Oh, hell, my personal life was too confusing for words. I walked off down the hall, having to pass by his open classroom door. My high heels made loud, rackety echoes. I didn't try to catch a last glimpse of him. It would make me feel worse about leaving.
It hadn't been my idea to date the Master of the City. Jean-Claude had given me two choices; either he could kill Richard, or I could date both of them. It had seemed a good idea at the time. Five weeks later I wasn't so sure.
It had been my morals that had kept Richard and me from consummating our relationship. Consummating, nice euphemism. But Jean-Claude had made it clear that if I did something with Richard, I had to do it with him too. Jean-Claude was trying to woo me. If Richard could touch me but he couldn't, it wasn't fair. He had a point, I guess. But the thought of having to have sex with the vampire was more likely to keep me chaste than any high ideals.
I couldn't date both of them indefinitely. The sexual tension alone was killing me. I could move. Richard might even let me do that. He wouldn't like it, but if I wanted free of him, he'd let me go. Jean-Claude, on the other hand... He'd never let me go. The question was, did I want him to let me go? Answer: hell, yes. The real trick was how to break free without anybody dying.
Yeah, that was the $64,000 question. Trouble was, I didn't have an answer. We were going to need one sooner or later. And later was getting closer all the time.
3
I huddled against the side of the helicopter, one hand in a death grip on the strap that was bolted to the wall. I wanted to use both hands to hold on, as if by holding very tightly to the stupid strap it would save me when the helicopter plummeted to earth. I used one hand because two hands looked cowardly. I was wearing a headset, sort of like ear protection for the shooting range, but with a microphone so you could talk above the teeth-rattling noise. I hadn't realized that most of a helicopter was clear, like being suspended in a great buzzing, vibrating bubble. I kept my eyes closed as much as possible.
"Are you all right, Ms. Blake?" Lionel Bayard asked.
The voice startled me. "Yeah, I'm fine."
"You don't look well."
"I don't like to fly," I said.
He gave a weak smile. I don't think I was inspiring confidence in Lionel Bayard, lawyer and flunkie of Beadle, Beadle, Stirling, and Lowenstein. Lionel Bayard was a small, neat man with a tiny blond mustache that looked like it was as much facial hair as he would ever get. His triangular jaw was as smooth as my own. Maybe the mustache was glued on. His brown suit with a thin yellow tweed fit his body like a well-tailored glove. His thin tie was brown-and-yellow striped with a gold tie tack. The tie tack was monogrammed. His slender leather briefcase was monogrammed as well. Everything matched, down to his gold-tasseled loafers.
Larry twisted in his seat. He was sitting beside the pilot. "You're really afraid of flying?" I could see his lips move, but all the sound came out of my headset; without them we'd never have been able to talk over the noise. He sounded amused.
"Yes, Larry, I'm really afraid of flying." I hoped sarcasm traveled the headsets as clearly as amusement did.
Larry laughed. Evidently, sarcasm traveled. Larry looked freshly scrubbed. He was dressed in his other blue suit, his white shirt—which was one of three he owned—and his second-best tie. His best tie had blood all over it. He was still in college, working weekends for us until he graduated. His short hair was the color of a surprised carrot. He was freckled and about my height, short, with pale blue eyes. He looked like a grown-up Opie.
Bayard was working hard at not frowning at me. The effort showed enough that he shouldn't have bothered. "Are you sure you're up to this assignment?"
I met his brown eyes. "You better hope I am, Mr. Bayard, because I'm all you got."
"I am aware of your specialized skills, Ms. Blake. I spent the last twelve hours contacting every animating firm in the United States. Phillipa Freestone of the Resurrection Company told me she couldn't do what we wanted, that the only person in the country who might be able to do it was Anita Blake. Élan Vital in New Orleans told us the same thing. They mentioned John Burke but weren't confident that he could do all we wanted. We must have all the dead raised or it's useless to us."
"Did my boss explain to you that I am not a hundred percent sure that I can do it?"
Bayard blinked at me. "Mr. Vaughn seemed very confident that you could do what we asked."
"Bert can be as confident as he wants. He doesn't have to raise this mess."
"I realize the earthmoving equipment has complicated your task, Ms. Blake, but we did not do it deliberately."
I let that go. I'd seen the pictures. They'd tried to cover it up. If the construction crew hadn't been local with some Bouvier sympathizers, they'd have plowed up the boneyard, poured some concrete, and voilá, no evidence.