When the actors appeared, gigantic in their makeup, ankle bells jangling as their feet beat the ground, there was no applause, only rapt attention. The kathakali dancers were famous, trained from their youth in acrobatics as well as the ages-old patterns of the classical dance, knowing the nine distinct movements of the neck and of the eyeballs and the hundreds of hand positions required to re-enact the ancient epics of love and battle, of the encounters of gods and demons, of the valiant fights and bloody treacheries of tradition. The musicians shouted out the words of the stories as the actors, who never spoke, portrayed the awesome exploits of Rama and of the Pandava brothers. Wearing makeup of green and red, or black and stark white, they stalked across the field, skirts billowing, their mirror-sprinkled halos glittering in the light of the lamp.
Occasionally, the lamp would flare or sputter, and it was as if a nimbus of holy or unholy light played about their heads, erasing entirely the sense of the event, causing the spectators to feel for a moment that they themselves were the illusion, and that the great-bodied figures of the cyclopean dance were the only real things in the world.
The dance would continue until daybreak, to end with the rising of the sun. Before daybreak, however, one of the wearers of the saffron robe arrived from the direction of town, made his way through the crowd and spoke into the ear of the Enlightened One.
The Buddha began to rise, appeared to think better of it and reseated himself. He gave a message to the monk, who nodded and departed from the field of the festival.
The Buddha, looking imperturbable, returned his attention to the drama. A monk seated nearby noted that he was tapping his fingers upon the ground, and he decided that the Enlightened One must be keeping time with the drumbeats, for it was common knowledge that he was above such things as impatience.
When the drama had ended and Surya the sun pinked the skirts of Heaven above the eastern rim of the world, it was as if the night just passed had held the crowd prisoner within a tense and frightening dream, from which they were just now released, weary, to wander this day.
The Buddha and his followers set off walking immediately, in the direction of the town. They did not pause to rest along the way, but passed through Alundil at a rapid but dignified gait.
When they came again to the purple grove, the Enlightened One instructed his monks to take rest, and he moved off in the direction of a small pavilion located deep within the wood.
The monk who had brought the message during the drama sat within the pavilion. There he tended the fever of the traveler he had come upon in the marshes, where he walked often to better meditate upon the putrid condition his body would assume after death.
Tathagatha studied the man who lay upon the sleeping mat. His lips were thin and pale; he had a high forehead, high cheekbones, frosty eyebrows, pointed ears; and Tathagatha guessed that when those eyelids rose, the eyes revealed would be of a faded blue or gray. There was a quality of-translucency?-fragility perhaps, about his unconscious form, which might have been caused partly by the fevers that racked his body, but which could not be attributed entirely to them. The small man did not give the impression of being one who would bear the thing that Tathagatha now raised in his hands. Rather, on first viewing, he might seem to be a very old man. If one granted him a second look, and realized then that his colorless hair and his slight frame did not signify advanced age, one might then be struck by something childlike about his appearance. From the condition of his complexion, Tathagatha doubted that he need shave very often. Perhaps a slightly mischievous pucker was now hidden somewhere between his cheeks and the corners of his mouth. Perhaps not, also.
The Buddha raised the crimson strangling cord, which was a thing borne only by the holy executioners of the goddess Kali. He fingered its silken length, and it passed like a serpent through his hand, clinging slightly. He did not doubt but that it was intended to move in such a manner about his throat. Almost unconsciously, he held it and twisted his hands through the necessary movements.
Then he looked up at the wide-eyed monk who had watched him, smiled his imperturbable smile and laid the cord aside. With a damp cloth, the monk wiped the perspiration from the pale brow.
The man on the sleeping mat shuddered at the contact, and his eyes snapped open. The madness of the fever was in them and they did not truly see, but Tathagatha felt a sudden jolt at their contact.
Dark, so dark they were almost jet, and it was impossible to tell where the pupil ended and the iris began. There was something extremely unsettling about eyes of such power in a body so frail and effete.
