“This is the easy part.”
He gestured to the hole and shined the flashlight on it. She climbed through quickly, and Grady followed then paused to check his compass while Macey looked at her timepiece.
Thirty minutes. Her heart began to beat faster. She was just about to nag him again when Grady muttered, “Brilliant,” then started off on a route only he knew.
She followed—up a set of iron stairs, into what appeared to be the back room of a store. Macey froze when she heard voices coming from nearby—as in, from the front of the store. But Grady didn’t pause, and they went on. She wondered how he knew where he was going.
I know the building, he’d said. All right, she trusted him.
At last, he stopped at a wall in the next building over, presumably attached to the one where Flora was keeping Savina. “Here we are.” He began to knock lightly on the wall, pressing his ear to it as if listening.
“Normally, I’d be coming in from the ceiling in a case like this,” he commented, “but for the likes of you, we’ll do it this way.”
Macey wanted to bristle at his implication, but she kept quiet. So far, he knew what he was doing, and she was only concerned about getting to Savina in time.
She was not thinking about the fact that Flora had made Savina call for Grady. Why would she do that? Was it just chance? Had Savina just phoned Grady’s house knowing one of them would answer? Or had Flora forced her to do so?
“Hold this there.” Grady shoved the flashlight at her, and she saw it was directed at the wall and that he’d drawn a rectangle on it flush to the ground. “There’s your entrance to the building. I’ll get you through, and see you on the other side, then.”
While she held the flashlight, he used a saw to cut through the wall. Though she offered to help, he declined and kept at it. “Got a rhythm going.”
It was incredibly, surprisingly easy to create a new passage from one building to another. He was right—most people didn’t think about going through walls or ceilings or even floors to break into buildings.
Yet it was startlingly simple. And when he carefully kicked through the pieces he’d cut, Macey looked into a boiler room. By this time, the back of her neck was frigid and she knew there were plenty of undead in the vicinity.
“Time?” Grady asked, swiping an arm over his perspiring forehead. A hank of dark hair, now frosted white from the drywall dust, fell back into his eyes.
“Eight twenty.” Macey’s heart surged.
But he nodded. “Good. Took far less time than I thought.” Then he handed her the flashlight. “I’m off, then. You’re on your own.”
And before she could say another word—wish him well, say goodbye—he turned and loped back the way they’d come, leaving his bag of tools on the ground and her heart in pieces.
Not a goodbye. Not a good luck. Not even a softened glance.
So this is what it feels like to have destroyed a man.
Blinking back tears, Macey checked her pockets, pulled out a stake, and went to battle.
TWENTY-FOUR
~ Of Memories, Expectations, and Blame ~
When Max returned to Grady’s house with Woodmore and found it empty and still, at first he didn’t think much of it.
Yes, it was far later than he’d imagined returning—and after two dead ends of tracing the white truck at the Beedle school, between comparing notes with Woodmore at the pub. They’d taken their time, both of them implicitly agreeing that it wouldn’t hurt for Macey to rest as much as possible.
Now it was closing in on eight o’clock, and the house was silent. Surely Savina had returned, and she and Macey were likely sitting upstairs and gossiping—although that thought made his hair stand on end.
But the house was too quiet.
“Denton.” Woodmore was standing by the telephone, staring at a piece of paper. The tone of his voice had Max going on full alert.
“What is it?”
“A note from Macey—and Grady.” He thrust the paper at Max, and immediately began to check his pockets for weapons.
Max’s heart plummeted to his knees when he read the letter. Terror exploded through him as the realization penetrated.
Savina.
No. Not again.
Not again.
He read the letter a second time and managed to get past the part about “Flora has Savina” and actually comprehend the words. It took him a little longer to decipher Grady’s scrawl at the bottom, which directed them to an old train yard in order to get access to the building where Flora was.
After that, he pushed every bit of emotion out of his thoughts and turned his brain to cold and lethal.
