How to Impress a Marquess(24)

Lilith wasn’t deceived by having the conversation turned against her. “You didn’t save them, did you?”

Lady Marylewick’s lips tightened and quivered. She quickly spread them back into a smile. “Perhaps after the party I shall have them taken out and viewed. Good night, Miss Dahlgren. May you wake up tomorrow in better humor. Traveling is quite tiring on a lady’s delicate constitution.”

Lilith had seen all she required. She strolled from the room, closed the door behind her, and leaned her back against it. She rubbed her temples.

“Pardon me,” a female voice said. “I must speak with Lady Marylewick.”

Lilith raised her head to find Beatrice before her, hugging her notebook to her chest, her eyes cast down. How long had she been there?

Lilith tried to push away her anger at Lady Marylewick and reached out to her sister. “Beatrice, I’m so happy to see you. We have much to talk about. You must tell me about your love for science. I want to hear all your wonderful thoughts.”

Beatrice didn’t look up. “I need to tell Lady Marylewick the supper menu for the ball must be changed.” She reached for the knob, but Lilith didn’t move.

“Thank you for helping with this house party,” Lilith said. “Lord Marylewick is correct, you will be a grand hostess.” She paused and then slowly added, “If that is what you want, of course.”

Beatrice’s eyes turned hot, as if Lilith had insulted her. “Naturally, I should want to be a grand hostess someday. It is the proper thing. It is what I am to do. Lady Marylewick has been so kind to me.” The words “and you have not” remained unsaid but loudly heard.

“Oh,” Lilith said.

Beatrice glanced away.

“H-how are your brothers?” Lilith asked.

“They are your brothers, as well. Shouldn’t you know? Perhaps you should write to them or…or me.”

The words pierced Lilith’s heart. “Yes, I should. I’m very sorry.”

“Our brothers are away, studying at Eton.” An odd plaintiveness ran beneath her words.

“Would you like to study, too?” Lilith guessed. “To learn more about, I don’t know, astronomy or engineering?”

“Ladies shouldn’t enjoy rigorous study. It’s unnatural. It draws energy away from their nurturing regions.”

“You don’t truly believe that claptrap, do you?”

Beatrice paused for a beat. “Pardon me, I really must speak to Lady Marylewick.”

Lilith stepped aside, letting Beatrice pass.



As Lilith trudged through the maze of corridors, her heart ached with that same numb, shocked hurt of finding Edgar and Frances gone. All the beliefs she had clung to these many years were being yanked from her grasp. She could clearly see the damage Lady Marylewick and her husband had done to Penelope and George, and now her half-sibling was trapped under the harsh Maryle influence. The family had problems, but did she really need to help solve them? Hadn’t the Maryles caused her enough pain? To be mucking around in their secrets would sink her deeper into their lives. Some mysteries weren’t meant to be solved.





Eleven


Inside the lush women’s quarters of the sultan’s palace, Colette’s travelling robes were removed. Stained glass windows muted the light filtering into the great room. A fountain built into the mosaic floor trickled a low, lulling sound that blended with the quiet murmur of conversation among the other women—the sultan’s concubines. They watched Colette curiously, whispering among themselves. Colette huddled in a corner upon a cushion and tried to remember her old home by the sparkling sea.

She had been weak several times on the journey and almost had given her body to the evil sultan when under the spell of his lovely voice, but Lilith Dahlgren, the author of this story, cruelly intervened.

The great doors flung open and a tall woman with blazing black eyes and a flowing embroidered robe and veil strode in. She was flanked by two powerful eunuchs. The concubines quickly rose to their feet. This woman paid no attention to them but headed to Colette.

“So you are the slave he speaks of.” The woman’s voice was blunt as a dull knife. “The one who knows how to make Greek Fire.”

Colette lifted her eyes.

“I am the valide sultan,” the woman thundered. “I am the most powerful woman in the land. I manage every aspect of this palace. Humble yourself before me.”

Colette bowed her head. The woman leaned over and hissed in Colette’s ear. “You will never be more than a lowly slave. Not even a concubine. Don’t think you can tempt him by withholding your secret.”

