“What’s happened to your hair?” Matthew held up a strawberry blond curl.
“Oh, no,” I murmured. My hands rose. Instead of my usual straight, shoulder-length, straw-colored hair, they found unexpectedly springy reddish-gold locks reaching down to my waist. The last time my hair had developed a mind of its own, I was in college, playing Ophelia in a production of Hamlet. Then and now its unnaturally rapid growth and change of hue were not good signs. The witch within me had awakened during our journey to the past. There was no telling what other magic had been unleashed.
Vampires might have smelled the adrenaline and the sudden spike of anxiety that accompanied this realization, or heard the music my blood made. But daemons like Kit could sense the rise in my witch’s energy.
“Christ’s tomb.” Marlowe’s smile was full of malice. “You’ve brought home a witch. What evil has she done?”
“Leave it, Kit. It’s not your concern.” Matthew’s voice took on that note of command again, but his fingers remained gentle on my hair. “Don’t worry, mon coeur. I’m sure it’s nothing but exhaustion.”
My sixth sense flared in disagreement. This latest transformation couldn’t be explained by simple fatigue. A witch by descent, I was still unsure of the full extent of my inherited powers. Not even my Aunt Sarah and her partner, Emily Mather—witches both—had been able to say for certain what they were or how best to manage them. Matthew’s scientific tests had revealed genetic markers for the magical potential in my blood, but there were no guarantees when or if these possibilities would ever be realized.
Before I could worry further, Françoise returned with something that looked like a darning needle, her mouth bristling with pins. An ambulatory mound of velvet, wool, and linen accompanied her. The slender brown legs emerging from the bottom of the pile suggested that Pierre was buried somewhere inside.
“What are they for?” I asked suspiciously, pointing at the pins.
“For getting madame into this, of course.” Françoise plucked a dull brown garment that looked like a flour sack from the top of the pile of clothes. It didn’t seem an obvious choice for entertaining, but with little knowledge of Elizabethan fashion I was at her mercy.
“Go downstairs where you belong, Kit,” Matthew told his friend. “We will join you presently. And hold your tongue. This is my tale to tell, not yours.”
“As you wish, Matthew.” Marlowe pulled at the hem of his mulberry doublet, his nonchalant gesture belied by the trembling of his hands, and made a small, mocking bow. The compact move managed to both acknowledge Matthew’s command and undermine it.
With the daemon gone, Françoise draped the sack over a nearby bench and circled me, studying my figure to determine the most favorable line of attack. With an exasperated sigh, she began to dress me. Matthew moved to the table, his attention drawn by the piles of paper strewn over its surface. He opened a neatly folded rectangular packet sealed with a blob of pinkish wax, eyes darting across the tiny handwriting.
“Dieu. I forgot about that. Pierre!”
“Milord?” A muffled voice issued from the depths of the fabric.
“Put that down and tell me about Lady Cromwell’s latest complaint.” Matthew treated Pierre and Françoise with a blend of familiarity and authority. If this was how one treated servants, it would take me some time to master the art.
The two muttered by the fire while I was draped, pinned, and trussed into something presentable. Françoise clucked over my single earring, the twisted golden wires hung with jewels that had originally belonged to Ysabeau. Like Matthew’s copy of Doctor Faustus and the small silver figure of Diana, the earring was one of the items that had helped us return to this particular past. Françoise rummaged in a nearby chest and found its match easily. My jewelry sorted out, she snaked thick stockings over my knees and secured them with scarlet ribbons.
“I think I’m ready,” I said, eager to get downstairs and begin our visit to the sixteenth century. Reading books about the past wasn’t the same as experiencing it, as my brief interaction with Françoise and my crash course in the clothing of the period proved.
Matthew surveyed my appearance. “That will do—for now.”
“She’ll more than do, for she looks modest and forgettable,” Françoise said, “which is exactly how a witch should look in this household.”
Matthew ignored Françoise’s pronouncement and turned to me. “Before we go down, Diana, remember to guard your words. Kit is a daemon, and George knows that I’m a vampire, but even the most open-minded of creatures are leery of someone new and different.”