‘Like the world’s coming to an end,’ said Ethel mournfully. Her face was a crimson mask, but if the process of retrieving the shards from her skin hurt, she made no complaint. The third detonation was further away, somewhere over in the next street, nearer to the station by the sound of it. The Jerries were trying to knock out the railway terminals, and anyone who lived near one was in danger.
Harold looked out through the shattered window frame and saw a great mound of bricks. The house beside it looked like a cutaway model, its private interior shamefully revealed to the world. A pair of slender yellow vases on its front room mantelpiece were still in place. Some pictures on the remaining wall had not even been knocked crooked, although the lace curtains had been torn to tatters. As always, it was the arbitrariness of it all that shocked most. This time nothing seemed to be burning and there was no smoke, but the air was dry and there were effusions of dense brown dust. Several people were wandering in the road, lost to the shock of the blast.
‘Blimey. The Porters’ house has taken a hit. That’s a bit of bad luck. Put Eth in the back room, Bea, and get the kettle on. Buck her up with a glass of something. We should have a drop of whisky in the sideboard. I’m going to see what I can do.’
‘Be careful, Harold,’ called his wife. ‘I didn’t hear an all-clear. I didn’t hear any sirens at all.’
‘I’ve got to go to Alf, he’ll be frantic,’ said Ethel.
‘You’re not going anywhere just yet.’ Bea took the cleaning lady’s arm and led her into the passage. The bombs were falling further away now, sounding like a thunderstorm in retreat. It was Tuesday the 12th of November, 1940, the ninth week of the event that became known as The Blitz, and London’s populace was getting used to the continual threat of air attack. When the sirens sounded, those caught outside often ignored official advice to file into sanctioned public shelters, and instead formed orderly queues into the city’s underground stations. The ones who stayed home ducked into shelters, crammed themselves into coal holes and cupboards or hid under the stairs. The government wanted everyone to sleep at ground level, but many refused to give up their beds for a patch of cold linoleum in the kitchen. The war had forced an intimacy on people that made them uncomfortable. It wasn’t nice to have everyone knowing your business.
Bea boiled a kettle while Ethel attended to her face and tidied her hair. They were better when they had things to do. The problem, said Bea, was the lack of information. The papers told them nothing, and not knowing got on your nerves. What a Christmas they could look forward to! Then she realised what she had said, and looked back at Ethel, who would be spending her first Christmas without her son.
Harold picked his way between the stacks of fallen masonry, crumpled chunks of an internal lathe-and-plaster wall and an entire fireplace surround that had landed perfectly upright in the road, as if it had been placed there by a giant hand. A confused-looking ARP warden was trying to direct people away.
‘Mrs Porter,’ Harold called, ‘stay right there. I wouldn’t move if I were you.’ His neighbour was standing dazed on a splintered wooden floorboard that jutted out above her smoking cellar, all that remained of her living room floor. She was dressed in a torn white blouse and skirt, and bedroom slippers. She had been preparing some supper to eat in front of the radio, which was still working even though it dangled from the end of an electric cord. A jaunty foxtrot, ‘’Til the Lights of London Shine Again,’ played as Harold inched his way onto the creaking platform.
‘Give me your hand, love,’ he called softly.
Mrs Porter seemed not to have heard him. ‘Don’t you cry when I’m gone,’ sang the radio. ‘Wear a smile and carry on, ’til the lights of London shine again.’
‘I’m just here in front of you,’ said Harold.
‘And now Sid Lypton and the Grosvenor House Dance Band play ‘Blacking Out the Moon’ for every—’ The radio spat an electrical pulse and went dead. All that could be heard was the soft suffering of the injured, the chink and tumble of dislodging bricks.
Harold stretched out his hand. ‘You can do it, love. Don’t look down. Just reach toward me.’
Mrs Porter remained frozen, staring past him to where the wall had been. To where her husband had been sitting, waiting for his dinner.
‘He’s not there,’ Harold explained carefully. ‘He’s gone, love, and the house has gone.’ He had passed the old man’s body as he approached the house, crushed beneath a collapsed chimney stack. Nearby, a grandfather clock had landed facedown on the pavement, like a felled parade soldier.