But since you have been dragged into this as an innocent party, perhaps I owe you an explanation. The explanation is relatively simple. I loved Anna. I really did. What she was and what she gave me.
Unfortunately she didn't love what I gave her. The Big H. The Big Sleep. Did you know she was a pedigree junkie? Life is, as I said, full of surprises. I introduced her to drugs after one of her–let's not mince words–failed art exhibitions. And the two of them were made for each other; it was love at first stab. Anna was my client and secret lover for four years. It was impossible to separate the two roles, so to speak.
Confused, Harry? Because you didn't see any syringe marks when you stripped her, eh? Yes, well, 'love at first stab' was just a way of speaking. Anna couldn't stand syringes, you see. We smoked our heroin out of the silver paper off Cuban chocolate. It's more expensive than injecting it. On the other hand, Anna got it at wholesale price as long as she was with me. We were–what's the word?–inseparable. I still have tears in my eyes when I think about those times. She did everything a woman can do for a man: she fucked, fed, watered, amused and consoled me. And begged me. Basically, the only thing she didn't do was love me. How can that be so bloody difficult, Harry? After all, she loved you and you didn't do shit for her.
She even managed to love Arne Albu. And there was me thinking he was just a tosser she was milking to pay for junk at market prices, and to get away from me for a while.
But then one May evening I rang her. I'd just done three months for petty offences, and Anna and I hadn't spoken for a long time. I said we should celebrate. I had taken delivery of the purest stuff in the world from the factory in Chang Rai. I could immediately tell from her voice that something wasn't right. She said it was over. I asked whether she was referring to H or me, and she replied both. You see, she had started on this work of art which she would be remembered for, she said, and it needed a clear mind. As you know, Anna was an obstinate devil when she set her mind on something, so I would bet you never found any junk in her blood. Right?
Then she told me about this guy, Arne Albu. They had been seeing each other and planned to move in together. First, he had to sort things out with his wife. Heard that one before, Harry? Well, me, too.
Isn't it strange how your mind can focus when the world is crashing around you? I knew what was required before I put down the phone. Revenge. Primitive? Not at all. Revenge is the thinking man's reflex, a complex blend of action and consistency no other animal species has so far succeeded in evolving. Evolutionally speaking, the practice of taking revenge has shown itself to be so effective that only the most vengeful of us have survived. Vengeance or death. It sounds like the title of a western, right, but remember it was the logic of retaliation that created the constitutional state. The enshrined promise of an eye for an eye, the sinner burning in hell or at least dangling from the gallows. Revenge is basically the foundation of civilisation, Harry.
So I sat down that same evening and worked out a plan.
I made it simple.
I ordered a key for Anna's flat from Trioving. I won't tell you how. After you left her flat, I went in. Anna had already gone to bed. She, a Beretta M92 and I had a long, enlightening chat. I asked her to find something she had been given by Arne Albu–a card, a letter, a business card, anything. The plan was to leave it on her body to help you connect the murder with him, but all she had was a photograph of his family at their chalet, which she had taken from his album. I guessed that might be a touch too cryptic and you might need a little more help. So I had an idea. Signor Beretta persuaded her to tell me how to get into Albu's chalet. The key was in the outside lamp.
After shooting her–I won't go into detail as it was a disappointing anticlimax (no sign of fear or regret)–I put the picture in her shoe and immediately left for Larkollen. I planted–as I am sure you have realised by now–Anna's spare key in the chalet. I thought about glueing it to the inside of the cistern in the toilet, that's my favourite place, where Michael hid the gun in The Godfather. But you probably wouldn't have had the imagination to search there and there was no point anyway. So I put it in the bedside-table drawer. Easy, wasn't it?
The stage was thus set, and you and the other marionettes could make your entrances. Hope, by the way, you weren't offended by the little nudges I gave you on the way. The intellectual level of you policemen is not exactly unnerving. Unnervingly high, that is.
I take my leave here. Thank you for the company and the help. It has been a pleasure working with you, Harry.