Mistress(97)
I cross the street and stop short of her.
“They made me do it,” she says.
“I know.” I sigh. “You were in love with Diana.”
She nods. Her eyes well up with tears. “They said if I helped them keep tabs on you, they’d go easier on Diana. And they’d let me see her.”
That’s about what I figured.
“When I first came to you,” she says, “I wasn’t doing it for them. I didn’t even know Diana was alive. I really wanted your help. But they saw me with you, and then they sunk their claws in me. They told me Diana was in custody and that how well she’d be treated depended on how much I helped them.”
None of this is surprising. I take it in without comment. There’s really nothing for me to say to her, which makes me wonder why I’ve come here at all. I guess I just wanted to see her one more time.
She searches my face for something other than bitterness. I’m not sure what she finds.
“That night we had,” she says. “That wasn’t part of the plan. It just happened. I was…kind of a mess at that point. And you’re such a good guy. Anyway, I don’t regret it. I hope you don’t, either.”
But everything else was a lie. That night she called and said she’d been attacked and threatened. Her fear of being prosecuted. All of it was a lie, orchestrated by the feds to get me to stand down.
“They’re never going to let her out of prison,” she says, speaking the words as though she hopes they aren’t true.
But they are true. Diana will spend the rest of her life behind bars.
Anne’s lucky she didn’t get pinched, too. After all, she was Diana’s lover. Didn’t she know Diana was blackmailing the US government? Apparently not—or at least the feds don’t think so.
My guess is she didn’t know. But who am I to judge? This lady fooled me twenty times over.
“You got caught in a tough situation,” I say. “No hard feelings. Move on with your life, Anne.” I consider a hug, or extending my hand, but nothing makes sense. It will probably be a long time, in fact, before any of this fully makes sense to me.
So I just walk away as warm rain drops on my shoulders.
Chapter 112
I thought I was prepared for what I would see when I turned the corner, when the guard pointed to the chair and told me I had thirty minutes and that my conversation would be monitored. But I’m not.
Diana Hotchkiss is dressed in a shapeless orange jumpsuit, as I knew she’d be. Her once silky hair is now a flat mop on her head. Her face is pale, void of any color from makeup or the sun. All this I expected.
What I didn’t expect was her eyes, looking at me through steel bars, hooded and dark and glassy, revealing nothing. She is neither happy nor sad to see me. There is no hope in her expression, no life whatsoever. All emotion has been washed away. Diana is utterly and irrevocably broken.
I shrug my shoulders, unsure of where to possibly begin.
“Were we even friends?” I ask. “Was anything real?”
I hate myself for asking. I don’t want to care about the answer. But I do.
Diana is standing, leaning her back against the wall in her solitary cell, so that I see her in profile. She chews a fingernail that, from the looks of it, has been reduced to a nub already.
“Everybody plays everybody,” she says. “Everybody lies to themselves and others. Everybody uses everybody else.”
That’s what she needs to tell herself. What she did was wrong, but it was just a variation on what everybody else does. A pretty big variation, though. She was helping another country blackmail the United States of America.
“So why am I here, Diana? Why did you ask me to come?”
She takes a moment before answering. “I wanted to apologize,” she says. “I’m sorry I ever got you mixed up with this. I didn’t mean for you, or Nina, or Randy—”
With that, her expression breaks, her composure crumbles, and she is sobbing into her hand. Her cheeks have probably absorbed countless tears over the last weeks, as her life disintegrated before her eyes. I don’t know what she expected to happen. Did she really think this was going to have a happy ending?
Probably not. They’ll probably teach a course on her at Quantico, a case study in self-destructive behavior.
I feel myself pitying her, but then a sudden anger emerges. “What you did to Nina Jacobs was unconscionable,” I say. “Unforgivable.”
Diana’s sobbing escalates to uncontrollable spasms, overcome by the magnitude of her disgrace, her shame, her lack of a future—take your pick. She slides to the floor and cries for the better part of ten minutes.