He waved to the window. ‘Over the lean-to roof.'
She rested her hand on the silk-and-velvet bonnet thrown over one of the mirror supports.
‘Well, you may leave the same way.'
‘I will, when I'm ready.'
‘Now.' She pulled a hatpin from the bonnet. Its steel shaft was some eight inches long and glinted wickedly in the dim light. ‘Do not think I will not use this to defend myself,' she added, when he did not move. ‘It would not be the first time and I am quite adept, you know.'
‘I don't doubt it,' he said, his voice rich with laughter as he strode over to the window. ‘But you mistake me, Mrs Weston.' He put his hand in his pocket. ‘I came to return this.' He held out her cameo brooch. ‘Well, take it, me darlin', before I change my mind.'
Warily she reached out and plucked it from his open palm.
‘I thought to see it adorning some pretty young serving wench,' she told him. ‘Why did you bring it back?'
‘Guilty conscience.' He moved a little closer. ‘And the prospect of a reward.'
Suddenly she felt very breathless, gazing up into the masked face and seeing the glint of the candlelight in his eyes. There was only the length of the hatpin between them. She did not resist when he took her wrist and deflected the sharp blade away from his body.
What was she doing? Alarmed, she dropped the brooch and put her free hand against his chest, but even as she opened her mouth to scream he captured her mouth, kissing her so ruthlessly that her bones melted under the onslaught. It was over in an instant. She was still gathering herself to resist him when he released her.
‘Yes,' he said, his breathing a little ragged. ‘I was not wrong.'
‘A-about what?'
Her eyes were fixed on his mouth, fascinated by the sculpted lips and the laughter lines engraved on each side that deepened now as he gave her a slow smile.
‘You kiss like an angel.'
In one swift, fluid movement he turned away from her, threw up the sash and slipped out into the darkness.
Charity ran to the window, but there was no sign of anyone, only the soft drumming of hoofbeats fading into the night.
* * *
Hywel clapped his hands. ‘Very well, everyone, let us begin by reading through the first act. Mrs Weston-are you with us?'
Charity started. ‘I beg your pardon, Mr Jenkin. I am ready to rehearse, of course.'
He looked closely at her. ‘Did you not sleep well last night?'
‘No, as a matter of fact.' She paused and said casually, ‘You told me you could recommend a manservant for me. Someone to be trusted.'
‘Aye. There is a fellow called Thomas who is presently doing odd jobs for me, but he would prefer regular work, I know.'
‘How soon can he start?'
‘Today, if you wish. Shall I send him to you when we have finished rehearsals?'
Charity nodded.
‘If you please, Hywel.' She touched the little cameo pinned to her gown. ‘I shall feel happier with another servant in the house.'
Chapter Two
It was opening night and the theatre was packed for the new production of The Rivals. The playbill pasted up at the entrance announced boldly that the role of Lydia Languish was to be played by the celebrated actress Mrs Charity Weston, fresh from her successful season in Scarborough. Ross Durden took his seat on one of the benches in the pit and soon found himself squashed by bodies as the pit filled up.
‘Should be a good night,' remarked the man in the brown bagwig who was sitting beside him. ‘I read that this new leading lady's being compared to Mrs Siddons.' He pulled a nut from his pocket and cracked it expertly between his fingers. ‘We shall soon find out.'
‘Have you ever seen Mrs Siddons?' asked Ross, mildly intrigued.
‘Once.' The man cracked another nut and munched meditatively. ‘In York, in the role of Lady Macbeth. Excellent, she was. Never seen the like. Just hope this lass is as good as they say.'
‘But this is a comedy,' Ross pointed out, recalling that the great Sarah Siddons was renowned for her tragedies.
His neighbour shrugged. ‘A play's a play and if the lady's no good then we shall soon let her know!'
Ross said no more. He had come into Allingford on business today, and had bought himself a ticket because he had wanted a diversion before returning home. The Rivals was one of his favourite plays and the fact that Charity Weston was making her debut in Allingford had not influenced him at all.
At least that was what he told himself, yet somehow this evening the familiar prologue and first scene did not captivate him, although the rest of the audience seemed to be enjoying it. He realised he was waiting for Mrs Weston's appearance in Scene Two.
Then she was there. Powdered and bewigged, but there could be no mistaking that wonderful figure nor the brilliance of her blue eyes, visible even from his seat halfway back in the pit. Her voice, too, held him spellbound. It had a mellow, smoky quality, redolent of sexual allure. It should not have been right for her character-Lydia Languish was meant to be a sweet young heiress-but there was an innocence about Charity's playing that rang true.
Ross glanced about him, relieved to see the audience was captivated by her performance. Smiling, he turned back to the stage and settled down to enjoy the play.
* * *
The first performance in a new theatre was always exciting, but nerve-racking too, and Charity breathed a sigh of relief when it was over, knowing it had gone well. The audience was on its feet, clapping and cheering. She dropped into a low curtsy, smiling. The applause never failed to surprise her. When she reached the wings, Hywel caught her hand and led her back to the stage.
‘They will not settle down if you do not grant them one last bow,' he murmured, smiling broadly.
She sank into another deep curtsy. Someone had thrown a posy of primroses onto the stage. She picked it up and touched it to her lips before holding it out to the audience, acknowledging their applause. The crowd went wild, and they were still stamping and clapping and cheering when she accompanied Hywel into the wings.
‘Well, that is the first night over. I only hope they continue to enjoy my performances.'
‘Oh, they will,' replied Hywel confidently. ‘Now, I must go and get ready for the farce and you must prepare yourself to be besieged by admirers when the show is over!'
* * *
Charity exchanged praise and compliments with the rest of the players, then went back to the dressing room to find Betty waiting for her. Her handmaid's austere countenance had softened slightly, a sign that she was pleased with her mistress's reception.
‘Help me out of this headdress, if you please, Betty. Heavens, it is such a weight!'
‘If you'd been born twenty years earlier, Miss Charity, you'd have had your own hair piled up like this for weeks on end.'
‘I cannot believe this monstrous, pomaded style was once the fashion.' Charity gave an exaggerated sigh of relief as Betty carefully pulled away the wig, which was curled, powdered and decorated with a confection of feathers and silk flowers. ‘Put it aside, Betty, and help me out of my gown, if you please. Mr Jenkin thinks there may be a crowd in the green room once the farce is ended.'
‘Not a doubt of it, madam, the way they was cheering you. Now, I brought the rose silk and your embroidered muslin. Which will you wear to meet your admirers?'
‘The muslin, I think, Betty. And they are not my admirers. Mr Jenkin tells me that it is the custom here at Allingford for all the cast to gather for a reception in the green room.'
‘Aye,' muttered Betty, ‘but there's no doubt who will be most in demand!'
Charity was exhausted and longed to go home to bed, but she knew Hywel would expect her to join the other members of the cast and ‘do the pretty', as he phrased it, talking to those wealthy patrons who were invited backstage to meet the players. She was grateful for the supper that was laid on and managed to eat a little cold chicken and one of the delicious pastries before Hywel carried her off to introduce her to the great and the good of Allingford. He began with Lady Malton, who looked down her highbred nose at Charity and afforded her the merest nod.
‘In a small town like this we cannot rely upon one rich patron like Lady Malton to support the theatre,' Hywel explained as he led her away from the viscountess. ‘We depend upon the goodwill of a large number of gentlemen-and ladies-of more moderate means. People like the Beverleys. They are a delightful couple and the backbone of Allingford life. Sir Mark is the local magistrate and his lady is very good-natured and likes to fill her house with actors and artists.'