The audience was silent with tension, as the vampires landed on the stage again. They surrounded her, hiding her from view. It gave the illusion that all of them were feeding at once, though I knew logistically that wasn't possible. Too many mouths to fit like that.
A new vampire stalked onto the stage. He was dark-haired, and darker-skinned, pale, but I couldn't tell if it was makeup or skin tone. He chased back the other vamps. He saw the bloody almost-corpse, and he wept. His shoulders rose and fell with it.
Adonis laughed at him, one of those big stage laughs, with the head back.
The dark vampire raised a face livid with anger. They began to dance around the stage. They danced with her bloody corpse as their centerpiece. The other vampires vanished behind the stage. The two men danced. Adonis had more bulky muscles. The dark man was tall and lean, and more graceful than anyone I'd ever seen. He moved like a dream of water, and even that didn't do him justice.
Adonis's dancing came across as clunky, human in comparison. Somewhere in the middle of the dance, I realized I was looking at Merlin.
Merlin won the dancing fight. For that was what it became. They fought in the air, and on the ground, and it looked real. Real anger seemed to be involved, and I wondered if it was projecting, or if they were truly pissed at each other and the fight gave them an excuse to vent it.
Adonis was vanquished, not killed, and that left Merlin on stage alone with his dead love. He leaned over her, held her in his arms, and rocked her. My throat was tight, damn him. He wept and I fought not to weep with him. Jean-Claude did some of this with the audience at the clubs, but he wasn't this good. No one I'd ever met was this good at projecting emotions.
A mob entered from stage right. They had crossbows and torches. They shot the weeping vampire. The crossbow bolt appeared in his chest like magic. Even knowing it was stage trickery it looked real. He collapsed on top of his dead love, and the lights circled round the two dead lovers. He died curled around her, as if, even in death, he would protect her.
The mob came, and the weeping man who had shot the vampire picked up the dead girl. He cradled her in his arms, and a woman from the crowd joined him in weeping. Parents, I thought. They cradled her, much as the dead vampire had. They carried her offstage, weeping, and left the vampire dead.
The stage was empty for a moment, then the vampires returned. They crept out on the stage, cautious, afraid. They seemed bewildered by the dead vampire. It was Adonis who knelt by him, touched his face, and wept. He picked the fallen man up in his arms, cradling him. Then he rose skyward, and the vampires flew away with their fallen leader. They flew away weeping to the sounds of music that sounded like the violins were weeping with them.
The curtain went down and there was a moment of utter silence. Then the audience went wild, clapping, making noises of all kinds. The audience came to its feet and the curtain reopened. The humans came out first, the chorus, but the audience stayed on their feet through it all. When Adonis took the stage, they clapped louder. When the girl and Merlin came down to bow, well, the crowd actually screamed. You don't hear screaming much at the ballet, but you heard it now.
Roses were delivered to the girl, and to Merlin. More than one bouquet of them, in different colors. They bowed, and bowed again, and finally the audience began to quiet. Only then did the curtain close, and the dancers exited to the soft sound of applause and the excited babble of the audience, already asking themselves, «Did you see what I saw? Was it real?»
We'd survived the ballet. Now all we had to survive was the cast party afterward. The night was young. Damn it.
53
I WAS IN Jean-Claude's office at Danse Macabre. It was black-and-white elegant, with framed kimonos and fans on the walls as the only color. I sat behind his elegant black desk, with a drawer open. I had an extra gun in that drawer. I'd loaded it with silver shot while we waited. Asher sat beside me, in a chair pulled up so he could be close enough to touch me. He was the reason the drawer was open and the gun was loaded, but not sitting in plain sight on the desk, or in my hand already. He thought it might make the discussion get off on a hostile foot. Damian stood on my other side, hand on my shoulder. His touching me, sharing his calmness, was probably why Asher had won his argument about the gun. The other reason he'd won the fight about the gun was leaning up against the door: Claudia, Truth, and Lisandro, looking very bodyguardy against the wall. Where was Jean-Claude? He was out being the media darling. Elinore, as manager here, was also playing to the media. For public events like this, she made a much better hostess. Besides, I was handling other business. The kind the human media didn't get to know about.