Lola and the Boy Next Door(12)
It’s chaotic, but I love it. My bedroom is my sanctuary.
I glance at Cricket’s room. Bare walls, bare floor. Empty. He acknowledges my gaze. “Not what it used to be, is it?” he asks.
Before they moved, it was as cluttered as my own. Coffee canisters filled with gears and cogs and nuts and wheels and bolts. Scribbled blueprints taped up beside star charts and the periodic table. Lightbulbs and copper wire and disassembled clocks. And always the Rube Goldberg machines.
Rube was famous for drawing those cartoons of complex machines performing simple tasks. You know, where you pull the string so that the boot kicks over the cup, which releases the ball, which lands in the track, which rolls onto the teeter-totter, which releases the hammer that turns off your light switch? That was Cricket’s bedroom.
I give him a wary smile. “It’s a little different, CGB.”
“You remember my middle name?” His eyebrows shoot up in surprise.
“It’s not like it’s easy to forget, Cricket Graham Bell.”
Yeah. The Bell family is THAT Bell family. As in telephone. As in one of the most important inventions in history.
He rubs his forehead. “My parents did burden me with unfortunate nomenclature.”
“Please.” I let out a laugh. “You used to brag about it all the time.”
“Things change.” His blue eyes widen as if he’s joking, but there’s something flat behind his expression. It’s uncomfortable. Cricket was always proud of his family name. As an inventor, just like his great-great-great-grandfather, it was impossible for him not to be.
Abruptly, he lurches backward into the shadows of his room. “I should catch the train. School tomorrow.”
The action startles me. “Oh.”
And then he bounds forward again, and his face is illuminated by pink and white twinkle lights. His difficult equation face. “See you around?”
What else can I say? I gesture at my window. “I’ll be here.”
chapter five
Max picks his black shirt off his apartment floor and pulls it on. I’m already dressed again. Today I’m a strawberry. A sweet red dress from the fifties, a long necklace of tiny black beads, and a dark green wig cut into a severe Louise Brooks bob. My boyfriend playfully bites my arm, which smells of sweat and berry lotion.
“You okay?” he asks. He doesn’t mean the bite.
I nod. And it was better. “Let’s get burritos. I’m craving guacamole and pintos.” I don’t mention that I also want to leave before his roommate, Amphetamine’s drummer, comes home. Johnny’s a decent guy, but sometimes I feel out of my depth when Max’s friends are around. I like it when it’s just the two of us.
Max grabs his wallet. “You got it, Lo-li-ta,” he sings.
I smack his shoulder, and he gives me his signature, suggestive half grin. He knows I hate that nickname. No one is allowed to call me Lolita, not even my boyfriend, not even in private. I am not some gross old man’s obsession. Max isn’t Humbert Humbert, and I am not his nymphet.
“That’s your last warning,” I say. “And you just bought my burrito.”
“Extra guacamole.” He seals his promise with a deep kiss as my phone rings. Andy.
My face flushes. “Sorry.”
He turns away in frustration but says softly, “Don’t be.”
I tell Andy we’re already at the restaurant, and we’ve just been walking around. I’m pretty sure he buys it. The mood killed, Max and I choose a place only a block away. It has plastic green saguaro lights in the windows and papier-mâché parrots hanging from the ceiling. Max lives in the Mission, the neighborhood beside mine, which has no shortage of amazing Mexican restaurants.
The waiter brings us salty chips and extra-hot salsa, and I tell Max about school, which starts again in three days. I’m so over it. I’m ready for college, ready to begin my career. I want to design costumes for movies and the stage. Someday I’ll walk the red carpets in something never seen before, like Lizzy Gardiner when she accepted her Oscar for The Adventures of Priscilla, Queen of the Desert in a dress made out of golden credit cards. Only mine will be made out of something new and different.
Like strips of photo-booth pictures or chains of white roses or Mexican lotería cards. Or maybe I’ll wear a great pair of swashbuckling boots and a plumed hat. And I’ll swagger to the stage with a saber on my belt and a heavy pistol in my holster, and I’ll thank my parents for showing me Gone with the Wind when I had the flu in second grade, because it taught me everything I needed to know about hoop skirts.
Mainly, that I needed one. And badly.