Evelyn drops her bag on the couch. "Thank you for letting me stay with you for a little while. I promise I'll find another place soon."
"No problem," I say. I feel nervous about her being here, poking through my meager possessions, shuffling down my hallways, but we can't stay distant forever. Not when I promised her that I would try to bridge this gap between us.
"George says he needs some help training a police force," Evelyn says. "You didn't offer?"
"No," I say. "I told you, I'm done with guns."
"That's right. You're using your words now," Evelyn says, wrinkling her nose. "I don't trust politicians, you know."
"You'll trust me, because I'm your son," I say. "Anyway, I'm not a politician. Not yet, anyway. Just an assistant."
She sits at the table and looks around, twitchy and spry, like a cat.
"Do you know where your father is?" she says.
I shrug. "Someone told me he left. I didn't ask where he went."
She rests her chin on her hand. "There's nothing you wanted to say to him? Nothing at all?"
"No," I say. I twirl my keys around my finger. "I just wanted to leave him behind me, where he belongs."
Two years ago, when I stood across from him in the park with the snow falling all around us, I realized that just as attacking him in front of the Dauntless in the Merciless Mart didn't make me feel better about the pain he caused me, yelling at him or insulting him wouldn't either. There was only one option left, and it was letting go.
Evelyn gives me a strange, searching look, then crosses the room and opens the bag she left on the couch. She takes out an object made of blue glass. It looks like falling water, suspended in time.
I remember when she gave it to me. I was young, but not too young to realize that it was a forbidden object in the Abnegation faction, a useless and therefore a self-indulgent one. I asked her what purpose it served, and she told me, It doesn't do anything obvious. But it might be able to do something in here. Then she touched her hand to her heart. Beautiful things sometimes do.
For years it was a symbol of my quiet defiance, my small refusal to be an obedient, deferent Abnegation child, and a symbol of my mother's defiance too, even though I believed she was dead. I hid it under my bed, and the day I decided to leave Abnegation, I put it on my desk so my father could see it, see my strength, and hers.
"When you were gone, this reminded me of you," she says, clutching the glass to her stomach. "Reminded me of how brave you were, always have been." She smiles a little. "I thought you might keep it here. I intended it for you, after all."
I wouldn't trust my voice to remain steady if I spoke, so I just smile back, and nod.
The spring air is cold but I leave the windows open in the truck, so I can feel it in my chest, so it stings my fingertips, a reminder of the lingering winter. I stop by the train platform near the Merciless Mart and take the urn out of the backseat. It's silver and simple, no engravings. I didn't choose it; Christina did.
I walk down the platform toward the group that has already gathered. Christina stands with Zeke and Shauna, who sits in the wheelchair with a blanket over her lap. She has a better wheelchair now, one without handles on the back, so she can maneuver it more easily. Matthew stands on the platform with his toes over the edge.
"Hi," I say, standing at Shauna's shoulder.
Christina smiles at me, and Zeke claps me on the shoulder.
Uriah died only days after Tris, but Zeke and Hana said their good-byes just weeks afterward, scattering his ashes in the chasm, amid the clatter of all their friends and family. We screamed his name into the echo chamber of the Pit. Still, I know that Zeke is remembering him today, just as the rest of us are, even though this last act of Dauntless bravery is for Tris.
"Got something to show you," Shauna says, and she tosses the blanket aside, revealing complicated metal braces on her legs. They go all the way up to her hips and wrap around her belly like a cage. She smiles at me, and with a gear-grinding sound, her feet shift to the ground in front of the chair, and in fits and starts, she stands.
Despite the serious occasion, I smile.
"Well, look at that," I say. "I'd forgotten how tall you are."
"Caleb and his lab buddies made them for me," she says. "Still getting the hang of it, but they say I might be able to run someday."
"Nice," I say. "Where is he, anyway?"
"He and Amar will meet us at the end of the line," she says. "Someone has to be there to catch the first person."
