How did it turn out?
Quite strangely.
The blind man reached for his glass. He drank and held the glass before him as if studying it and then he set it on the table before him once again.
Quite strangely. For the circumstance of his appointment came to elevate this man’s padrinazgo to the central role of his life. It brought out what was best in him. More than best. Virtues long neglected began almost at once to blossom forth. He abandoned every vice. He even began to attend Mass. His new office seemed to have called forth from the deepest parts of his character honor and loyalty and courage and devotion. What he gained can scarcely be put into words. Who would have foreseen such a thing?
What happened? said John Grady
The blind man smiled his pained blind smile. You smell the rat, he said.
Yes.
Quite so. It was no happy ending. Perhaps there is a moral to the tale. Perhaps not. I leave it to you.
What happened?
This man whose life was changed forever by the dying request of his enemy was ultimately ruined. The child became his life. More than his life. To say that he doted upon the child says nothing. And yet all turned out badly. Again, I believe that the intentions of the dying man were for the best. But there is another view. It would not be the first time that a father sacrificed a son.
The godchild grew up wild and restless. He became a criminal. A petty thief. A gambler. And other things. Finally, in the winter of nineteen and seven, in the town of Ojinaga, he killed a man. He was nineteen years of age. Close to your own, perhaps.
The same.
Yes. Perhaps this was his destiny. Perhaps no padrino could have saved him from himself. No father. The padrino squandered all he owned in bribes and fees. To no avail. Such a road once undertaken has no end and he died alone and poor. He was never bitter. He scarcely seemed even to consider whether he had been betrayed. He once had been a strong and even a ruthless man, but love makes men foolish. I speak as a victim myself. We are taken out of our own care and it then remains to be seen only if fate will show to us some share of mercy. Or little. Or none.
Men speak of blind destiny, a thing without scheme or purpose. But what sort of destiny is that? Each act in this world from which there can be no turning back has before it another, and it another yet. In a vast and endless net. Men imagine that the choices before them are theirs to make. But we are free to act only upon what is given. Choice is lost in the maze of generations and each act in that maze is itself an enslavement for it voids every alternative and binds one ever more tightly into the constraints that make a life. If the dead man could have forgiven his enemy for whatever wrong was done to him all would have been otherwise. Did the son set out to avenge his father? Did the dead man sacrifice his son? Our plans are predicated upon a future unknown to us. The world takes its form hourly by a weighing of things at hand, and while we may seek to puzzle out that form we have no way to do so. We have only God’s law, and the wisdom to follow it if we will.
The maestro leaned forward and composed his hands before him. The wineglass stood empty and he took it up. Those who cannot see, he said, must rely upon what has gone before. If I do not wish to appear so foolish as to drink from an empty glass I must remember whether I have drained it or not. This man who became padrino. I speak of him as if he died old but he did not. He was younger than I am now. I speak as if his conscience or the world’s eyes or both led him to such rigor in his duties. But those considerations quickly fell to nothing. It was for love of the child that he came to grief, if grief it was. What do you make of that?
I dont know.
Nor I. I only know that every act which has no heart will be found out in the end. Every gesture.
They sat in silence. The room was quiet about them. John Grady watched the water beading upon his glass where it sat untouched before him. The blind man set his own glass back upon the table and pushed it from him.
How well do you love this girl?
I would die for her.
The alcahuete is in love with her.
Tiburcio?
No. The grand alcahuete.
Eduardo.
Yes.
They sat quietly. In the outer hall the musicians had arrived and were assembling their instruments. John Grady sat staring at the floor. After a while he looked up.
Can the old woman be trusted?
La Tuerta?
Yes.
Oh my, said the blind man softly.
The old woman tells her that she will be married.
The old woman is Tiburcio’s mother.
John Grady leaned back in his chair. He sat very quietly. He looked at the blind man’s daughter. She watched him. Quiet. Kind. Inscrutable.
You did not know.
No. Does she know? Yes, of course she knows.
Yes.
Does she know that Eduardo is in love with her?
Yes.
The musicians struck up a light baroque partita. Aging dancers moved onto the floor. The blind man sat, his hands before him on the table.