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By:Roald Dahl




But what interests me most of all about these two brothers, Harald and Oscar, is this. Although they came from a simple unsophisticated small-town family, both of them, quite independently of one another, developed a powerful interest in beautiful things. As soon as they could afford it, they began to fill their houses with lovely paintings and fine furniture. In addition to that, my father became an expert gardener and above all a collector of alpine plants. My mother used to tell me how the two of them would go on expeditions up into the mountains of Norway and how he would frighten her to death by climbing one-handed up steep cliff-faces to reach small alpine plants growing high up on some rocky ledge. He was also an accomplished wood-carver, and most of the mirror-frames in the house were his own work. So indeed was the entire mantelpiece around the fireplace in the living-room, a splendid design of fruit and foliage and intertwining branches carved in oak.

He was a tremendous diary-writer. I still have one of his many notebooks from the Great War of 1914–18. Every single day during those five war years he would write several pages of comment and observation about the events of the time. He wrote with a pen and although Norwegian was his mother-tongue, he always wrote his diaries in perfect English.



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HOW TO PRONOUNCE NORWEGIAN NAMES:

Sofie = So-fee-ah

Roald = Roo-arl

Astri = Os-tree

Alfhild = Olf-hill-d

Else = El-Sa



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He harboured a curious theory about how to develop a sense of beauty in the minds of his children. Every time my mother became pregnant, he would wait until the last three months of her pregnancy and then he would announce to her that ‘the glorious walks’ must begin. These glorious walks consisted of him taking her to places of great beauty in the countryside and walking with her for about an hour each day so that she could absorb the splendour of the surroundings. His theory was that if the eye of a pregnant woman was constantly observing the beauty of nature, this beauty would somehow become transmitted to the mind of the unborn baby within her womb and that baby would grow up to be a lover of beautiful things. This was the treatment that all of his children received before they were born.





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Do you think Roald Dahl might have based the character of Danny’s dad in Danny the Champion of the World on his own father?

‘My father, without the slightest doubt, was the most marvellous and exciting father any boy ever had. Here is a picture of him.’



‘You might think, if you didn’t know him well, that he was a stern and serious man. He wasn’t. He was actually a wildly funny person. What made him appear so serious was the fact that he never smiled with his mouth. He did it all with his eyes.’



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More About Mama



She was undoubtedly the absolute primary influence on my own life. She had a crystal-clear intellect and a deep interest in almost everything under the sun, from horticulture to cooking to wine to literature to paintings to furniture to birds and dogs and other animals – in other words, in all the lovely things in the world. Her hair, when she let it down, as she did every morning so that she could brush it assiduously, reached three-quarters of the way down her back, and it was always carefully plaited and coiled in a bun on the top of her head.

My mother was widely read. She read the great Norwegian writers in their own language, Ibsen, Hamsun, Undsett and the rest of them, and in English she read the writers of her time, Galsworthy, Arnold Bennett, Kipling etc. When we were young, she told us stories about Norwegian trolls and all the other mythical Norwegian creatures that lived in the dark pine forests, for she was a great teller of tales. Her memory was prodigious and nothing that ever happened to her in her life was forgotten. Embarrassing moments, funny moments, desperate moments were all recounted in every detail and we would listen enthralled.





Kindergarten, 1922–3 (age 6–7)



In 1920, when I was still only three, my mother’s eldest child, my own sister Astri, died from appendicitis. She was seven years old when she died, which was also the age of my own eldest daughter, Olivia, when she died from measles forty-two years later.

Astri was far and away my father’s favourite. He adored her beyond measure and her sudden death left him literally speechless for days afterwards. He was so overwhelmed with grief that when he himself went down with pneumonia a month or so afterwards, he did not much care whether he lived or died.

If they had had penicillin in those days, neither appendicitis nor pneumonia would have been so much of a threat, but with no penicillin or any other magical antibiotic cures, pneumonia in particular was a very dangerous illness indeed. The pneumonia patient, on about the fourth or fifth day, would invariably reach what was known as ‘the crisis’. The temperature soared and the pulse became rapid. The patient had to fight to survive. My father refused to fight. He was thinking, I am quite sure, of his beloved daughter, and he was wanting to join her in heaven. So he died. He was fifty-seven years old.