Folly Du Jour(5)

’ In a second, the woman had slid into the chair at his side and had grasped his hand in greeting. She leaned and whispered into his ear: ‘George! How wonderful to see you again! And how touching to find you still recognize me – and in the dark too! Alice? Am I then still Alice for you?’

‘Always were. Always will be. Alice,’ he mumbled, struggling for a measure of control. He hunted for and caught her hands in his, pressing them together, moving his grasp to encircle both her slim wrists in one of his great hands, his gnarled fingers closing in an iron and inescapable grip.

‘And, Alice Conyers, you’re under arrest.’





Chapter Three


She laughed and winced but made no attempt to struggle. ‘Let’s enjoy the performance first, shall we? And . . . who knows? . . . perhaps I’ll surrender to you later, George?’

Her purring voice had always, for him, spoken with a teasing double entendre in every sentence. He had dismissed it as a delusion, the product of his own susceptibility, a fantasy sprung from overheated and hopeless senile lust. No one else had ever remarked on it. But the voice he was hearing again, the style, the breathed assumed intimacy – all this was telling him that it was indeed Alice he held in his grasp.

‘I do hope you’re prepared, George? This can be rather stimulating! The show, I mean! Elderly gents carted off, blue in the face and frothing at the mouth, every evening, I hear. Got your pills to hand, have you? Last will and testament in order? Perhaps you should tell me whom to ring just in case . . .’ She broke off at the first twitch of the pearl-grey curtains. The lightly insolent tone was unmistakable and he remembered how he’d missed it. George swallowed painfully, unable to reply.

With a thousand questions to ask the woman at his side, a thousand things to tell her, he was reduced to silence by the swish of the curtains as they swung back revealing a brilliantly lit scene. George stared at the kaleidoscope of vivid colours filling the stage, a controlled explosion of fabrics and patterns. The set conjured up the interior of a sumptuous Parisian department store – or was it meant to be a boutique on the rue de la Paix? Silks, velvets, chiffons and furs hung draped about the stage, arranged with an artist’s eye for effect. After the minutes of darkness, the assault on the sense of sight was calculatedly overwhelming. Another surprise followed swiftly. Set here and there against the background colours, a number of dressmakers’ dummies – mannequins, they called them over here – gleamed pale, their pure, sculpted nakedness accentuated by the profusion of clothes behind them. At a teasing spiral of sound from the orchestra the figures came to life and began to parade about the stage.

They were actually moving about! Dancing! George could hardly believe his eyes. He released Alice’s wrists at once and cleared his throat in embarrassment. A scene of this nature could never have been staged in London. He tensed, wondering whether he should at once set an example and make noisily for the exit, tearing up his pro-gramme and tossing it into the audience like confetti in the time-honoured tradition, snorting his disapproval. Writing off the remainder of what promised to be a disastrous evening. Apparently catching and understanding his sudden uncertainty, his companion put a hand on his arm, gently restraining.

George watched on. Was it his imagination . . . or . . .? No. He had it right. The girls, without exception, were tall and lovely and – yes – one would expect that of chorus girls. Rumour had it that they were all shipped in from England. But this bunch were all blonde or titian-haired with alabaster-white skin. After the years of exposure to Indian-brown limbs, this degree of paleness struck him as exaggeratedly lewd. While he was pondering the reasons for this blatant piece of artistic stage management, the girls started on their routine.

To his bemusement the chorus-girl-mannequins were beginning to act out a scene of shopping. They were selecting garments held out for their inspection by a group of vendeuses whose sketchy notion of uniform appeared to be a pair of black satin gloves and a black bow tie. Their clients inspected the garments on offer and saucily began to put them on, layer by layer, tantalizingly and wittily not always in the expected order. It was a while before George realized what was going on and when he did he began to shake with suppressed guffaws.

Alice leaned close and whispered: ‘A striptease in reverse. They start naked and end up in fur coats. Different, you’d have to admit! You’re to think of this as an aperitif,’ she murmured.

The girls, fully clothed at last, eventually took a bow to laughter and applause and swayed off, flirtily trailing feather boas, silk trains and mink stoles, leaving the stage empty.