Orphan Train(3)

Jack is a nice guy. But she’s been waiting for this. Eventually, like everyone else—social workers, teachers, foster parents—he’ll get fed up, feel betrayed, realize Molly’s more trouble than she’s worth. Much as she wants to care for him, and as good as she is at letting him believe that she does, she has never really let herself. It isn’t that she’s faking it, exactly, but part of her is always holding back. She has learned that she can control her emotions by thinking of her chest cavity as an enormous box with a chain lock. She opens the box and stuffs in any stray unmanageable feelings, any wayward sadness or regret, and clamps it shut.

Ralph, too, has tried to see the goodness in her. He is predisposed to it; he sees it when it isn’t even there. And though part of Molly is grateful for his faith in her, she doesn’t fully trust it. It’s almost better with Dina, who doesn’t try to hide her suspicions. It’s easier to assume that people have it out for you than to be disappointed when they don’t come through.

“Jane Eyre?” Jack says.

“What does it matter?”

“I would’ve bought it for you.”

“Yeah, well.” Even after getting into trouble like this and probably getting sent away, she knows she’d never have asked Jack to buy the book. If there is one thing she hates most about being in the foster care system, it’s this dependence on people you barely know, your vulnerability to their whims. She has learned not to expect anything from anybody. Her birthdays are often forgotten; she is an afterthought at holidays. She has to make do with what she gets, and what she gets is rarely what she asked for.

“You’re so fucking stubborn!” Jack says, as if divining her thoughts. “Look at the trouble you get yourself into.”

There’s a hard knock on Molly’s door. She holds the phone to her chest and watches the doorknob turn. That’s another thing—no lock, no privacy.

Dina pokes her head into the room, her pink-lipsticked mouth a thin line. “We need to have a conversation.”

“All right. Let me get off the phone.”

“Who are you talking to?”

Molly hesitates. Does she have to answer? Oh, what the hell. “Jack.”

Dina scowls. “Hurry up. We don’t have all night.”

“I’ll be right there.” Molly waits, staring blankly at Dina until her head disappears around the door frame, and puts the phone back to her ear. “Time for the firing squad.”

“No, no, listen,” Jack says. “I have an idea. It’s a little . . . crazy.”

“What,” she says sullenly. “I have to go.”

“I talked to my mother—”

“Jack, are you serious? You told her? She already hates me.”

“Whoa, hear me out. First of all, she doesn’t hate you. And second, she spoke to the lady she works for, and it looks like maybe you can do your hours there.”

“What?”

“Yeah.”

“But—how?”

“Well, you know my mom is the world’s worst housekeeper.”

Molly loves the way he says this—matter-of-factly, without judgment, as if he were reporting that his mother is left-handed.

“So the lady wants to clean out her attic—old papers and boxes and all this shit, my mom’s worst nightmare. And I came up with the idea to have you do it. I bet you could kill the fifty hours there, easy.”

“Wait a minute—you want me to clean an old lady’s attic?”

“Yeah. Right up your alley, don’t you think? Come on, I know how anal you are. Don’t try to deny it. All your stuff lined up on the shelf. All your papers in files. And aren’t your books alphabetical?”

“You noticed that?”

“I know you better than you think.”

Molly does have to admit, as peculiar as it is, she likes putting things in order. She’s actually kind of a neat freak. Moving around as much as she has, she learned to take care of her few possessions. But she’s not sure about this idea. Stuck alone in a musty attic day after day, going through some lady’s trash?

Still—given the alternative . . .

“She wants to meet you,” Jack says.

“Who?”

“Vivian Daly. The old lady. She wants you to come for—”

“An interview. I have to interview with her, you’re saying.”

“It’s just part of the deal,” he says. “Are you up for that?”

“Do I have a choice?”

“Sure. You can go to jail.”

“Molly!” Dina barks, rapping on the door. “Out here right now!”

“All right!” she calls, and then, to Jack, “All right.”