Deeply Odd(98)
So many flashlights were sweeping this way and that across the large property that I was reminded of the scene in E.T. when Peter Coyote and the other feds are searching the woods and fields for any indication of where the little visitor from another planet might have gone. I was E.T. and I really did just want to go home, but these searchers had crossed over from a different movie; Rosemary’s Baby.
As I walked past the back of the ProStar+, someone came around the side of it and shone a flashlight in my face just as I shone mine in his, and thus began an encounter as choreographed as any Rockettes number. The rhinestone cowboy. High priest of the cult. He wore the suit from the vision in which he had torched three children. He was probably more startled than I was, because he thought that I was dead but I knew that he wasn’t. He had a pistol with a silencer, and I had a pistol with a silencer. Simultaneously, we said, “You.” We pointed our weapons at each other, but neither of us fired immediately. I hesitated because I suddenly thought there was something I needed to know that only he could tell me. I think he hesitated because, even though I’d taken out the Kens and freed the children, he still felt invulnerable. He said, “Where are they?” I said, “Where are who?” He said, “Listen, pussy boy, I need those kids. I have a commitment, and I’m damn sure gonna keep it.” He looked a little fearful, like maybe, if he failed to sacrifice the seventeen, he would spend eternity in Hell, eating toe jam and boogers, and none of it fried. I realized what I needed to ask him, but first I said, “I think everything’s now coming full circle for me.” With some fury, he said, “Where are those snot-nosed little bastards?” I said, “I think soon I’ve got to go back home.” He said, “You [fornicating] little [fornicating] [fornicator], WHERE ARE THOSE KIDS!” I asked what I needed to ask: “You people, you or others like you, have something planned for Pico Mundo?” His eyes widened, and I had my answer. He shot me in the chest at the same moment that I shot him in the chest. Whifff, whifff. Because he wasn’t wearing a Kevlar vest, he collapsed. I was wearing one, but I also collapsed, because although the bullet flattened against the bulletproof fabric and didn’t penetrate, I felt as though I’d been hit in the breastbone by a hard-pitched baseball. He dropped his pistol. I dropped my flashlight. I knocked his weapon beyond his reach. He tried to kick my gun hand, but with a bullet lodged in the torso, he lacked the strength to follow through. He coughed up some blood, and I spit out a little blood because I’d bitten my tongue. He was weak and going fast. He called me a disgusting name that suggested I had committed incest, and as I got my wind back, I called him a nutjob. I took the flashlight from his hand and switched it off.
My flashlight, lying on the ground and aimed at me, drew his attention to something, and in a thin, quavering voice, he said, “Why are you wearing that, where did you get that?” The object of his astonishment proved to be the diamond-and-ruby exclamation point, the brooch that Mrs. Fischer had pinned to the sleeve of my sweater for good luck. The cowboy’s gaze shifted from the pin to my eyes. He said, “Who are you? Who are you to be wearing that?” Instead of answering him, I said, “I’m done with you, Lyle Hetland,” and I put him out of his misery with another shot, this time to the throat.
Gagging but trying to be quiet about it, I got to my feet and leaned against the back of the eighteen-wheeler. A quick survey of the night confirmed that our encounter had attracted no attention. The various clusters of flashlights were fanning the night elsewhere, with increasing urgency.
Being a positive thinker, at least overall, I thought that putting an end to the cowboy must be a good omen, a sign that, with my primary enemy dead, I would walk off this property unscathed. That was when the night really got nuts.
Thirty-seven
AFTER SWITCHING OFF MY FLASHLIGHT, I DRAGGED THE cowboy from the back of his truck to the side of it and rolled him under the vehicle, sort of tucking him in for the night, though in this case an endless night. I didn’t want to waste time on the task, but leaving the body in the open, where someone might stumble across it, seemed likely to complicate my situation.
No sooner was the dead man safely out of sight than a loud thump issued from the trailer. Back in Los Angeles, when I’d looked inside, I’d found nothing behind the rear doors except that ornate stainless-steel gate worked through with all manner of symbols from a Celtic cross to swastikas, to an ankh, and beyond it an empty trailer painted black with arresting patterns of symbols in bright yellow. A quick series of heavy thumps and a rat-a-tat-tat of rapid knocks convinced me that the cargo space was no longer without freight.