Forty Rules of Love(86)

I was relieved to see the sovereign Kaykhusraw sitting with his advisers in the front row. That a man of such a high rank supported my father would keep tongues quiet.

It took a long time for the members of the audience to settle down, and even after they had, the noise inside didn’t fully subside and there remained a murmur of heated gossip. In my itch to sit next to someone who would not speak ill of Shams, I sat next to Suleiman the Drunk. The man reeked of wine, but I didn’t mind.

My legs were jumpy, my palms sweaty, and though the air was warm enough for us to take off our cloaks, my teeth chattered. This performance was so important for my father’s declining reputation. I prayed to God, but since I didn’t know what exactly to ask for, other than things turning out all right, my prayer sounded too lame.

Shortly there came a sound, first from far away, and then it drew nearer. It was so captivating and moving that all held their breath, listening.

“What kind of an instrument is this?” Suleiman whispered with a mixture of awe and delight.

“It is called the ney,” I said, remembering a conversation between my father and Shams. “And its sound is the sigh of the lover for the beloved.”

When the ney abated, my father appeared onstage. With measured, soft steps, he approached and greeted the audience. Six dervishes followed him, all my father’s disciples, all wearing long white garments with large skirts. They crossed their hands on their chests, bowing in front of my father to get his blessing. Then the music started, and, one by one, the dervishes began to spin, first slowly, then with breathtaking speed, their skirts opening up like lotus flowers.

It was quite a scene. I couldn’t help but smile with pride and joy. Out of the corner of my eye, I checked the reaction of the audience. Even the nastiest gossipers were watching the performance with visible admiration.

The dervishes whirled and whirled for what seemed like an eternity. Then the music rose, the sound of a rebab from behind a curtain catching up with the ney and the drums. And that was when Shams of Tabriz entered the stage, like the wild desert wind. Wearing a darker robe than everyone else and looking taller, he was also spinning faster. His hands were wide open toward the sky, as was his face, like a sunflower in search of the sun.

I heard many people in the audience gasp with awe. Even those who hated Shams of Tabriz seemed to have fallen under the spell of the moment. I glanced at my father. While Shams spun in a frenzy and the disciples whirled more slowly in their orbits, my father remained as still as an old oak tree, wise and calm, his lips constantly moving in prayer.

Finally the music slowed down. All at once the dervishes stopped whirling, each lotus flower closing up into itself. With a tender salute, my father blessed everyone onstage and in the audience, and for a moment it was as if we were all connected in perfect harmony. A thick, sudden silence ensued. Nobody knew how to react. Nobody had seen anything like this before.

My father’s voice pierced the silence. “This, my friends, is called the sema—the dance of the whirling dervishes. From this day on, dervishes of every age will dance the sema. One hand pointed up to the sky, the other hand pointing down to earth, every speck of love we receive from God, we pledge to distribute to the people.”

The audience smiled and mumbled in agreement. There was a warm, friendly commotion all over the hall. I was so touched by seeing this affirming response that tears welled up in my eyes. At long last my father and Shams were beginning to receive the respect and love that they most certainly deserved.

The evening could have ended on that warm note and I could have gone home a happy man, feeling confident that things were improving, had it not been for what happened next, ruining everything.





Suleiman the Drunk





KONYA, JUNE 1246

Blood and thunder! What an unforgettable evening! I still have not recovered from its effects. And of all the things that I have witnessed tonight, the most startling was the finale.

After the sema, the great Kaykhusraw II stood up, his eyes ranging round the room imperiously. In consummate smugness he approached the stage, and after giving a great whoop of laughter, he said, “Congratulations, dervishes! I was impressed by your performance.”

Rumi gracefully thanked him, and all the dervishes onstage did the same. Then the musicians stood up together and greeted the sovereign with ultimate respect. His face brimming with satisfaction, Kaykhusraw signaled to one of his guards, who immediately handed him a velvet pouch. Kaykhusraw bounced the pouch in his palm several times to show how heavy it was with golden coins and then flung it onto the stage. People around me sighed and applauded. So deeply were we moved by the generosity of our ruler.