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Say You're Sorry(56)

By:Michael Robotham


“Why were you in prison?” says Ruiz.

“Here we go.”

“I’m just asking.”

“Armed robbery. Sentenced to five, I served three. I don’t shy away from it. No point. Small town like this, everyone knows. But tell me something, Mr. Ruiz. How is that piece of information going to help you catch my daughter’s killer? I’m just asking.”

“I don’t mean to offend you. I’m just wondering whether you could have made any enemies; someone who might hold a grudge?”

Isaac blows air out of his mouth. “You’re talking about the Connolly brothers. You don’t have to dance around the subject.”

“You gave evidence against them.”

“I told the truth.”

“Maybe what happened to Natasha was payback.”

“The Connolly brothers don’t take revenge on children.” He crushes the cigarette beneath his heel. “If they wanted to punish someone—they’d punish me.”

“Perhaps they are,” I say.

He shakes his head.

“The Connolly brothers didn’t take Tash and Piper. Payback wasn’t necessary.”

He closes his eyes as though picturing a scene from his past.

“My ex-wife blames me too. She thinks I let Tash down, that I could have done more. But not many people could stop Natasha doing stuff, not when her mind was made up.

“She were only ten when I went inside. When I came out she weren’t a little girl any more. We were strangers, you know. I know she hated school and wanted to get out of this place, but she wouldn’t have gone without saying goodbye, you know. That’s why I knew she hadn’t run away.

“Or if she did, she’d have left a letter or sent us a card. She loved her mum. She would have called her to reassure her. All those birthdays, Mother’s Days, Christmases, they came and went… not a word. Nothing. Tash wouldn’t do that.”

He sighs ruefully, turning towards the pub. “Now we know, eh?”

“Can I buy you a drink?” asks Ruiz.

“No, thanks anyway. Only want one thing from you—find out who did this to my Tash.”





22




The door opens hard against a security chain. I see one eye and a fringe of teenage hair.

“Are you Emily Martinez?”

No answer.

“Is your mum home?”

“No.”

“What about your dad?”

She glances past me. “He’ll be here soon.”

“It’s you I came to see, Emily.”

She blinks at me. “I’m not allowed to let strangers inside the house.”

“That’s very wise. Maybe we could just talk here. You could stay in there and I’ll stay out here.”

She pushes back her fringe and I can see both her eyes and the braces on her teeth.

“You weren’t at school today.”

“I wasn’t feeling very well.”

“I talked to Miss McCrudden. She said you miss quite a lot of school.”

Emily shrugs. She has a small neat nose, but carries weight beneath her chin.

At that moment a Black Lexus pulls into the driveway and a middle-aged man gets out, flipping the keys back and forth over his knuckles. Early-forties, tall and fine-featured, he looks like he’s just stepped off a movie set, dressed in sharply pressed khakis and a business shirt. His curly hair is tipped with blond.

He mounts the stairs two at a time. Smiles. Open as a sunny day.

“This looks like good timing. We weren’t expecting visitors.”

He shakes my hand. Emily unhooks the chain and opens the door. Mr. Martinez hands her his briefcase and coat.

“I’m sorry, I should have called ahead,” I explain. “I’m assisting the police in an investigation.”

“Is this about Natasha and Piper?”

“What makes you assume that?”

He looks at Emily. “What else would it be?”

“I was hoping to talk to Emily.”

“Oh, I see, well, Em’s been off school today. She had one of her dizzy spells this morning.” He puts an arm around her shoulders. “Are you feeling better, honey?”

She nods.

He continues, “She’s already given the police three statements.”

“Yes, but I’m looking at these things differently. It won’t take long.”

Mr. Martinez glances at Emily. “What do you think?”

She nods.

“Right, let’s get inside. It’s cold out here. Put the kettle on, Em?”

The lounge is a long narrow room with high ceilings and expensive furniture and paintings. The armchairs have the carved wooden legs of animals, as if they lead secret lives when everyone else is asleep.

Emily has gone to the kitchen. Phillip Martinez lights the gas fire and fluffs up cushions on the sofa. He has a smooth, almost feminine face with pale, barely existent eyebrows.