Orphan Train(75)
What do you carry with you? What do you leave behind?
Gazing ahead at the dark blue sky striated with clouds, Molly reaches up and touches the charms around her neck. Raven. Bear. Fish.
The turtle on her hip.
She doesn’t need much.
And even if she loses the charms, she thinks, they’ll always be a part of her. The things that matter stay with you, seep into your skin. People get tattoos to have a permanent reminder of things they love or believe or fear, but though she’ll never regret the turtle, she has no need to ink her flesh again to remember the past.
She had not known the markings would be etched so deep.
APPROACHING VIVIAN’S HOUSE, MOLLY LOOKS AT HER PHONE. IT’S later than she thought it would be—8:54.
The fluorescent overhead bulb on the porch gives off a dim pink light. The rest of the house is dark. Molly heaves her bags onto the porch, rubs her shoulders for a minute, then walks around to the back, the bay side, peering up at the windows for any sign of life. And there it is: on the second floor of the far right side, two windows glow. Vivian’s bedroom.
Molly isn’t sure what to do. She doesn’t want to scare Vivian, and now that she’s here she realizes that even ringing the doorbell would startle her at this hour.
So she decides to call. Gazing up at Vivian’s window, she dials her number.
“Hello? Who is it?” Vivian answers after four rings in a strained, too-loud voice, as if communicating with someone far out at sea.
“Hi, Vivian, it’s Molly.”
“Molly? Is that you?”
“Yes,” she says, her voice cracking. She takes a deep breath. Steady, stay calm. “I’m sorry to bother you.”
Vivian comes into view in the window, pulling a burgundy robe over her nightgown. “What’s the matter? Are you all right?”
“Yes, I—”
“Goodness, do you know what hour it is?” Vivian says, fussing with the cord.
“I’m so sorry to call this late. I just—I didn’t know what else to do.”
There’s silence on the other end as Vivian absorbs this. “Where are you?” she says finally, perching on the arm of a chair.
“I’m downstairs. Outside, I mean. I was afraid it would alarm you if I rang the bell.”
“You’re where?”
“Here. I’m here. At your house.”
“Here? Now?” Vivian stands up.
“I’m sorry.” And then Molly can’t help it, she starts to cry. It’s cold on the grass and her shoulders ache and Vivian is freaked out and the Island Explorer is done for the night and the garage is dark and creepy and there’s nowhere else in the world she can think of to go.
“Don’t cry, dear. Don’t cry. I’ll be right down.”
“Okay.” Molly heaves in a breath. Pull yourself together!
“I’m hanging up now.”
“Okay.” Through her tears, Molly watches Vivian replace the receiver on the hook, wrap her robe tighter and tie it, pat the silver hair at the nape of her neck. As Vivian leaves the bedroom Molly runs back to the front porch. She shakes her head to clear it, pulls her bags into a neat heap, wipes her eyes and nose with a corner of her T-shirt.
A moment later Vivian opens the door. She looks with alarm from Molly (who realizes that, despite wiping her eyes, she must have mascara smeared all over her face) to the bulky duffel bags to the overstuffed backpack. “For goodness’ sake, come in!” she says, holding the door wide. “Come in this minute and tell me what happened.”
DESPITE MOLLY’S PROTESTS, VIVIAN INSISTS ON MAKING TEA. SHE takes down a cabbage-rose teapot and cups—a wedding gift from Mrs. Murphy that’s been in a box for decades—along with some recently recovered spoons from Mrs. Nielsen’s silver service. They wait in the kitchen for the water to boil, and then Molly pours water in the teapot and carries the tea service to the living room on a tray, with some cheese and crackers Vivian has found in the pantry.
Vivian turns on two lamps and settles Molly in a red wingback. Then she goes over to the closet and takes out a quilt.
“The wedding ring!” Molly says.
Vivian holds the quilt by two corners and shakes it out, then carries it over and drapes it across Molly’s lap. It is stained and ripped in places, thinned from use. Many of the small rectangles of fabric sewn by hand into interlocking circles have dissolved altogether, the ghostly remains of stitches holding snippets of colored cloth. “If I can’t bear to give this stuff away, I might as well use it.”
As Vivian tucks the quilt around her legs, Molly says, “Sorry for barging in like this.”
Vivian flaps her hand. “Don’t be silly. I could use the excitement. Gets my heart rate up.”