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Full Dark House(7)

By:Christopher Fowler


He stared at the words on the screen and thought back to their first meeting in the Blitz. That strange, exhilarating time had also ended with a consignment to flames. It was as though events had somehow come full circle. Bryant had known that his actions could place him at risk. Why else would he encode the memoir and hide it?

The elliptical translation wasn’t enough to provide an explanation. May knew he would have to rely on his own elusive memories in order to appreciate what had happened. As the sun slipped below the trees and the shadows became scented with damp earth, he closed his eyes and allowed his thoughts to drift across over half a century, to a time when London’s character was put to a test few other cities could have hoped to survive.

He tried to remember how the seeds of their future had been sown. It was 1940. It was November. A nation was at war, and the world had blundered into darkness.





4

SKY ON FIRE

Viewed from the far perspective of world terrorism, the wartime bombing of London now seems unimaginably distant. But the blossoming white dust clouds, debris bursting through them like the stamens of poisoned flowers, contained the same moment of horror common to all such events.

The conflict had been so long anticipated that in some perverse way its arrival was a relief. The people of Britain had methodically prepared their defences. This time the island did not wait to recruit its forces. Conscription created armies, and attacks were launched by sea and sky. For those who remained behind, daily life took strange new forms. Children carried their gas masks to school. Public information leaflets explained the rules of the blackout. Rationing made the nation healthier. An aura of orderly common sense settled across the city of London.

As the fittest men were conscripted, the streets grew quieter, and an air of becalmed expectancy prevailed. It felt as though a great change was drawing near. More civilians found a purpose in war than in peace. Nothing could be taken for granted, not even an extra day of life. For those who were as old as the century, it was the second time to fight.

In 1939, London was the largest city in the world. The riches of the British empire still poured through its financial institutions. Memories of the Depression had faded. Good times, boom times, had arrived. Despite the false celebration of ‘peace in our time’, rearmament paved the way to prosperity. One still saw reminders of the Great War on the streets: one-armed liftmen, blinded match-sellers, men who stuttered and shook when you spoke to them. During that earlier conflict, German airships had bombed the city but managed to kill only 670 people. Surely, everyone said, it would not happen again.

Even so, the Committee of Imperial Defence had begun a study into air-raid precautions as early as 1924. They calculated how many bombs could be dropped by Germany should hostilities recommence, and how many people they would kill. Every ton of explosive would cause fifty casualties, a third of them fatal. Three thousand five hundred bombs would fall on London in the first twenty-four hours. It would be essential to maintain public order, to prevent the city from descending into a living hell. For the first time in a war, the reinforcement of morale at home became a priority.

The first bomb to explode in London was not dropped by the Germans but planted by the IRA, and aimed at the most prosaic of targets—Whiteley’s emporium in Bayswater. German bombers could not reach their target, and the city had become an impregnable citadel. The country’s prime minister had seen active military service, and was experienced in the way of warfare. The King remained in Buckingham Palace. The government, the monarchy, the people were seen to be moving in one direction. The shops remained open. The deckchairs were set out in Hyde Park, and the band played on.

But by November 1940, the uneasy anticlimax of the Twilight War had been over for six months, and the Blitz had become a way of life. After the fall of France, the nation was braced for imminent invasion, and Londoners were so used to living under the constant threat of air attack that they simply went on with their business. ‘Taking it’ became part of the fight, as important as attacking.

Bombs were particularly devastating when they hit crowded stations. One hundred and eleven people were crushed and blown apart at Bank station. Sixty-four were drowned in cascading mud at Balham. Everyone knew someone who had died, or who had narrowly escaped death. The thin newspapers were filled with vague news of victories, but personal experience suggested only misery and endurance.

Images etched themselves in John May’s mind and remained there throughout his life: a bus standing on its end, a warden hugging a silent, terrified child, a bright blue hat at the edge of a blood-spattered crater. One night, audiences emerged from Faust at Sadler’s Wells to find the sky on fire. If London was the centre of the world, the world was burning. It was a violent place in which to discover a purpose. It was a good place to forge a friendship.