Havoc:Mayhem Series #4(39)

"Uh-" I panic, unwilling to surrender my secrets. "When my puppy died," I lie, chewing on my bottom lip.

"Perfect!" Paul says, and I've never seen someone so happy to hear about  the death of a puppy. "I want you to remember how you felt when your  puppy died. I want you to remember feeling like you'd never recover from  that loss. And then I want you to imagine that freedom from that pain  is within reach. Happiness is waiting for you on that platform over  there-"

He points, and my eyes lift to see Mike standing on the platform, arms  crossed over his chest, watching me. Rowan waves, and the rest of the  band watch me too. But it's Mike that I focus on when the director says,  "Imagine that you're walking toward that feeling. Maybe happiness is a  color. Maybe it's a sound. Maybe it's your puppy. In the video, it's  going to be a song. That song is going to make you love life again,  Hailey. You just have to walk through the darkness to get to it.

"Okay?" he asks, and I pull my eyes from Mike to nod.

One last squeeze of my shoulder, a few last words of encouragement, and  then the director takes his place behind the big rolling camera again.  His fingers count three, two, one.

A clapboard slaps shut.

My eyes lock on Mike.

And I walk.





Chapter 32




It's insane, how much filming goes into a three-minute-long music video.  We cut after every shot, every angle. Paul films shots of me standing  in the woods, emerging from the woods, walking toward the pond. Fifty  zillion takes, from at least a gajillion different cameras. Then he gets  shots of me walking through the crowd that's rocking out around the  pond. "Be a pebble through water," he instructs me, and I try to be a  freaking pebble.

The moon gets higher and higher, and not all of the shots include me,  thank God. Paul gets plenty of shots of the band playing onstage, and I  enjoy just watching them as their new song pours out of the speakers  hung around the clearing. Even though the prerecorded song will be in  the final video, the band scraps the production team's plan and insists  on playing it live for the fans, and the fans' enthusiasm is authentic.  Hands in the air, wild excitement on their faces. Paul gets shots of  them jumping up and down to the song, of the band playing it, and then  we do it all over again for the drones that fly overhead.

The final shots are of me walking onto the dock while the band is  playing, and then of me walking onto the platform after everything has  been cleared off of it. It's just me walking out into the middle, and  then spinning around and around with my arms spread wide and my red  dress twirling out around me.

"Let it all go," Paul had instructed me. "You're in school, right? Just  open up as you spin, and let your homework go, let your finals go, let  your student loans go . . . Anything you can think of that's been  weighing you down, just twirl around and let it all go."

With thousands of people watching me, I spin round and around and around  on that dock, the night air kissing my skin as I lose myself in the  feeling I've been chasing after all night. I close my eyes and turn my  face to the night sky, doing as Paul directed: I let my classes go, I  let my debt to my uncle go. Twirling faster, I let Danica's crushing  presence go, I let her ultimatum go, and then I let her go completely. I  remember Mike telling me he loves me, and this time, Danica isn't  there. It's just me and him, and I feel what I should have felt when I  heard him say those words. I smile at the moon, and I spin, and I spin,  and I spin.

"Cut!" Paul shouts, bringing me down from starlit clouds. I slow to a  stop, laughing as the world continues spinning without me. The trees  blur and I struggle to find my balance, expecting Paul to bark orders  for another take, but instead, he stands up from his director's chair at  the end of the dock and shouts, "We got it! That's a wrap!"

He gives me a thumbs-up as thousands of people burst into cheers and  applause, and I plop down on the platform, lying back while I wait for  my head to stop spinning. I'm smiling at the moon when Mike's face  appears in its place, and then I smile at him instead.                       
       
           



       

"You killed it," he praises, offering me his hand. I reach up to grasp  it, but instead of letting him help me up, I surrender to impulse and  tug him down beside me.

Mike lies on his back, his shoulder pressed against mine.

"I leave in ten hours," he says, and I reach down and link my fingers  with his. I hold on, even when I know I have to let go. He was never  mine to hold on to.

"I don't want to go," he confesses, and I finally look over at him. He  should be happy-his band just finished shooting an epic music video, a  massive party is about to start, he's going on an international tour  tomorrow . . . but I find none of that in his eyes as he stares somberly  over at me.

"Why?" I ask, and he holds my hand tighter.

"I haven't even gotten to take you out yet," he says, and my heart  doesn't know if it wants to cartwheel or simply curl up in a ball and  cry.

"Fancy restaurants are overrated."

At my failed words of comfort, the corner of Mike's mouth kicks up. "I wasn't going to take you to a fancy restaurant."

"Where were you going to take me?"

"Ice cream," he says, and at the expression on my face, his laugh lines appear.

"In October?" I ask, and when he nods, I realize I'm smiling. I can see  us-side by side on a little bench outside the parlor, teeth chattering  from the ice cream, Mike's arm wrapped around me to keep me warm, me  laughing because of how perfect it all is.

My heart starts to ache, and Mike and I both lift our chins when footsteps begin to clatter against the steel grating.

"Sorry to interrupt," Shawn says with sincere apology in his voice. He  scratches his fingers uncomfortably through his hair. "But it's time to  set the equipment back up."



Back on dry land, after being showered with hugs and kind words from  Jillian, Paul, and the rest of the staff, I head for the long row of  Porta-Pottys back up the access road. Dee, Rowan, and even Kit offered  to go with me, but honestly, after being literally surrounded by people  for the past five hours, I need some alone time.

I regret my decision almost as soon as I step back out of the  Porta-Potty. The after party is in full swing-judging by the music I  hear blasting back in the clearing-and waves upon waves of people are  heading in that direction. I overheard Adam saying earlier that a lot  more people were going to come afterward, since the band couldn't  accommodate everyone who wanted to be in the music video, but I never  anticipated this many people.

I get swallowed in the current as I make my way back toward the pond,  and once I get to the clearing, I realize I have no idea where anyone  is. I know the band must be performing out on the water, but the space  around the pond is absolutely swarmed with people, and there's no way my  five-foot self is going anywhere near it, not after my experience with  armpit guy at the band's concert a few weeks ago. I fish my phone out of  my jacket and consider calling Rowan or Dee to find out where they are,  but I pocket it when I realize they're never going to hear their  ringers over the blaring music consuming this entire forest.

Instead, I walk. In my red dress and my black boots, I walk through the  grass and pretend I know where I'm going, which is no easy task  considering that the entire space has been transformed. Fog machines  that were used earlier to make the woods look eerie have been turned up  to full blast, and all throughout the clearing, blue strobe lights and  lasers cut through the haze. A firework explodes in the sky, and I look  up to see a waterfall of white sparks fall from the moon. Cheers erupt  all around me while I just stand there with my eyes pointed at the sky,  mouth parted in awe.

A shiver sends goose bumps up my arms, and I lower my eyes just as a  woman handing out glow necklaces passes me. The night lights up with  glow sticks and glow necklaces and glow bracelets, and then the Solo  cups start multiplying, and I realize I'm nearing the kegs. And beside  the kegs, food trucks advertising free pizza, free pretzels, free funnel  cake. Someone carrying cotton candy walks past me, and I realize I am  so, so, so incredibly lost.

I keep walking, and my eyes start playing tricks on me. I think I see  Kit in the crowd, but it ends up not even being a girl-just a guy with  the same incredibly smooth black hair and the same fair skin tone. And  beside him, another guy with a buzzed head who also looks strikingly  like Kit. And a few feet away, flirting with a group of girls: yet  another ridiculously tall guy who looks just like Kit.