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Draw One In The Dark(54)

By: Sarah A. Hoyt




Tom had often wanted to ask her if the pictures were all her children, but he was a little afraid of the answer, and not quite sure if yes or no would be the scarier reply. Instead, he threw back his head to move the hair out from in front of his face—he really needed to find something to tie it soon. A rubber band would do—and smiled at Mrs. Rizzo. "Fortunately I was staying with a friend."



She cocked an eyebrow at him. "A girl?"



"Yes. She works with me."



Mrs. Rizzo grinned, suddenly. "Well, and isn't it about time you found someone to settle down. Is she a good girl?"



"Yes, a very good girl," Tom said. Or at least he'd thought that until today, and finding out about the sugar. But he wasn't about to discuss that with his apartment manager.



The lady nodded. "Good, maybe you can stay with her until we get your place fixed. It should only be a couple of weeks. Or we could move you to number 35, if you want. I talked to the owner, and he said it would be okay to give it to you. It's a little bigger, but he said you could have it for the same price."



A few hours ago, this would have been an offer for Tom to snatch with both hands. He could have got into the new apartment without paying a deposit, and with no real inconvenience. Oh, his furniture and utensils were gone, but he hadn't had all that much, and he could always replace them in a month or less from thrift shops and garage sales. A sofa first, until he could afford a bed, and a pan and a frying pan would do for cooking in, till he could get more complete utensils. And . . .



But he stopped his own thought, forcefully. He would have been very happy to do that a few hours ago. It would have made him nonhomeless again. But a few hours ago, he now realized, he'd still been under the mistaken impression that Kyrie was some sort of ideal woman, something to aspire to. Someone whom, even if he could never have her, he could imitate and hope to be more like. Now . . . "I don't know what I'm doing, yet, Mrs. Rizzo. I'll let you know in a couple of days, if that's all right." Of course he knew perfectly well what he was doing. He was getting heck out of Dodge before nightfall. He might come back later—if he could—for the . . . object in the water tank of the Athens's bathroom. But he wouldn't come back to live. He wouldn't go back to working there—with Kyrie. No way, no when, no how. And no one could make him.



Mrs. Rizzo sighed. "You're staying with her, right? Well, I hope it works. But if it doesn't, remember we have number thirty five. I'll hold it for you for another week." She smiled. "It's the one with the bay window." And sounded exactly like someone holding out a sweet to a kid.



Tom nodded. "I'll be in touch. But Keith said you had some of my stuff . . ."



She reached behind the desk and brought out a box that was larger than Tom expected. Protruding out of the top were his boots, and he gave a deep sigh of relief upon seeing them. Then, as he dug through, he found a couple of pairs of jeans, one black and one blue, three black T-shirts, and—carefully folded—his black leather jacket. He felt suddenly weak at the knees. It was like losing half of your identity and then retrieving it again.



At the very bottom of the box was his ATM card, and he found himself taking a deep, relieved breath. He wouldn't need to wait till the banks opened to get out his money before he got out of town. Next to the ATM card was a library book—The Book of Sand by Jorge Luis Borges. He could drop that off at the library depot on the way out of town. Good. The library was unlikely to make much of a search for him on the strength of a single hardcover book, but it was best to get out of town with as few things hanging over his head as possible.



Between the book and the ATM card was a red object, which at first he couldn't identify. And then he realized it was Kyrie's red plumed earring.



He should take it back. He should . . . His hand closed around it. Or not. Or not. He couldn't see facing her. He couldn't imagine her reproaching him for getting high and destroying her sunroom. He would have to tell her, then, that the least she could have done was tell him that the sugar wasn't exactly sugar. She must keep the real stuff somewhere. After all, they'd had coffee the night before to no ill effects. So, why didn't she tell him where it was? Tom would much rather have had it.



His hand closed on the plumed earring and he shoved it into the pocket of his jacket.



"You can change in the bathroom," Mrs. Rizzo said, pointing to a little door at the back. "If you want to."



The bathroom was a continuation of the office. Oh, there were no pictures on the walls, which was a very good thing. Tom would have hated to undress completely in front of a mass of staring babies and prim brides. But the hand soap was pink and shaped like a rose, and, on the toilet tank, a much-too-tall crochet angel with a plastic face, squatted contentedly over three spare toilet paper rolls, as though hoping they would soon hatch into chickens.