“Fair enough! If you do stick it out, I’ll take your advice. But stick you must. We’ll go out for dinner and come back. I’ll lock you in the display room and go home. In the morning I’ll come down ahead of Orabona — he comes half an hour before the rest — and see how you are. But don’t try it unless you are very sure of your scepticism. Others have backed out — you have that chance. And I suppose a pounding on the outer door would always bring a constable. You may not like it so well after a while — you’ll be in the same building, though not in the same room with It.”
As they left the rear door into the dingy courtyard, Rogers took with him the piece of burlap — weighted with a gruesome burden. Near the centre of the court was a manhole, whose cover the showman lifted quietly, and with a shuddersome suggestion of familiarity. Burlap and all, the burden went down to the oblivion of a cloacal labyrinth. Jones shuddered, and almost shrank from the gaunt figure at his side as they emerged into the street.
By unspoken mutual consent, they did not dine together, but agreed to meet in front of the museum at eleven.
Jones hailed a cab, and breathed more freely when he had crossed Waterloo Bridge and was approaching the brilliantly lighted Strand. He dined at a quiet café, and subsequently went to his home in Portland Place to bathe and get a few things. Idly he wondered what Rogers was doing. He had heard that the man had a vast, dismal house in the Walworth Road, full of obscure and forbidden books, occult paraphernalia, and wax images which he did not choose to place on exhibition. Orabona, he understood, lived in separate quarters in the same house.
At eleven Jones found Rogers waiting by the basement door in Southwark Street. Their words were few, but each seemed taut with a menacing tension. They agreed that the vaulted exhibition room alone should form the scene of the vigil, and Rogers did not insist that the watcher sit in the special adult alcove of supreme horrors. The showman, having extinguished all the lights with switches in the workroom, locked the door of that crypt with one of the keys on his crowded ring. Without shaking hands he passed out the street door, locked it after him, and stamped up the worn steps to the sidewalk outside. As his tread receded, Jones realised that the long, tedious vigil had commenced.
II.
Later, in the utter blackness of the great arched cellar, Jones cursed the childish naiveté which had brought him there. For the first half-hour he had kept flashing on his pocket-light at intervals, but now just sitting in the dark on one of the visitors’ benches had become a more nerve-racking thing. Every time the beam shot out it lighted up some morbid, grotesque object — a guillotine, a nameless hybrid monster, a pasty-bearded face crafty with evil, a body with red torrents streaming from a severed throat. Jones knew that no sinister reality was attached to these things, but after that first half-hour he preferred not to see them.
Why he had bothered to humour that madman he could scarcely imagine. It would have been much simpler merely to have let him alone, or to have called in a mental specialist. Probably, he reflected, it was the fellow-feeling of one artist for another. There was so much genius in Rogers that he deserved every possible chance to be helped quietly out of his growing mania. Any man who could imagine and construct the incredibly life-like things that he had produced was surely not far from actual greatness. He had the fancy of a Sime or a Doré joined to the minute, scientific craftsmanship of a Blatschka. Indeed, he had done for the world of nightmare what the Blatschkas with their marvellously accurate plant models of finely wrought and coloured glass had done for the world of botany.
At midnight the strokes of a distant clock filtered through the darkness, and Jones felt cheered by the message from a still-surviving outside world. The vaulted museum chamber was like a tomb — ghastly in its utter solitude. Even a mouse would be cheering company; yet Rogers had once boasted that — for “certain reasons”, as he said — no mice or even insects ever came near the place. That was very curious, yet it seemed to be true. The deadness and silence were virtually complete. If only something would make a sound! He shuffled his feet, and the echoes came spectrally out of the absolute stillness. He coughed, but there was something mocking in the staccato reverberations. He could not, he vowed, begin talking to himself. That meant nervous disintegration. Time seemed to pass with abnormal and disconcerting slowness. He could have sworn that hours had elapsed since he last flashed the light on his watch, yet here was only the stroke of midnight.
He wished that his senses were not so preternaturally keen. Something in the darkness and stillness seemed to have sharpened them, so that they responded to faint intimations hardly strong enough to be called true impressions. His ears seemed at times to catch a faint, elusive susurrus which could not quite be identified with the nocturnal hum of the squalid streets outside, and he thought of vague, irrelevant things like the music of the spheres and the unknown, inaccessible life of alien dimensions pressing on our own. Rogers often speculated about such things.