hand now. One of her kitchen knives, with a five-inch blade, plenty sharp. She pulled back, fearing harm, but he just carried on past her like she wasn’t there and returned to the window.
Don’t look at him, she thought, don’t make eye contact. He’s as close to a rabid dog as anything now, and worst thing you can do with a dog like that is make eye contact.
So she kept her head turned and tried not to make a sound that would attract his attention, tried not to so much as breathe too loud.
She didn’t look at him again until she heard the squeaking noise. Even then she hesitated, but it kept up, sounding like he was polishing something with a damp cloth, and finally she turned to see what it was.
He was drawing on the window with his own blood.
The knife was on the end table beside him, and she could see that he’d cut his right index finger to draw blood and had then begun to smear it around the glass. His face was screwed into an intense frown, not from pain but from concentration, and he was moving his finger carefully, tilting his head from side to side occasionally to change the angle. It looked as if he was tracing something. Once he looked over his shoulder and then swore at himself and paused for a long time before beginning again, as if he’d ruined his image. She couldn’t see what he was drawing at first, but then he stepped to the side and leaned over and she got a glimpse.
It was the outline of a man. The head and shoulders of a man, at least, etched in blood over her window. The man was wearing a hat, and Josiah Bradford appeared to have spent most of his time on the hat—and the eyes. The outline of the face and shoulders looked like a child’s scribbling, but the hat and eyes were clear. He’d drawn a nice, smooth almond shape for the eyes and now, as she watched, he took his finger off the glass and stood there squeezing it to raise more blood. He was patient, waiting for a full, thick bead of it. When he was satisfied, he reached out with infinite care and touched his fingertip to the center of the eye, filled it in with blood.