‘Benedicite,’ Athelstan called out, ‘Pax et bonum.’
‘God bless you too, Father,’ came the swift reply.
Athelstan passed on up to the church. He fumbled with the key ring, opened the battered corpse door and stepped inside. He wrinkled his nose: despite his best efforts to scrub the floor, the mildewed air of the old church caught his nose and mouth. Athelstan peered through the gloom; the charcoal braziers still glowed like welcome beacons fending off the cold mustiness. Athelstan took out a tinder from the pouch on his cord. He lit the candles paid for by the Brotherhood of Rood Light, a wealthy group of local merchants who used St Erconwald’s as their guild chapel. In return they generously supplied the church with tallow and beeswax tapers. Athelstan lit those in front of the Lady chapel as well as the candles before the statue of St Erconwald. He gazed up at the severe face of the Saxon bishop of London who’d founded the first church here. Huddle the painter had elegantly regilded the statue, delicately picking out the scarlets and whites of the bishop’s vestments. Athelstan, ignoring the scurry of mice in the far corner, lit some of the sconce torches. The friar noticed the tendrils of mist seeping under the corpse door as if they were pursuing him and shivered.
‘God bring us spring soon,’ he murmured, ‘for swarms of bees and beetles bringing in the soft music of the world, for heavy bowls of hazelnuts, sweet apples, plums and whortleberries.’ Athelstan turned to go up into the sanctuary when he glimpsed Huddle’s new painting on the far wall above the leper squint. Athelstan wandered across. Huddle had been busy sketching out in charcoal the Seven Deadly Sins. Athelstan thought the painter would begin with ‘Lust’, which all the parish council wanted. Instead Huddle, who gambled and was desperate for income, had decided on ‘Avarice’. The painting was graphic enough, bold and vigorous, an eye-catching vision of startling colours and images. A goldsmith of Cheapside was Huddle’s incarnation of the deadly sin: a shrivelled up old man, bow-legged and palsy stricken, with a head as bald as a pigeon’s egg, a beard as bushy as a tangle of brier, skimpy loose cheeks, goggling eyes either side of a nose pointed and as sharp as a hook. The goldsmith was being attacked by two shaggy demons that were dragging him away from his money bags. One of these hellish creatures, all hoofed and horned, had wrapped his goatskin legs around the banker and forced his bald head down so as to clamp his wolf fangs into the back of his victim’s exposed neck. The other demon was clawing the goldsmith’s belly, ripping it open to spill out the man’s black and red innards. Gossips, and that was virtually everyone in the parish, claimed Avarice was no less a person than Sir Robert Kilverby, city goldsmith, former alderman and an acquaintance of no less a person than Sir John Cranston, the King’s coroner in London.
‘Sweet Lord, I hope not,’ Athelstan murmured, ‘or Cranston will have Huddle’s head. I just wish our painter would paint and leave the cogged dice alone.’
Athelstan plucked at his waist cord and fingered the three knots symbolizing his vows of poverty, chastity and obedience. Cranston could be genial but, like all law officers in London, watchful and wary of any dissent or mockery of authority. Winter was proving very harsh. The price of bread and other purveyance remained high. Defeat abroad and piracy in the Narrow Seas made matters worse, especially in London where The Upright Men, leaders of the Great Community of the Realm, were plotting bloody revolt to turn the world upside down. Huddle should be careful of whom he mocked. Athelstan went back to the corpse door and picked up his psalter from the stool near the collection of leaning poles. He moved under the rood screen, stood at the bottom of the sanctuary steps and stared up at the Pyx dangling on its chain, shimmering in the glow of the red sanctuary lamp hanging close by. Athelstan genuflected then busied himself, taking out the palliasse from the small alcove where any sanctuary man in flight from the law could settle. Thankfully there was no one. Athelstan unrolled the palliasse at the bottom of the steps just outside the rood screen. He prostrated himself on this, intoned psalm fifty then confessed his sins, a litany of weaknesses: his failure to love, his irritation with Watkin the dung collector, his short temper with Ursula the Pig-woman and her godforsaken sow which followed her everywhere, including into Athelstan’s vegetable patch. The friar caught his temper and smiled. If he was not careful he would be sinning again, yet behind all these petty offences gathered greater shadows: the death of his beloved brother, Francis-Stephen, and his secret love for the widow woman Benedicta, though she was not his only distraction from matters spiritual. Even more so was Athelstan’s fascination for hunting down killers, assassins and murderers who believed they could snuff out another’s life as easily as they might a taper, wipe their lips and, like Pilate, wash their hands of any blood and guilt. Athelstan let his mind drift deeper into the gathering darkness to confront more threatening shapes which questioned his very vocation and basic beliefs.