“Let’s get this freakin’ show on the road.” Blanton’s eyes were bouncing from building to building, alley to alley, curious face to curious face. Veins were pumping in both his temples.
Two kids were summoned. Teenagers with long ropy limbs and wispy beards. Each carried a shovel on one bony shoulder.
The boys looked wary but excited. Digging in a graveyard. Forbidden, blasphemous, on this day condoned.
Eyes on the tall man, Blanton spoke to Welsted.
“Be sure this muj understands I’ll be filming everything. I don’t want any flak about pissing off ancestors or hijacking souls.”
Welsted explained about the photography. The man responded.
“Don’t film any women,” Welsted relayed.
“There goes my fashion spread in Cosmo.” Blanton spat in the dust. “Tell them to get their asses in gear.”
“Lose the attitude, Mr. Blanton.” Welsted’s tone was toxic.
Blanton and I gathered our cameras, shovels, and other equipment. Welsted got the screen. The tall man gestured toward goat alley. Our driver moved to the front of the line, Shotgun to the rear. Both looked anxious, like deer in an open field.
As we moved in single file toward the western edge of the village, I felt unseen eyes on my back. Heard only our own boot falls and a wind chime somewhere out of sight.
The cemetery lay a few hundred feet outside the wall. The rocky outcrop loomed above, overshadowing the site like a mini-Masada.
The burials were modest, no ornate tombstones or carved statuary as in old-style American graveyards. A few had crude markers of the same rock used to construct the wall. Most were simply outlined with stones arranged in rough ovals.
Some burials were still mounded, but most slumped. The newly dead, the long departed. All were aligned in rows, as in a farmer’s field. But bones, not seeds, lay beneath the ground.
Wordlessly, we wound our way to each of the graves. Aqsaee was buried just inside the cemetery entrance. Rasekh lay so far back his oval of stones sloped up the base of the hill.
Welsted looked at me. I told her we’d begin with Rasekh. No reason. We were gathered there.
Bodies coiled, eyes jumpy, the marines took up positions by the cemetery entrance. I wasn’t sure if their tense vigilance heightened or lowered my sense of security.
As Blanton shot video and stills and the boys removed the perimeter stones, I used a long metal probe to check for differences in subsurface density to determine the configuration of Rasekh’s grave.
Then, after brief instruction from Welsted, the boys sank their shovels into the dry desert soil. As they worked, feet spread, arms pumping, I squatted by the deepening trench, alert to color changes in the soil that would indicate decomposition.
For thirty minutes the air rang with the sound of blades gouging the earth. Of displaced earth shishing onto a growing heap.
Men gathered at the village wall to watch in grim silence. Now and then I’d raise my eyes to glance at them. Though too far away to read their expressions, I knew they were scrutinizing us closely.
An hour passed. Ninety minutes. The sun rose, and with it the temperature.
After finishing a third series of photos, Blanton moved off to the edge of the group and lit up a smoke. An old man approached him, hand out. Blanton shook free a cigarette and placed it in his palm.
Finally I saw the telltale shift.
“Hold up,” I said.
The boys stopped shoveling. Straightening, they looked at each other, then at me.
“Ask them to step away, please,” I told Welsted.
The boys obeyed.
The hole was roughly three feet deep. At the bottom, a dark oval was emerging from the yellow-brown soil. Poking from it, I could see what looked like fabric.
I heard boots, then a shadow fell across the grave.
“Found one of our boys?”
Ignoring Blanton’s question, I dropped to my belly, closed my eyes, and inhaled deeply through my nose.
The odor of decomposing flesh is unmistakable. Sweet and fetid, like residue spoiling in a trashcan.
I smelled only soil and a hint of something organic. Either the bodies had mummified or they had skeletonized completely.
Another shadow joined Blanton’s.
“Need a hand?”
“Get the trowel and brush from my pack, please.”
Welsted was back in less than a minute. “What do you have?”
“Probably the edge of a shroud.”
“Time for a body bag?”
“Yes.”
Using the trowel, I scraped dirt from around and below the fabric, slowly revealing the lumpy contours of what lay inside. When enough was exposed, I gently lifted one fragile edge.
The shroud contained exactly what I’d hoped. I recognized a clavicle, a scapula, some dark and leathery ligamentous tissue.
I gestured that the boys should now proceed with trowels, and gave a brief demonstration on how to do so.