One Two Three(66)
“Thanks, man.”
“Yeah,” he says. “No problem.”
And then we leave the condo together. Going out to do what we do. And I don’t know about him, but I’m feeling pretty damn ashamed of how I make money right about now. The whole walk over there I talk myself up.
It’s just temporary.
You’re gonna make a difference.
Things are moving fast now.
Don’t give up what you’ve worked so hard to get.
Be strong and finish what you started.
And by the time we walk up to Aldo, the big German bouncer manning the door to The Sanctuary Club, I believe it.
“Hey,” Aldo says, sticking out his hand. I shake and he thumps me on the back a few times before moving on and doing the same thing to JD. “What time will you need us?” he asks in his thick accent.
I look at JD and shrug. “We probably need to throw back at least half a dozen shots before we get this party started. Let’s say twelve thirty.” I pull out an envelope with his take in it from the bag JD packed. “Here you go, man.” I study the line outside—which wraps around the building—and the level of noise from inside—which is pounding—and make a decision. “All six guys watching tonight, Aldo. They seem a little rowdy.”
“They do,” Aldo laughs. “There’s a party of bigwigs here tonight. Been here all week. Everyone feels it. Like something is happening.”
JD claps him on the back as we pass into the club. “Thanks for the heads up.”
We make our way down the long hallway that leads to the main dance floor. This place is an old Catholic church that went up for sale during the recession a few years back. It got snatched up, remodeled, and turned into party central for the city’s goth crowd.
It’s creepy as all fuck, especially this week, since Halloween is tomorrow. It’s decked out like Satan’s lair.
We make our way to the VIP section and the guy at that checkpoint, Sinclair, just unhooks the red velvet rope as we approach and lets us pass. Now we make our way upstairs, where the choir used to belt out hymns.
It’s filled with topless women serving drinks, men in suits fondling them, and a lot of security. “What’s up with them?” JD yells, leaning in so I can hear him over the thumping bass. He points at the bouncers standing in front of one of the private rooms.
“No clue. But we’ve got enough mystery on our hands. So let’s stay out of it, no matter what.”
“Fine by me,” he shouts back in my ear. “I’m gonna go down and find our contract. You gonna stay here?”
I gesture to my clothes. JD’s wearing jeans, a white t-shirt, and a black leather jacket with the Public Fuck logo on it that glows under the UV light. “I’ll watch from above. Get her down below and I’ll shoot with a zoom from above.”
This is how we set the mood of the shot. This cybergoth shit on Thursday nights isn’t always our thing, but when it is, we make the whole thing seem sinister. It’s easy enough. The stained-glass windows, upside-down cross on the ‘altar’ directly across from the VIP boxes, and the tolling bells give it enough atmosphere for a horror movie. Add in all the fluorescent dreadlocks, platform boots, and glowing outfits, and you’ve got Dracula Goes to a Space Rave.
JD makes his way through the crowd, looking for our girl. It’s early still, but she was told what time to be here, so I help him scan from above. Tonight’s contract is a girl who’s been watching us do this for a few weeks. Somehow she got a hold of our schedule, because she turned up at every gig for a while there. Just hanging back, watching. JD saw her the very first night, but back then, we weren’t having problems getting the girls to show up. So he left her alone for a while.
Now we are. So he approached her a few weeks ago and gave her the speech. Testing, contract, ID, waiver of liability, and, if they are one of the girls we will use for the upcoming Public Fuck website, a non-disclosure agreement.
But this one isn’t for Public Fuck. She’s fetish shit. That’s why she’s dressed up in a pink tutu with white lace stockings, ripped in all the right places. Her cyberlocks are in a variety of glow-in-the-dark colors, and she’s got on a tight pink corset. I can’t tell from here without the zoom lens, but she’s probably got something painted on her face too. I take my phone out and text JD, letting him know she’s over by the east bar.
He checks his phone, shoots me a thumbs up, and then makes his way over.
“Your next victim?” A man leans down in my ear.
I turn. The man is wearing a black suit and a collar like a priest. So he must be some kind of manager here. I give him the once-over. He looks familiar, but no one I recognize.