Cerulean Sins( Anita Blake - 11 )(24)

She frowned at them both. "I do not understand, thus it cannot be that important." She dismissed it all with a wave of dainty hands. Then she turned her attention back to me, and it was frightening. I wasn't sure what it was about the mere gaze of those eyes, but it chilled the marrow in my bones.

"Have you seen our present to Jean-Claude and Asher?"

I must have looked as confused as I felt, because she turned and tried to motion behind her, but all I could see was her very large human servant. "Angelito, move so she may see." Angelito? Somehow the name, "little angel" didn't fit him. He moved, and she finished the motion towards the fireplace.

It was only the fireplace with it's painting above it, then something about the painting caught my eye. It was supposed to be a painting of Jean-Claude, Asher, and Julianna in clothing a la the Three Musketeers, but it wasn't. If there hadn't been new and strange vampires in the room, I'm sure I would have noticed it sooner. Oh, yes, I would have noticed it sooner.

It was a picture of Cupid and Psyche, that traditional scene where Cupid asleep is finally revealed to the candle-wielding Psyche. Valentine's Day has robbed Cupid of what he was in the beginning. He was not a chubby sexless baby with wings. He was a god, a god of love.

I knew who had posed for Cupid, because no one else had ever had that golden hair, that long, flawless body. I had memories of what Asher had looked like before, but I'd never seen it, not me, myself. I walked towards the painting like a flower pulled towards the sun. It was irresistible.

Asher lay on his side in the painting, one hand curled against his stomach, the other hand flung outward, limp with sleep. His skin glowed golden in the candlelight, only a few shades lighter than the foam of hair that framed his face and shoulders.

He was nude, but that word didn't do him justice. The candlelight made his skin glow warm from the broadening of his shoulders to the curve of his feet. His nipples were like dark halos against the swell of his chest, his stomach was flat to the grace of his belly button as if an angel had touched that flawless skin and left a delicate imprint, a line of hair dark gold, almost auburn, traced the edge of his stomach, and ran in a line down, down to curl around him, where he lay swollen, partially erect, caught forever between sleep and passion. The curve of his hip was the most perfect few inches of skin that I'd ever seen. That curve drew the eye down to the line of his thigh, the long sweep of his legs.

I remembered with Jean-Claude's memories what the curve of that hip had felt like under my fingertips. I remembered arguing about whose hip was the softest, the most perfect. Belle Morte had said that the lines of both their bodies were the closest to perfection she'd ever seen on a man. Jean-Claude had always believed that Asher was the more beautiful, and Asher had believed the same of Jean-Claude.

The artist had painted white wings on the sleeping figure, so detailed they looked as if they'd be soft if you could touch them. The wings were huge and reminded me of renaissance pictures of angels. They seemed out of place on that golden body.

Psyche was peering around the edge of one wing, so that it shielded her upper body, yet revealed a shoulder, the edge of her body, down to that first curve of hip, but most of her was lost behind Cupid's body. I frowned up at the picture. I knew that shoulder, the curve of the ribs under that white skin. Though traced with golden candlelight, I knew the line of that body. I'd expected Psyche to be Belle Morte, I'd been wrong.

I looked past the long black curls that didn't so much hide the figure as decorate it, and the face peering around the candle's edge was Jean-Claude's. It took me a second to be sure, because he seemed more delicately beautiful than normal, until I realized that he was wearing makeup-that centuries-old version of it, anyway. Things had been done to soften the line of his face, make his lips more pouting. But the eyes, the eyes were unchanged, with their black lace of lashes and that drowning deep color.

The painting was too large for me to stand next to the fireplace and see it all, but there was something about the eyes of the Cupid figure. I had to move close to see that they were open a mere slit, enough to show the cold blue fire that I'd seen when the hunger was upon Asher.

Jean-Claude touched my face, and it made me jump. Damian had moved back, giving us space. Jean-Claude traced the tears on my cheeks. The look in his eyes said clearly that I was crying tears for both of us. He couldn't afford to appear weak in front of Musette. And I couldn't help it.

We both turned to Asher, but he was standing as far away as the room would allow. He had turned away, so that all you could see of his face was that golden fall of hair. His shoulders were slightly hunched, as if he'd been struck.