Rudolf took his seat overlooking the central nave while the crowd bowed and curtsied in the direction of the royal box. For his part, Rudolf looked uncomfortable at having been noticed. In his private chambers, he was at ease with his courtiers, but here he seemed shy and reserved. He turned to listen to a whispering attendant and caught sight of me. He inclined his head graciously and smiled. The crowd swung around to see whom the emperor had singled out for his benediction.
“Curtsy,” Gallowglass hissed. I dropped down again.
We managed to get through the actual Mass without incident. I was relieved to find that no one, not even the emperor, was expected to take the sacrament, and the whole ceremony was over quickly. At some point Rudolf quietly slipped away to his private apartments, no doubt to pore over his treasures.
With the emperor and priests gone, the nave turned into a cheerful gathering place as friends exchanged news and gossip. I spotted Ottavio Strada in the distance, deep in conversation with a florid gentleman in expensive woolen robes. Dr. Hájek was here, too, laughing and talking to a young couple who were obviously in love. I smiled at him, and he made a small bow in my direction. Strada I could do without, but I liked the emperor’s physician.
“Gallowglass? Shouldn’t you be hibernating, like the rest of the bears?” A slight man with deep-set eyes approached, his mouth twisted into a wry smile. He was wearing simple, expensive clothes, and the gold ring on his fingers spoke of his prosperity.
“We should all be hibernating in this weather. It is good to see you in such health, Joris.” Gallowglass clasped his hand and struck him on the back. The man’s eyes popped at the force of the blow.
“I would say the same about you, but since you are always healthy, I will spare us both the empty courtesy.” The man turned to me. “And here is La Diosa.”
“Diana,” I said, bobbing a greeting.
“That is not your name here. Rudolf calls you ‘La Diosa de la Caza.’ It is Spanish for the goddess of the chase. The emperor has commanded poor Master Spranger to abandon his latest sketches of Venus in her bath in favor of a new subject: Diana interrupted at her toilette. We all wait eagerly to see if Spranger is capable of making such an enormous change on such short notice.” The man bowed. “Joris Hoefnagel.”
“The calligrapher,” I said, thinking back to Pierre’s remark about the ornate penmanship on Matthew’s official summons to Rudolf ’s court. But that name was familiar. . . .
“The artist,” Gallowglass corrected gently.
“La Diosa.” A gaunt man swept his hat off with scarred hands. “I am Erasmus Habermel. Would you be so kind as to visit my workshop as soon as you are able? His Majesty would like you to have an astronomical compendium so as to better note the changes in the fickle moon, but it must be exactly to your liking.”
Habermel was a familiar name, too. . . .
“She is coming to me tomorrow.” A portly man in his thirties pushed his way through the growing crowd. His accent was distinctly Italian. “La Diosa is to sit for a portrait. His Majesty wishes to have her likeness engraved in stone as a symbol of her permanence in his affections.” Perspiration broke out on his upper lip.
“Signor Miseroni!” Another Italian said, clasping his hands melodramatically to his heaving chest. “I thought we understood each other. La Diosa must practice her dance if she is to take part in the entertainment next week as the emperor wishes.” He bowed in my direction. “I am Alfonso Pasetti, La Diosa, His Majesty’s dancing master.”
“But my wife does not like to dance,” said a cool voice behind me. A long arm snaked around and took my hand, which was fiddling with the edge of my bodice. “Do you, mon coeur?” This last endearment was accompanied by a kiss on the knuckles and a warning nip of teeth.
“Matthew is right on cue, as always,” Joris said with a hearty laugh. “How are you?”
“Disappointed not to find Diana at home,” Matthew said in a slightly aggrieved tone. “But even a devoted husband must yield to God in his wife’s affections.”
Hoefnagel watched Matthew closely, gauging every change of expression. I suddenly realized who this was: the great artist who was such an acute observer of nature that his illustrations of flora and fauna seemed as though they, like the creatures on Mary’s shoes, could come to life.
“Well, God is done with her for today. I think you are free to take your wife home,” Hoefnagel said mildly. “You promise to enliven what would otherwise be a very dull spring, La Diosa. For that we are all grateful.”