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Catch-22(35)

By:Joseph Heller


Yossarian had done his best to warn him the night before. “You haven’t got a chance, kid,” he had told him glumly. “They hate Jews.”

“But I’m not Jewish,” answered Clevinger.

“It will make no difference,” Yossarian promised, and Yossarian was right. “They’re after everybody.”

Clevinger recoiled from their hatred as though from a blinding light. These three men who hated him spoke his language and wore his uniform, but he saw their loveless faces set immutably into cramped, mean lines of hostility and understood instantly that nowhere in the world, not in all the fascist tanks or planes or submarines, not in the bunkers behind the machine guns or mortars or behind the blowing flame throwers, not even among all the expert gunners of the crack Hermann Goering Antiaircraft Division or among the grisly connivers in all the beer halls in Munich and everywhere else, were there men who hated him more.





• • 9 • •



Major Major Major Major


Major Major Major Major had had a difficult time from the start.

Like Miniver Cheevy, he had been born too late—exactly thirty-six hours too late for the physical well-being of his mother, a gentle, ailing woman who, after a full day and a half’s agony in the rigors of childbirth, was depleted of all resolve to pursue further the argument over the new child’s name. In the hospital corridor, her husband moved ahead with the unsmiling determination of someone who knew what he was about. Major Major’s father was a towering, gaunt man in heavy shoes and a black woolen suit. He filled out the birth certificate without faltering, betraying no emotion at all as he handed the completed form to the floor nurse. The nurse took it from him without comment and padded out of sight. He watched her go, wondering what she had on underneath.

Back in the ward, he found his wife lying vanquished beneath the blankets like a desiccated old vegetable, wrinkled, dry and white, her enfeebled tissues absolutely still. Her bed was at the very end of the ward, near a cracked window thickened with grime. Rain splashed from a moiling sky and the day was dreary and cold. In other parts of the hospital chalky people with aged, blue lips were dying on time. The man stood erect beside the bed and gazed down at the woman a long time.

“I have named the boy Caleb,” he announced to her finally in a soft voice. “In accordance with your wishes.” The woman made no answer, and slowly the man smiled. He had planned it all perfectly, for his wife was asleep and would never know that he had lied to her as she lay on her sickbed in the poor ward of the county hospital.

From this meager beginning had sprung the ineffectual squadron commander who was now spending the better part of each working day in Pianosa forging Washington Irving’s name to official documents. Major Major forged diligently with his left hand to elude identification, insulated against intrusion by his own undesired authority and camouflaged in his false mustache and dark glasses as an additional safeguard against detection by anyone chancing to peer in through the dowdy celluloid window from which some thief had carved out a slice. In between these two low points of his birth and his success lay thirty-one dismal years of loneliness and frustration.

Major Major had been born too late and too mediocre. Some men are born mediocre, some men achieve mediocrity, and some men have mediocrity thrust upon them. With Major Major it had been all three. Even among men lacking all distinction he inevitably stood out as a man lacking more distinction than all the rest, and people who met him were always impressed by how unimpressive he was.

Major Major had three strikes on him from the beginning—his mother, his father and Henry Fonda, to whom he bore a sickly resemblance almost from the moment of his birth. Long before he even suspected who Henry Fonda was, he found himself the subject of unflattering comparisons everywhere he went. Total strangers saw fit to deprecate him, with the result that he was stricken early with a guilty fear of people and an obsequious impulse to apologize to society for the fact that he was not Henry Fonda. It was not an easy task for him to go through life looking something like Henry Fonda, but he never once thought of quitting, having inherited his perseverance from his father, a lanky man with a good sense of humor.

Major Major’s father was a sober God-fearing man whose idea of a good joke was to lie about his age. He was a long-limbed farmer, a God-fearing, freedom-loving, law-abiding rugged individualist who held that federal aid to anyone but farmers was creeping socialism. He advocated thrift and hard work and disapproved of loose women who turned him down. His specialty was alfalfa, and he made a good thing out of not growing any. The government paid him well for every bushel of alfalfa he did not grow. The more alfalfa he did not grow, the more money the government gave him, and he spent every penny he didn’t earn on new land to increase the amount of alfalfa he did not produce. Major Major’s father worked without rest at not growing alfalfa. On long winter evenings he remained indoors and did not mend harness, and he sprang out of bed at the crack of noon every day just to make certain that the chores would not be done. He invested in land wisely and soon was not growing more alfalfa than any other man in the county. Neighbors sought him out for advice on all subjects, for he had made much money and was therefore wise. “As ye sow, so shall ye reap,” he counseled one and all, and everyone said, “Amen.”