He reached out and stroked the man's hands, and it was like touching steel, cold and impervious. He drew his fingernail sharply across the back of the right hand. No scratch or indentation marked its passage, and his nail fairly slid, as though across a pane of glass. He squeezed the man's thumbnail and released it. There was no sudden change of color. It was as though these hands were dead or mechanical things.
He continued his examination. The phenomenon ended somewhat above the wrists, occurred again in other places. His hands, breast, abdomen, neck and portions of his back had soaked within the death bath, which gave this special unyielding power. Total immersion would, of course, have proved fatal; but as it was, the man had traded some of his tactile sensitivity for the equivalent of invisible gauntlets, breastplate, neckpiece and back armor of steel. He was indeed one of the select assassins of the terrible goddess.
"Who else knows of this man?" asked the Buddha.
"The monk Simha," replied the other, "who helped me bear him here."
"Did he see"-Tathagatha gestured with his eyes toward the crimson cord-that?" he inquired.
The monk nodded.
"Then go fetch him. Bring him to me at once. Do not mention anything of this to anyone, other than that a pilgrim was taken ill and we are tending him here. I will personally take over his care and minister to his illness."
"Yes, Illustrious One."
The monk hurried forth from the pavilion.
Tathagatha seated himself beside the sleeping mat and waited.
It was two days before the fever broke and intelligence returned to those dark eyes. But during those two days, anyone who passed by the pavilion might have heard the voice of the Enlightened One droning on and on, as though he addressed his sleeping charge. Occasionally, the man himself mumbled and spoke loudly, as those in a fever often do.
On the second day, the man opened his eyes suddenly and stared upward. Then he frowned and turned his bead.
"Good morning, Rild," said Tathagatha.
"You are . . . ?" asked the other, in an unexpected baritone.
"One who teaches the way of liberation," he replied.
"The Buddha?"
"I have been called such."
"Tathagatha?"
"This name, too, have I been given."
The other attempted to rise, failed, settled back. His eyes never left the placid countenance. "How is it that you know my name?" he finally asked.
"In your fever you spoke considerably."
"Yes, I was very sick, and doubtless babbling. It was in that cursed swamp that I took the chill."
Tathagatha smiled. "One of the disadvantages of traveling alone is that when you fall there is none to assist you."
"True," acknowledged the other, and his eyes closed once more and his breathing deepened.
Tathagatha remained in the lotus posture, waiting.
When Rild awakened again, it was evening. "Thirsty," he said.
Tathagatha gave him water. "Hungry?" he asked.
"No, not yet. My stomach would rebel."
He raised himself up onto his elbows and stared at his attendant. Then he sank back upon the mat. "You are the one," he announced.
"Yes," replied the other.
"What are you going to do?"
"Feed you, when you say you are hungry."
"I mean, after that."
"Watch as you sleep, lest you lapse again into the fever."
"That is not what I meant."
"I know."
"After I have eaten and rested and recovered my strength-what then?"
Tathagatha smiled as he drew the silken cord from somewhere beneath his robe. "Nothing," he replied, "nothing at all," and he draped the cord across Rild's shoulder and withdrew his hand.
The other shook his head and leaned back. He reached up and fingered the length of crimson. He twined it about his fingers and then about his wrist. He stroked it.
"It is holy," he said, after a time.
"So it would seem."
"You know its use, and its purpose?"
"Of course."
"Why then will you do nothing at all?"
"I have no need to move or to act. All things come to me. If anything is to be done, it is you who will do it."
"I do not understand."
"I know that, too."
The man stared into the shadows overhead. "I will attempt to eat now," he announced.
Tathagatha gave him broth and bread, which he managed to keep down. Then he drank more water, and when he had finished he was breathing heavily.
"You have offended Heaven," he stated.
"Of that, I am aware."
"And you have detracted from the glory of a goddess, whose supremacy here has always been undisputed."
"I know."
"But I owe you my life, and I have eaten your bread."