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Draw One In The Dark(89)

By: Sarah A. Hoyt




Then she went back again, having caught movement by the corner of her eye, and the impression someone had sat in the enclosure. It wasn't until she was at the corner table, near the outer door, facing the guy who had just sat down, that she recognized Tom's father.



He looked like he'd been dragged through hell. Backward. By his heels. He looked like he hadn't slept in more hours than she'd been awake. His suit was rumpled, his hair looked like he'd washed it and not given it the benefit of a comb—or clergy, since it tossed in all directions, as if possessed of a discordant spirit.



His dark blue eyes stared at her from amid bruised circles. "Don't say it," he said. "I know what you think of me, but don't say anything. I think . . ." He swallowed. "I think that there's reason. Oh, hell. I think they're going to kill Tom. I need help."



That he needed help was a given. That he was so worried about their killing Tom was not. She glared at him. "You didn't seem to be worried about him at all before," she said.



"I . . ." He swallowed again. "I've been thinking and . . . I don't want them to kill him."



Well, and wasn't that big of him? After all, Tom was only his son. She narrowed eyes at him. The shock, when she'd realized he was working for the people who'd already tried to kill his son once, had turned her stomach. She still didn't feel any better about Mr. Edward Ormson. She'd be less disgusted by a giant beetle. "What will you be eating, sir?"



He looked as surprised as if she'd slapped him. "What . . . what . . . I need to talk. Seriously. They're—"



She took her notebook out of her apron pocket, and tapped the pencil on the page. "I'm at work, Mr. Ormson, and my job is to get people food. What can I get you?"



"I . . . whatever you want . . ."



"We're all out of rat poison," Kyrie said, the words shocking her as they came out of her mouth.



His eyes widened. "Coffee. Coffee and a . . ." He looked at the menu. "Piece of pie."



She wrote it down and walked away. She really, really, really needed to convince Frank to start making Brussels sprout pies. Or cod liver oil ones.

* * *



Tom woke up from a sort of formless dream. He didn't remember falling asleep. His last memory had been of Crest Dragon and Other Dragon having a picnic of sorts in front of him.



Now he opened his eyes to an empty building. He didn't know how long he'd slept, but his nose no longer hurt, and it seemed to him like the pain in his tied arms had eased a little too. Perhaps he'd gotten used to being tied up. Or perhaps his arms had been without circulation so long that he could no longer feel them.



The last should have been alarming, except it wasn't. Everything seemed very distant, as if a great sheet of glass made of indifference separated him from the world and his own predicament.



He lay there, and listened to his own breathing. He would assume he still hadn't talked, though it was—of course—possible he had said something while he was in a half awake state. And if he had . . .



Well, it was possible that the three dragons had gone off to get the Pearl and would presently come back and kill him. Tom could shift now, of course, but what if they were still here? Perhaps just outside? First, as tired as he was, he couldn't fight all three of them at once. Second, what if he ate them?



His mouth felt so dry—his tongue glued to his palate by thirst, that he was sure he would bite them just for the moisture. And yet, there was an off chance. Would he lay here and wait for death? No. He would shift. As difficult as it was, as tiring as it was, he would shift.



Before he could collect his mind enough to concentrate on the shift, though, he heard sounds outside. A couple of cars, a lot of voices. Speaking Chinese. He closed his eyes, and pretended to be asleep.



A group of people came in, babbling in Chinese. Several men, by the sound of it. Tom half opened his eyes, just enough to look through his eyelashes, without anyone realizing that he was actually awake. He forced himself to keep his breathing regular.



And then from the middle of the babble a voice emerged. "Hey. Hey, what's the idea?"



Keith. The voice was Keith's. What was Keith doing here, though?



"You're okay, you're okay," one of the other voices answered, in accented English. "As soon as your friend answers questions, we'll let you go."



And then two men came in, breathing hard, carrying a sack with something very heavy in it. "Where do we put her?" they asked.



"Here," another voice answered. The forest of legs in front of Tom parted enough for him to see, on the ground, a trussed-up human, and the big sack being laid down behind it.