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Bed of Roses (Bride Quartet #2)(113)



"I can and you will. That's that."

"But-"

"Didn't I just say that's that? If you let me down, there'll be hell to pay, I promise you. Parker and Emma are going off to college, and Mackensie's dead set on working full time with her photography. You've got a different path, so you'll take it. It's what you want, isn't it?"



       
         
       
        

"More than anything." Tears stung her eyes, burned her throat. "Mrs. G, I don't know what to say. I'll pay you back. I'll-"

"Damn right, you will. You'll pay me back by making something of yourself. It's up to you now."

Laurel threw her arms around Mrs. Grady, clung. "You won't be sorry. I'll make you proud."

"I believe you will. There now. Go finish getting ready."

Laurel held on another moment. "I'll never forget this," she whispered. "Never. Thank you. Thank you, thank you!"

She rushed for the door, anxious to share the news with her friends, then turned, young, radiant. "I can't wait to start."





CHAPTER ONE


ALONE, WITH NORAH JONES WHISPERING THROUGH THE IPOD, Laurel transformed a panel of fondant into a swatch of elegant, edible lace. She didn't hear the music, used it more to fill the air than as entertainment, while she painstakingly pieced the completed panel onto the second tier of four.

She stepped back to eye the results, to circle, to search for flaws. Vows' clients expected perfect, and that's exactly what she intended to deliver. Satisfied, she nodded, and picked up a bottle of water to sip while she stretched her back.

"Two down, two to go."

She glanced toward the board, where she'd pinned various samples of antique lace and the final sketched design for the cake Friday evening's bride had approved.

She had three more designs to complete-two for Saturday, one for Sunday-but that was nothing new. June at Vows, the wedding and event business she ran with her friends, was prime time.

In a handful of years, they'd turned an idea into a thriving enterprise. Sometimes just a little too thriving, she mused, which was why she was making fondant lace at nearly one in the morning.

It was a very good thing, she decided. She loved the work.

They all had their passions. Emma had the flowers, Mac the photography, Parker the details. And she had the cakes. And the pastries, she thought, and the chocolates. But the cakes stood as the crowning touch.

She got back to it, began to roll out the next panel. Following habit, she'd clipped her sunny blond hair up and back out of her way. Cornstarch dusted the baker's apron she wore over cotton pants and T-shirt, and the slide-on kitchen shoes kept her feet as comfortable as possible after hours of standing. Her hands, strong from years of kneading, rolling, lifting, were capable and quick. As she began the next pattern, her sharp-featured, angular face set in serious lines.

Perfection wasn't simply a goal when it came to her art. For Icing at Vows it was a necessity. The wedding cake was more than baking and piping, sugar paste and filling. Just as the wedding photos Mac took were more than pictures, and the arrangements and bouquets Emma created more than flowers. The details and schedules and wishes Parker put together were, in the end, bigger than the sum of their parts. 

Together, the elements became a once-in-a-lifetime event, and the celebration of the journey two people chose to make together.

Romantic, certainly, and Laurel believed in romance. In theory, anyway. More, she believed in symbols and celebrations. And in a really fabulous cake.

Her expression softened into pleasure as she completed the third tier, and her deep blue eyes warmed as she glanced over to see Parker hovering in the doorway.

"Why aren't you in bed?"

"Details." Parker circled a finger over her own head. "Couldn't settle. How long have you been at this tonight?"

"Awhile. I need to finish it so it can set overnight. Plus I have the two Saturday cakes to assemble and decorate tomor row."

"Want company?"

They knew each other well enough that if Laurel said no, it was understood and there'd be no offense. And often, when deep in work, no was the answer.

"Sure."

"I love the design." Parker, as Laurel had, circled the cake. "The delicacy of the white on white, the interest of the different heights of each tier-and the intricacy of each. They really do look like different panels of lace. Old-fashioned, vintage. That's our bride's theme. You've nailed it with this."

"We're going to do pale blue ribbon around the pedestal," Laurel said as she started on the next panel. "And Emma's going to scatter white rose petals at the base. It's going to be a winner."