Door turned to the gentleman behind them in the line. She stared up at him. “Hello,” she said.
The man looked around, a puzzled expression on his face, as if he was unsure what had attracted his attention. Then he caught sight of Door, standing just in front of him. “Hello . . . ?” he said.
“I’m Door,” she told him. “This is Richard.”
“Oh . . . ” said the man. Then he fumbled in an inner pocket, pulled out a cigar case, and forgot all about them. “There. See?” said Door.
“I think so,” he replied. They said nothing for some time, as the line moved slowly toward the single open glass door at the museum’s main entrance. Door looked at the writing on her scroll, as if she needed to reassure herself of something. Then Richard said, “A traitor?”
“They were just winding us up,” said Door. “Trying to upset us.”
“Doing a bloody good job of it, too,” said Richard. And they walked through the open door, and then they were in the British Museum.
Mr. Vandemar was hungry, so they walked back through Trafalgar Square.
“Scare her,” muttered Mr. Croup, disgustedly. “Scare her. That we should be brought to this.”
Mr. Vandemar had found half a shrimp and lettuce sandwich in a garbage can, and was gently tearing it into small pieces, which he was tossing down onto the flagstones in front of him, attracting a small flock of hungry late-night pigeons. “Should have followed my idea,” said Mr. Vandemar. “Would have scared her lots more if I’d pulled his head off while she wasn’t looking, then put my hand up through his throat and wiggled my fingers about. They always scream,” he confided, “when the eyeballs fall out.” He demonstrated with his right hand.
Mr. Croup was having none of it. “Why get so squeamish at this stage in the game?” he asked.
“I’m not squeamish, Mister Croup,” said Mr. Vandemar. “I like it when the eyeballs fall out. Peepers and tarriwags.” More gray pigeons strutted over to peck at the fragments of bread and shrimp, and to disregard the lettuce.
“Not you,” said Mr. Croup. “The boss. Kill her, kidnap her, scare her. Why doesn’t he make up his mind?”
Mr. Vandemar ran out of the sandwich he had been using as bait, and now he made a dash into the crowd of pigeons, who took to the wing with some clacking noises and the occasional grumbling coo. “Well caught, Mister Vandemar,” said Mr. Croup, approvingly. Mr. Vandemar was holding a surprised and upset pigeon, which grumbled and fidgeted in his grasp and pecked ineffectively at his fingers.
Mr. Croup sighed, dramatically. “Well, anyway. We’ve certainly put the cat amongst the pigeons now,” he said, with relish. Mr. Vandemar held the pigeon up to his face. There was a crunching noise, as he bit off its head and commenced to chew.
The security guards were directing the museum’s guests to a hallway that seemed to be functioning as some kind of holding area. Door ignored the guards entirely and set off into the museum halls with Richard trailing along behind her. They went through the Egyptian rooms, up several flights of back stairs, and into a room marked Early English.
“According to this scroll,” she said, “the Angelus is in this room somewhere.” Then Door looked down at her scroll some more and looked around the hall, more carefully. She made a face. “Tch,” she explained, and took off back down the stairs, the way they had come. Richard had an intense feeling of déjà vu, before realizing that, yes, of course this felt familiar: it was how he had spent his weekends in the Jessica days. Which were starting to seem, already, like things that had happened to someone else a long, long time ago.
“The Angelus wasn’t in that room, then?” asked Richard.
“No, it wasn’t there,” said Door, a little more fiercely than Richard felt the question had actually warranted.
“Oh,” he said. “I only wondered.” They went into another room. Richard wondered if he were starting to hallucinate. “I can hear music,” he said. It sounded like a string quartet.
“The party,” said Door.
Right. The people in the dinner jackets they had lined up with. No, the Angelus didn’t seem to be here either. Door walked into the next hall, and Richard trailed in her wake. He wished he could be of more use. “This Angelus,” he said. “What does it look like?”
For a moment he thought she was going to reprimand him simply for asking. But she stopped, rubbed her forehead. “This just says it’s got a picture of an angel on it. But it can’t be that hard to find. After all,” she added, hopefully, “how many things with angels on them are there here?”