Delphi Complete Works of H. P. Lovecraft(633)

The Burmese lay collapsed close to the nameless mummy’s case, from which a square of glass had been neatly cut. In his right hand was a scroll of bluish membrane which I at once saw was covered with greyish hieroglyphs — almost a duplicate of the scroll in the strange cylinder in the library downstairs, though later study brought out subtle differences. There was no mark of violence on the body, and in view of the desperate, agonised expression on the twisted face we could only conclude that the man died of sheer fright.

It was the closely adjacent Fijian, though, that gave us the profoundest shock. One of the policemen was the first to feel of him, and the cry of fright he emitted added another shudder to that neighbourhood’s night of terror. We ought to have known from the lethal greyness of the once-black, fear-twisted face, and of the bony hands — one of which still clutched an electric torch — that something was hideously wrong; yet every one of us was unprepared for what that officer’s hesitant touch disclosed. Even now I can think of it only with a paroxysm of dread and repulsion. To be brief — the hapless invader, who less than an hour before had been a sturdy living Melanesian bent on unknown evils, was now a rigid, ash-grey figure of stony, leathery petrification, in every respect identical with the crouching, aeon-old blasphemy in the violated glass case.

Yet that was not the worst. Crowning all other horrors, and indeed seizing our shocked attention before we turned to the bodies on the floor, was the state of the frightful mummy. No longer could its changes be called vague and subtle, for it had now made radical shifts of posture. It had sagged and slumped with a curious loss of rigidity; its bony claws had sunk until they no longer even partly covered its leathery, fear-crazed face; and — God help us! — its hellish bulging eyes had popped wide open, and seemed to be staring directly at the two intruders who had died of fright or worse.

That ghastly, dead-fish stare was hideously mesmerising, and it haunted us all the time we were examining the bodies of the invaders. Its effect on our nerves was damnably queer, for we somehow felt a curious rigidity creeping over us and hampering our simplest motions — a rigidity which later vanished very oddly when we passed the hieroglyphed scroll around for inspection. Every now and then I felt my gaze drawn irresistibly toward those horrible bulging eyes in the case, and when I returned to study them after viewing the bodies I thought I detected something very singular about the glassy surface of the dark and marvellously well-preserved pupils. The more I looked, the more fascinated I became; and at last I went down to the office — despite that strange stiffness in my limbs — and brought up a strong multiple magnifying glass. With this I commenced a very close and careful survey of the fishy pupils, while the others crowded expectantly around.

I had always been rather sceptical of the theory that scenes and objects become photographed on the retina of the eye in cases of death or coma; yet no sooner did I look through the lens than I realised the presence of some sort of image other than the room’s reflection in the glassy, bulging optics of this nameless spawn of the aeons. Certainly, there was a dimly outlined scene on the age-old retinal surface, and I could not doubt that it formed the last thing on which those eyes had looked in life — countless millennia ago. It seemed to be steadily fading, and I fumbled with the magnifier in order to shift another lens into place. Yet it must have been accurate and clear-cut, even if infinitesimally small, when — in response to some evil spell or act connected with their visit — it had confronted those intruders who were frightened to death. With the extra lens I could make out many details formerly invisible, and the awed group around me hung on the flood of words with which I tried to tell what I saw.

For here, in the year 1932, a man in the city of Boston was looking on something which belonged to an unknown and utterly alien world — a world that vanished from existence and normal memory aeons ago. There was a vast room — a chamber of Cyclopean masonry — and I seemed to be viewing it from one of its corners. On the walls were carvings so hideous that even in this imperfect image their stark blasphemousness and bestiality sickened me. I could not believe that the carvers of these things were human, or that they had ever seen human beings when they shaped the frightful outlines which leered at the beholder. In the centre of the chamber was a colossal trap-door of stone, pushed upward to permit the emergence of some object from below. The object should have been clearly visible — indeed, must have been when the eyes first opened before the fear-stricken intruders — though under my lenses it was merely a monstrous blur.