Beneath The Skin(160)

“Who would I tell? Who would care? You think we have nothing better to do with our days than sit around and talk about The Dessie From New York?” Victoria smirks. “Get over yourself. I have an audition at a community theater in-town tomorrow and an audition for Freddie’s play in November. I’m an actor and a big girl, Desdemona. When I don’t get cast, I get over it and move on. It’s an actor’s life.”

Her words do their intended job of pummeling me in the stomach. It isn’t lost on me that she’s calling me by my full name deliberately. That almost bothers me more than anything she’s already said.

Also, it hardly sounds like she’s moved on. “I’m sorry for lying to you. To both of you. I really am. Victoria, you were the first person I met here. Please, don’t let this ruin our—”

“I’ll see you later, Eric,” she says, turning to him at the window. “Lunch, maybe?”

He smiles tiredly, but it looks more like a grimace.

Then, Victoria saunters off, departing through the front glass doors. When I look back at the window, Eric’s on the box office phone helping a customer, his eyes going everywhere except to me.

What a lovely start to a lovely day.

I text Clayton while I have lunch with Sam sitting across from me in the UC food court. I’ve already dumped all my frustrations on Sam, subjecting her to all my worries as of late, from Clayton’s refusal to answer my texts, to Victoria’s complete one-eighty (sans the whole who-I-really-am thing), to the fact that rehearsals start tonight for Our Town and I am still swimming in fractures of lines that I do not have memorized. Not to mention a voice class routine I need to have ready to perform by tomorrow. Or a Thai Chi group-thing for my movement class I’m assigned to do Thursday. All the stress has me passing a banana and another half of a sandwich off to Sam, insisting I can’t eat it and meaning it this time.

When I finally get to the rehearsal room at six, my stomach feels hollowed out. I sleepwalk through the most of it, watching listlessly as the Stage Manager character is given the blocking for the opening scene—which basically means he’s told where to stand and who to direct his lines to and so on.

For a solid hour, I wonder what the hell I’m doing here. I stare at the screen of my phone and consider all the logical reasons for why he’s not responding.

I didn’t have sex with him. I put on the brakes.

He’s bored with me. He’s moved on to some pretty chick he met in a math class, a chick who’s tutoring him and showing him exactly how to solve for X.

He drowned himself in three more bottles of tequila and slept all day Sunday and simply missed my messages.

He made a sudden career change and he’s an astronaut now. I’ll find him on the news walking the surface of Venus and insisting that it’s totally not as hot as scientists say, his flesh boiling and his hair bursting into flames.

Then the voice of Nina cuts through all the turmoil of my head. “Desdemona.”

I lift my eyes from the screen. Every actor in the room is staring at me. I’ve missed something.

“Yes?” I say in a nearly inaudible choke, yet the word still carries perfectly in the dense silence.

“Care to join us for this scene?” Nina’s patient voice rings through the room like a spear made of ice and stinging resentment, skewering me to the spot.

I swallow hard. “Yes, of course. Sorry. Yes.”

The script drops from my fumbling hand. I shove my phone away and pick up the script off the floor, thumbing through until I get to my first scene.

“Stage left,” she dictates.

I move, taking my place at where I guess to be the approximate entrance.

“Your other left.”

“Sorry.” I walk across to the other side of the room, my every footstep slamming against my ears. I feel the weight of every pair of eyes on me. Suddenly, I catch myself wondering if Victoria’s told anyone else what she discovered. Am I being paranoid? How many people in this room know who I really am?

The rehearsal goes as rigidly and as horribly as I would have ever expected it to, regardless of mood. Every line I say is stiff and emotionless. Every place I walk to on the stage feels uncomfortable. I ask Nina to repeat her directions, feeling stupider each time I do. The cold, patient, half-lidded stare she gives me my whole time onstage makes me feel an inch tall.

Rehearsal ends at ten and I can’t pack my things fast enough. When I throw my bag over a shoulder to go, a shadow drops over me. I look up to find Eric.

“You look tense,” he notes with a grimace.

I sigh, leaning against the wall. As most everyone else has left and it’s only us and a couple of stragglers chatting at the other end of the room, I drop my bag back down on the ground and blurt out, “I suck.”