Bloodstone(14)

‘I agree,’ Athelstan intervened. ‘When he died Sir Robert truly believed the Passio Christi was still firmly in his care. So,’ he shook his head, ‘what really happened remains a mystery.’ Athelstan sat, allowing the silence to deepen.

Cranston gently tapped the friar’s sandalled foot with the toe of his boot. Athelstan got to his feet and both he and Sir John took their leave. The friar was now fully distracted, eager to escape and reflect on all this murderous mayhem and the mysteries which surrounded it . . .





TWO




‘Corrody: pension paid to an abbey for someone to stay there.’


In the Abbey of St Fulcher-on-Thames Ailward Hyde, former master bowman and a member of the Wyvern Company, stood fascinated by the wall paintings in the south aisle just near the Galilee porch. Ailward was also agitated. He’d taken the oath. He was pledged to the company. He was an experienced swordsman, a warrior yet poor Hanep! Ailward had visited the bloody remains of Gilbert Hanep laid out in its coffin on a trestle in the abbey death house. The infirmarian, the keeper of the dead, had done his best, sewing on the severed head with black twine, yet the sheer horror of seeing a comrade like that! Ailward swallowed the bile at the back of his throat and caressed the hilt of both sword and dagger. Who had committed such a horror? Surely it could not be one of them, yet who could overcome a skilled master of arms such as Hanep, and take his head as clean as snipping a button? Hanep had died like some hog slaughtered out there in the bleak, cold cemetery. Now he, Ailward, had come here to collect his thoughts, pray and perhaps plot. Ailward just wished Fulk Wenlock, their consiliarius, an ever-perpetual source of good advice, was here but he and Mahant had gone into the city yesterday to roister as well as to do other business. He recalled Wenlock’s nut-brown face all creased in friendly concern when they’d strolled through the maze, that subtle conceit built by a previous abbot. They had been discussing Chalk and the lingering days of his death. Wenlock had gripped Hyde’s arm with his maimed hand and spun him around.

‘Ailward,’ he urged, ‘Chalk’s death has changed nothing. You’ll see, everything will calm down.’ He had then taken him to meet Mahant, their serjeant-at-arms. Mahant, his hawk-like face as harsh as ever, had confirmed Wenlock’s words: Chalk was dead. He could speak no more; all would be as it always was. Nevertheless, Ailward was still unsure. Wenlock had given him further words of comfort promising how everything would turn out well.

‘I just wish you were here,’ Ailward whispered.

Wenlock was always reassuring; after all, he had survived. Once a fighter, a master bowman, the most accurate of archers who could send a grey goose-feathered shaft into any target. The French had captured Wenlock and hacked off the bowman fingers on each hand. Wenlock bore his infirmity well and always comforted the others. Yet he and Mahant had still not returned and probably would not be back until later. So Ailward had come here to be distracted, as he always was, by the vivid array of wall paintings which dominated the south aisle. A collection of stories demonstrating the power of God over Satan and all his works, especially when the forces of hell confronted the black monks, the followers of St Benedict. Some of these wall paintings, or so he was given to understand, were the work of the anchorite, that mysterious person who had once been an itinerant painter as well as the Hangman of Rochester, a service he still carried out for the abbot. Ailward was always fascinated by such frescoes, especially those which celebrated events from the history of St Fulcher’s such as the former abbot who had foiled an evil spirit stealing wine from the abbey cellars. Ailward smiled as his fingers traced the story. The abbot had sealed all the taps of the barrels with holy chrism oil as a trap for the demon. The next scene showed a black-limbed, red-faced devil, fiery charcoal eyes glaring, green horns twitching, glued to one of the barrels. A further story, depicted in glowing colours, narrated how a young novice monk was tempted and threatened by a demon who flung his hellish cloak over the novice’s tonsure, burning his head and blistering his skin. The painting then showed the young novice on his knees begging St Benedict to assist him, which the great saint did in a blaze of shimmering light. Ailward closed his eyes and turned away. In truth he had also come here for help, for assistance, to pray, but who would listen to him? A former soldier whose soul was sin-burdened, sin-scorched, buried deep in all kinds of crimes against both God and man?

‘Corpse-maker, slave of hell, ravenous hell brute, coward!’

Ailward almost screamed at the voice which rang like a trumpet blast through the greying light, echoing under the ribbed-vault ceiling.