Fever(69)
The second can was filled with more of the same. Plus brand-name bags of fruit, vegetables, fried potatoes; TV dinners and other kinds of quick meals. The sort of items you buy in the freezer sections of supermarkets.
Discarded and long-thawed frozen goods, all of it.
As if somebody had emptied out a freezer.
I slammed the lid down, backed out of the enclosure, and opened the side door to the garage. Dark, empty, the only odors those of oil and dust. I found a light switch and two rows of hanging fluorescents came on. The wheelbarrow sat against the near side wall, next to a propping of shovels, rakes, and brooms. Its metal interior was scored and dirt-streaked, but there were other, darker stains on the sides. I scratched a fingernail through one of them, held a fleck up for a closer look. Dried blood, all right.
At the far end was a loft supported by beams and heavy chains. Most of the storage space looked to be empty. Below it, at the back wall, a plywood partition had been erected to create a small separate room. The sound of my steps on the concrete floor seemed loud and hollow as I walked back there, stepped through the doorless opening in the partition.
Storage boxes piled on one side, and on the other, set between the plywood and the back wall, a big floor-model freezer.
I knew what I was going to find even before I opened it. I took a couple of deep breaths before I lifted the lid. Through the icy vapor that wafted up I had a clear look at the dead woman inside.
She had been wedged in there at an awkward angle, knees drawn up, one arm twisted under her and the other down against her abdomen. Her eyes were open, staring; the coating of frost gave them and the death rictus of her mouth an even more repellent look. She wore jeans and a white blouse, the blouse splotched across the chest and stomach with frozen blood. The frost and the blood made it impossible for me to tell what had caused the wound or wounds that had killed her.
All of that was bad enough. But the biggest shock was her identity.
It wasn’t Janice Krochek I was looking at.
It was Rebecca Weaver.
25
I lowered the freezer lid, quit the garage, and went back through the house and out the way I’d come in. Following a cold, prickly little hunch now. Nothing lost if it didn’t pan out; another few minutes wouldn’t make any difference to the law or Mitchell Krochek or the dead woman in the freezer.
I crossed the strip of lawn that separated the Krochek property from Rebecca Weaver’s. All three of the homes here had the same general layout. The gate in the narrow fenced area next to the garage, where her garbage cans were kept, was unlocked. So was the second gate that gave access to her backyard. And so was the side door into the garage. I opened that one and looked inside. The car in there was a Pontiac Firebird, low-slung and sporty and either new or close to it.
All right. I went through the yard to the back door: also unlocked. Easy, so far. But if the rest of my hunch proved out, it would stop being easy pretty damn quick.
I eased the door open partway, leaned in to listen. Faint sounds somewhere inside, unidentifiable from here. I stepped through onto a utility porch similar to the Krocheks’, then across the kitchen. The sounds were louder now—a familiar and discordant series of electronic beeps, clangs, and bongs. They stopped abruptly as I passed through the kitchen; I stopped, too. The new silence was heavy and unbroken.
The dining room, formal living room, and family room were empty. I made my way down a hallway that bisected the full width of the house, walking soft. Four doors opened off of it; the last one on the west side was open. I edged forward until I had a clear look inside.
It was like looking into some sort of surreal three-dimensional exhibit. Motionless shapes, shadows, one halo of stationary light, and one bright rectangle of shifting colored images in an otherwise darkened room. And all of it wrapped in a hush that put a strain on my eardrums, tweaked at nerve ends.
Spare bedroom turned into an in-home office—desk, chairs, couch, bookshelves, computer workstation. Blinds drawn, the only illumination coming from a halogen desk lamp and the computer screen. She sat hunched forward in front of the screen, her back to me and her body stiff with tension; the only part of her that moved, now and then, were the fingers of her right hand as they manipulated the mouse. The back of her neck and the ends of her hair were wet with sweat. A half-smoked Newport burned in a full ashtray on her left; ash littered the desk around it and the air was thick with smoke. An empty glass, a bottle of Scotch, a woman’s wallet, and a scatter of credit cards were on her right. I didn’t need to see the silent monitor to know what was going on.
I went in there, still walking soft and at an angle until I was parallel with the desk and within the range of her vision. She didn’t notice me; she was in a kind of trancelike zone, as if the images on the monitor had hypnotized her.