His conflict was cut short by an arresting fanfare of notes on a trumpet followed at once by a blaring blue jazz riff from the orchestra pit. He was aware of a simultaneous dimming of the electric house lights. The blonde girl across the way opened her mouth in anticipation and wriggled forward in her seat with the eagerness of a six-year-old at a pantomime. George sighed and came to a decision. In the seconds before the light faded, he did what he could. Oblivious of the hush descending on the crowd, he rose to his feet and slipped on his white gloves. He sought out and held the eye of his opposite number.
Imperious, imperial and impressive, over the width of the auditorium, Sir George Jardine delivered a command.
Chapter Two
Abandon target! Withdraw at once!
The soldier’s silent hand language flashed, eerily blue in the dimming house lights, across to the opposite box. Unmistakable to a man who had been a fellow officer. On the Frontier, grappling often in hand-to-hand combat with lethally savage tribesmen, officers had learned from their enemy that in close proximity you communicated in silence as they did or you got your head shot off. Would Somerton remember and respond? Or would the man summon up what vestiges of self-respect he still had, to affect ignorance or rejection of the old code? George calculated that he could not depend on touching any finer feeling, on awakening any sense of regimental pride across the void. No – ugly threat was the only weapon left in his armoury. To emphasize his point, he added a universally recognized gesture. He drew the forefinger of his left hand slowly across his throat. Do as I say or else . . .
At that, Somerton threw back his head and laughed. Shaking with amusement and hardly able to keep his hands steady, in the moment before the last light went out, he returned the signal: Message received and understood.
Bloody French audiences! George remembered they always took their time settling. But the musicians seemed to be well aware of this and mastering the situation. The trumpet solo had silenced most and there now followed, as the last mutterings faded, the last shuffling subsided, a clarinet performance which stunned George with its fluency. Not his style of music at all. Jazz. But he could see the point of it and had been made to listen to the quantities of recordings that had filtered through to Simla and Delhi along with the ubiquitous gramophone. It was one of his party tricks to discuss in an avuncular way the latest crazes with his young entourage. And this was an experience he would want to share with them on his return. What he was hearing, all his musical senses were telling him, was exceptional. He rummaged in his pocket and took out his cigar-lighter. A discreet flick of the flame over his programme gave him the name: Sidney Bechet. English? French? Could be either. Even American perhaps? He’d file the name away. The chap was an artist. Could take his place in the wind section of the Royal Philharmonic any day. Given the right material to play.
He was so absorbed by the music, leaning forward over the edge in an attempt to get a clearer view of the almost invisible soloist, he didn’t hear her enter. The presence of a stranger in his box was betrayed by a rush of remembered scent carried towards him on a sudden air current as the door opened quietly and closed again. The effect on George was instant. Memories had ambushed him before he could even turn his head.
The scent of an Indian garden at twilight . . . L’Heure Bleue he’d been informed when he’d dispatched some gauche young subaltern to make discreet enquiries. The aide had returned oozing information, parroting on about vanilla, iris and spices. George had been gratified and amused that the young man had been received with such voluble courtesy by the wearer. Amused but not surprised; she had always been able to charm . . . enslave wouldn’t be too strong a word . . . his impressionable young men.
The name said it all. The Twilight Hour. He didn’t need to listen to accounts of top-notes and bases. It spoke, for him, in a voice soft as velvet, of the swift, magical dark blue moment between sunset and starlight. But, intriguingly, it brought with it an undertow of something sinister . . . bitter almonds . . . the scent of death. George shivered. The scent of a woman long dead. A woman he had mourned for five years. Silently in his heart, never in his speech.
And here, in this gaudy box, in frenetic Paris, the scent seemed as out of place as he was himself. He whirled angrily to confront whoever had invaded his privacy and – idiotically – with a thought to challenge the invader for daring to wear a perfume which for him would forever be the essence of one woman: Alice.
‘Alice?’
George’s voice was an indistinct croak expressing his disbelief, his raised hand not a greeting but an exorcism, an instinctive gesture of self-protection, as he peered through the gloom, focusing on the dark-clad figure standing by the door. An elegant gloved hand released the hood of the opera cloak allowing it to slide down on to her shoulders. He could just make out, with the aid of the remaining dim light from the orchestra pit, the sleek shape of a blonde head but the face was indistinguishable. Her finger went to her lips and he heard a whispered: ‘Chut!