Their way led now through dwarf oak and ilex and over a stony ground where black trees stood footed in the seams on the slopes. They rode through sunlight and high grass and in the late afternoon they came out upon an escarpment that seemed to rim the known world. Below them in the paling light smoldered the plains of San Agustin stretching away to the northeast, the earth floating off in a long curve silent under looms of smoke from the underground coal deposits burning there a thousand years. The horses picked their way along the rim with care and the riders cast varied glances out upon that ancient and naked land.
In the days to come they would ride up through a country where the rocks would cook the flesh from your hand and where other than rock nothing was. They rode in a narrow enfilade along a trail strewn with the dry round turds of goats and they rode with their faces averted from the rock wall and the bake-oven air which it rebated, the slant black shapes of the mounted men stenciled across the stone with a definition austere and implacable like shapes capable of violating their covenant with the flesh that authored them and continuing autonomous across the naked rock without reference to sun or man or god.
They rode down from this country through a deep gorge, clattering over the stones, rifts of cool blue shade. In the dry sand of the arroyo floor old bones and broken shapes of painted pottery and graven on the rocks above them pictographs of horse and cougar and turtle and the mounted Spaniards helmeted and bucklered and contemptuous of stone and silence and time itself. Lodged in faults and crevices a hundred feet above them were nests of straw and jetsam from old high waters and the riders could hear the mutter of thunder in some nameless distance and they kept watch on the narrow shape of sky overhead for any darkness of impending rain, threading the canyon's close pressed flanks, the dry white rocks of the dead river floor round and smooth as arcane eggs.
That night they camped in the ruins of an older culture deep in the stone mountains, a small valley with a clear run of water and good grass. Dwellings of mud and stone were walled up beneath an overhanging cliff and the valley was traced with the work of old acequias. The loose sand in the valley floor was strewn everywhere with pieces of pottery and blackened bits of wood and it was crossed and recrossed with the tracks of deer and other animals.
The judge walked the ruins at dusk, the old rooms still black with woodsmoke, old flints and broken pottery among the ashes and small dry corncobs. A few rotting wooden ladders yet leaned against the dwelling walls. He roamed through the ruinous kivas picking up small artifacts and he sat upon a high wall and sketched in his book until the light failed.
The moon rose full over the canyon and there was stark silence in the little valley. It may be it was their own shadows kept the coyotes from abroad for there was no sound of them or wind or bird in that place but only the light rill of water running over the sand in the dark below their fires.
The judge all day had made small forays among the rocks of the gorge through which they'd passed and now at the fire he spread part of a wagonsheet on the ground and was sorting out his finds and arranging them before him. In his lap he held the leather ledgerbook and he took up each piece, flint or potsherd or tool of bone, and deftly sketched it into the book. He sketched with a practiced ease and there was no wrinkling of that bald brow or pursing of those oddly childish lips. His fingers traced the impression of old willow wicker on a piece of pottery clay and he put this into his book with nice shadings, an, economy of pencil strokes. He is a draftsman as he is other things, well sufficient to the task. He looks up from time to time at the fire or at his companions in arms or at the night beyond. Lastly he set before him the footpiece from a suit of armor hammered out in a shop in Toledo three centuries before, a small steel tapadero frail and shelled with rot. This the judge sketched in profile and in perspective, citing the dimensions in his neat script, making marginal notes.
Glanton watched him. When he had done he took up the little footguard and turned it in his hand and studied it again and then he crushed it into a ball of foil and pitched it into the fire. He gathered up the other artifacts and cast them also into the fire and he shook out the wagonsheet and folded it away among his possibles together with the notebook. Then he sat with his hands cupped in his lap and he seemed much satisfied with the world, as if his counsel had been sought at its creation.
A Tennessean named Webster had been watching him and he asked the judge what he aimed to do with those notes and sketches and the judge smiled and said that it was his intention to expunge them from the memory of man. Webster smiled and the judge laughed. Webster regarded him with one eye asquint and he said: Well you've been a draftsman somewheres and them pictures is like enough the things themselves. But no man can put all the world in a book. No more than everthing drawed in a book is so.