Delphi Complete Works of H. P. Lovecraft(399)

II.



But I was in no mood for advice; and though Compton gave me a pleasant room, I could not sleep a wink through eagerness for the next morning with its chances to see the daytime ghost and to question the Indians at the reservation. I meant to go about the whole thing slowly and thoroughly, equipping myself with all available data both white and red before I commenced any actual archaeological investigations. I rose and dressed at dawn, and when I heard others stirring I went downstairs. Compton was building the kitchen fire while his mother was busy in the pantry. When he saw me he nodded, and after a moment invited me out into the glamorous young sunlight. I knew where we were going, and as we walked along the lane I strained my eyes westward over the plains.

There was the mound — far away and very curious in its aspect of artificial regularity. It must have been from thirty to forty feet high, and all of a hundred yards from north to south as I looked at it. It was not as wide as that from east to west, Compton said, but had the contour of a rather thinnish ellipse. He, I knew, had been safely out to it and back several times. As I looked at the rim silhouetted against the deep blue of the west I tried to follow its minor irregularities, and became impressed with a sense of something moving upon it. My pulse mounted a bit feverishly, and I seized quickly on the high-powered binoculars which Compton had quietly offered me. Focussing them hastily, I saw at first only a tangle of underbrush on the distant mound’s rim — and then something stalked into the field.

It was unmistakably a human shape, and I knew at once that I was seeing the daytime “Indian ghost” I did not wonder at the description, for surely the tall, lean, darkly robed being with the filleted black hair and seamed, coppery, expressionless, aquiline face looked more like an Indian than anything else in my previous experience. And yet my trained ethnologist’s eye told me at once that this was no redskin of any sort hitherto known to history, but a creature of vast racial variation and of a wholly different culture-stream. Modern Indians are brachycephalic — round-headed — and you can’t find any dolichocephalic or long-headed skulls except in ancient Pueblo deposits dating back 2500 years or more; yet this man’s long-headedness was so pronounced that I recognised it at once, even at his vast distance and in the uncertain field of the binoculars. I saw, too, that the pattern of his robe represented a decorative tradition utterly remote from anything we recognise in southwestern native art. There were shining metal trappings, likewise, and a short sword or kindred weapon at his side, all wrought in a fashion wholly alien to anything I had ever heard of.

As he paced back and forth along the top of the mound I followed him for several minutes with the glass, noting the kinaesthetic quality of his stride and the poised way he carried his head; and there was borne in upon me the strong, persistent conviction that this man, whoever or whatever he might be, was certainly not a savage. He was the product of a civilisation, I felt instinctively, though of what civilisation I could not guess. At length he disappeared beyond the farther edge of the mound, as if descending the opposite and unseen slope; and I lowered the glass with a curious mixture of puzzled feelings. Compton was looking quizzically at me, and I nodded non-committally, “What do you make of that?” he ventured. “This is what we’ve seen here in Binger every day of our lives.”

That noon found me at the Indian reservation talking with old Grey Eagle — who, through some miracle, was still alive; though he must have been close to a hundred and fifty years old. He was a strange, impressive figure — this stern, fearless leader of his kind who had talked with outlaws and traders in fringed buckskin and French officials in knee-breeches and three-cornered hats — and I was glad to see that, because of my air of deference toward him, he appeared to like me. His liking, however, took an unfortunately obstructive form as soon as he learned what I wanted; for all he would do was to warn me against the search I was about to make.

“You good boy — you no bother that hill. Bad medicine. Plenty devil under there — catchum when you dig. No dig, no hurt. Go and dig, no come back. Just same when me boy, just same when my father and he father boy. All time buck he walk in day, squaw with no head she walk in night. All time since white man with tin coats they come from sunset and below big river — long way back — three, four times more back than Grey Eagle — two times more back than Frenchmen — all same after then. More back than that, nobody go near little hills nor deep valleys with stone caves. Still more back, those old ones no hide, come out and make villages. Bring plenty gold. Me them. You them. Then big waters come. All change. Nobody come out, let nobody in. Get in, no get out. They no die — no get old like Grey Eagle with valleys in face and snow on head. Just same like air — some man, some spirit. Bad medicine. Sometimes at night spirit come out on half-man–half-horse-with-horn and fight where men once fight. Keep ‘way them place. No good. You good boy — go ‘way and let them old ones ‘lone.”