Colette could only laugh at the woman’s threats. “I want nothing of your palace or family. I want to go home.”

“Hah! You will never see your home again, slave. But if you tell the sultan the formula, he may spare your life.”

The valide sultan spun, her flapping robes creating a draft of air as she strode out. “Don’t let her eat or drink or give her her clothes until she reveals the formula,” she ordered the eunuchs. “I am not as merciful as my son.”

Colette buried her face in her hands. Her life was over. It would end here, hundreds of miles from home among strangers.

She felt a kindly hand on her shoulder and raised her head to see a young green-eyed woman. “I’m from Greece too. I was so lonely when I was first captured and sold. But then the sultan took me in and gave me a kind home. Don’t cry.”

“This will never be my home,” Colette said.

“But you can’t leave unless the sultan marries you off to someone else,” the woman replied.

A stunning woman with Nubian features stepped forward. “Or you find the secret box. Its contents will set you free.”

“Shh,” one of the concubines said. “We are never to speak of the secret box. We will anger the sultan, our exalted and kind master.”

But Colette was unconcerned about the sultan’s wrath. He would never be her master. What was in that secret box?

“Muse, no!” Lilith cried. “I know what you are proposing. It’s quite transparent. You want me to go up into the attics to find George’s childhood art that Penelope hid, for the sake of research. Well, I refuse. Now let’s mark through this entire scene and return to the tent where Colette will make a daring escape—with her clothes on—and the sultan will be killed by a tiger or…or…some other deadly animal indigenous to Turkey.”

Lilith kept her pen poised, waiting for her muse to behave. Several minutes passed. Black ink dripped onto the page.

“I told you, Muse, I’m not climbing into the scary and who-knows-what infested attics in the middle of the night, in my nightdress, so you will be inspired to write. I’m going to bed. When I wake up, I hope I find a new and more cooperative muse. You’re horrible.”

She replaced her pages, locked up her portfolio, and then hid it deep in the wardrobe. She placed her Keats volume on the nightstand, extinguished the lamp, and slipped beneath the covers.

Still the muse whispered, Go to the attics. A real writer seeks the truth.

Lilith smashed the pillow over her head, a symbolic gesture that she wasn’t going to listen.

Then the muse turned vicious. Keats would have gone in the attics.



At two in the morning, Lilith, holding a lamp, tiptoed through the corridors in a nightdress, shawl, and boots.

All those painted ancestors lining the halls took on sinister expressions in the dim, early hours. She ascended round tower stairs to the top floor. No one inhabited these rooms, but the scurry and scratch above her head and the tiny black droppings under her feet indicated that she wasn’t alone. She lifted her lamp, casting an oval of light all the way down the attic corridor crammed with pots, bottles, and trunks. She edged along the tiny path blazed in the rubbish to the back garret room, where Penelope said she had put the art. Once there, she only found more trunks stacked almost to the rafters. Lilith’s ambition flagged.

For the next two hours she dug through yellowing household accounts, absolutely hideous clothes from the 1830s full of enormous puffs and pleats, moldy shoes, cracked spectacles, ugly samplers, two sets of dentures, decades’ worth of Gentlemen’s Quarterly, old parliamentary wigs that now made cozy insect homes, and wall ornaments made of human hair, but no paintings or illustrations. At four in the morning, the lamp oil was almost gone and she was coated in dust and other things she preferred not to think about. Her arms and back ached, and she cursed her muse in terms that would have impressed the crustiest of dockworkers.

“One more trunk,” she told the muse. “That’s it. Because this little misadventure is making me question my sanity.”

Penelope hid that art so long ago that a thousand different things could have happened to it.

Lilith slid one inspected trunk atop another to reveal an upturned blue floral chamber pot.

Eww!

She used her foot to slide the pot, but it wouldn’t budge. Hmmm. Something was beneath it. She tipped it with her toes. Inside was a small trunk, the kind made for china dolls and their wardrobes. The words “Kep Out” were carved into the wood.

Lilith drew her lamp closer, her breath quickening.

She undid the latch. Pop. The lid sprang up to reveal another clumsily sewn child’s sampler.