Things would end differently this time.
+ + +
Now that Macey was inside, she realized the place she and Grady had broken into was nothing more than a three-story building that had burned at some point. At least two sections were attached, like row houses—which explained the wall through which Grady had cut—and that gave her a blueprint of the layout of the building where Savina was, for the row houses had identical floor plans.
The part in which Flora was keeping her hostage had suffered fire damage. The windows were broken and boarded up, which was probably part of the reason it had been abandoned and taken over by vampires. The scent of smoke and must still lingered, and cobwebs and dust clung to many surfaces.
Macey could hear voices, and she crept through the building toward them, stake in hand, flashlight turned off. There were several undead posted at doors and watching through cracks at the boarded windows—so it had been the right plan to break in the way they had.
Macey dusted two vampires, easily and without fanfare. Brushing the ash from her arm and shoulder, she at last came close enough to discern the voices.
They were coming from a room on the first floor, and Macey knew there were stairs on the back part of the building that led to the second floor…which in turn had a balcony that overlooked a large foyer. From the sound of the voices, that was where she suspected Flora was stationed.
As Macey drew near, she heard the sound of a door opening and closing, and then a familiar voice through the oak-paneled wall.
“Well, you’ve made it just in the nick of time, Grady.” Flora’s tones were high and triumphant, and from the sound of it, they were in the large, high-ceilinged dining room. “The deadline is only one minute from now.”
“What is all this?” Grady asked. His voice carried easily through the walls, as if he wanted to make certain Macey could hear him.
“Welcome, my dear. Welcome.”
By now, Macey had crept down the back hall and was approaching via the kitchen, of which there was nothing left but burned-out appliances and a rusted sink. She paused just beyond the entrance to the dining room and carefully peered around the corner to look inside.
Flora was standing by a large chair that had clearly been brought quite recently to this location, for it was clean and new, padded with floral upholstery. It made the vampiress look as if she were about to be seated on a throne, for she stood next to it—tall, slender, and regal, with the glow of a lamp illuminating her bright red hair from behind.
But instead of a scepter, she was holding a gun.
Macey drew in a deep, silent breath.
“Yes, indeed. Most undead don’t think to use a firearm,” Flora said—speaking to Grady. “They tend to rely on their brute strength and the effect of their thrall…but I say, why not use the sure thing that can stop a man in his tracks? Even a Venator cannot withstand a bullet. And it works quite well from a distance—much more effective than fangs.”
Cold settled over Macey. Flora was correct. This had just become a much more tenuous situation than she’d expected.
“What is going on here?” Grady asked. “Sabrina, are you all right?”
Good for him—remembering to use the wrong name until they determined what Flora’s intentions were.
“What have you done to her?” Grady’s taut voice had Macey tensing even further. She couldn’t see far enough into the room to know what had happened, but nor did she see any sign of Savina.
Yet the scent of blood lingered in the air, mingled with dust and the mustiness of old wood.
“Step away, if you please.”
“What is going on here?” Grady asked. His voice was extraordinarily calm. Perhaps too calm. “Your people can take their hands off me anytime. And there’s no need for guns.”
But Flora didn’t seem to notice his calmness. “What is going on here is a very simple prelude to someone—that would be yours truly—taking control of a very powerful object. The object is there—on the table. It looks quite innocent, doesn’t it? Hardly worth noticing. It’s not even particularly beautiful.
“But from what I understand, Rekk’s Pyramid gives its master—or in this case, mistress”—she gave a delighted titter—“vast and far-reaching control over her…what did you call them? My people? Yes, over my people.”
Macey, crouched and still peering around the corner, could see only a small slice of the room. But she heard Flora’s movements, and could tell the vampiress was walking about as she spoke.
“But let me start at the beginning. Poor Miss Ellison…how are you doing over there, my dear? Tsk, tsk. That does look like it hurts. Well, you needn’t worry too much longer, for the pain will soon be gone.”