"He's still sort of a pansycake," Zeke says. "But I'm coming around to him."
"Hm," I say, not committing. The truth is, I've made my peace with Caleb, but I still can't be around him for long. His gestures, his inflections, his manner, they are hers. They make him into just a whisper of her, and that is not enough of her, but it is also far too much.
I would say more, but the train is coming. It charges toward us on the polished rails, then squeals as it slows to a stop in front of the platform. A head leans out the window of the first car, where the controls are-it's Cara, her hair in a tight braid.
"Get on!" she says.
Shauna sits in the chair again and pushes herself through the doorway. Matthew, Christina, and Zeke follow. I get on last, offering the urn to Shauna to hold, and stand in the doorway, my hand clutching the handle. The train starts again, building speed with each second, and I hear it churning over the tracks and whistling over the rails, and I feel the power of it rising inside me. The air whips across my face and presses my clothes to my body, and I watch the city sprawl out in front of me, the buildings lit by the sun.
It's not the same as it used to be, but I got over that a long time ago. All of us have found new places. Cara and Caleb work in the laboratories at the compound, which are now a small segment of the Department of Agriculture that works to make agriculture more efficient, capable of feeding more people. Matthew works in psychiatric research somewhere in the city-the last time I asked him, he was studying something about memory. Christina works in an office that relocates people from the fringe who want to move into the city. Zeke and Amar are policemen, and George trains the police force-Dauntless jobs, I call them. And I'm assistant to one of our city's representatives in government: Johanna Reyes.
I stretch my arm out to grasp the other handle and lean out of the car as it turns, almost dangling over the street two stories below me. I feel a thrill in my stomach, the fear-thrill the true Dauntless love.
"Hey," Christina says, standing beside me. "How's your mother?"
"Fine," I say. "We'll see, I guess."
"Are you going to zip line?"
I watch the track dip down in front of us, going all the way to street level.
"Yes," I say. "I think Tris would want me to try it at least once."
Saying her name still gives me a little twinge of pain, a pinch that lets me know her memory is still dear to me.
Christina watches the rails ahead of us and leans her shoulder into mine, just for a few seconds. "I think you're right."
My memories of Tris, some of the most powerful memories I have, have dulled with time, as memories do, and they no longer sting as they used to. Sometimes I actually enjoy going over them in my mind, though not often. Sometimes I go over them with Christina, and she listens better than I expected her to, Candor smart-mouth that she is.
Cara guides the train to a stop, and I hop onto the platform. At the top of the stairs Shauna gets out of the chair and works her way down the steps with the braces, one at a time. Matthew and I carry her empty chair after her, which is cumbersome and heavy, but not impossible to manage.
"Any updates from Peter?" I ask Matthew as we reach the bottom of the stairs.
After Peter emerged from the memory serum haze, some of the sharper, harsher aspects of his personality returned, though not all of them. I lost touch with him after that. I don't hate him anymore, but that doesn't mean I have to like him.
"He's in Milwaukee," Matthew says. "I don't know what he's doing, though."
"He's working in an office somewhere," Cara says from the bottom of the stairs. She has the urn cradled in her arms, taken from Shauna's lap on the way off the train. "I think it's good for him."
"I always thought he would go join the GD rebels in the fringe," Zeke says. "Shows you what I know."
"He's different now," Cara says with a shrug.
There are still GD rebels in the fringe who believe that another war is the only way to get the change we want. I fall more on the side that wants to work for change without violence. I've had enough violence to last me a lifetime, and I bear it still, not in scars on my skin but in the memories that rise up in my mind when I least want them to, my father's fist colliding with my jaw, my gun raised to execute Eric, the Abnegation bodies sprawled across the streets of my old home.
We walk the streets to the zip line. The factions are gone, but this part of the city has more Dauntless than any other, recognizable still by their pierced faces and tattooed skin, though no longer by the colors they wear, which are sometimes garish. Some wander the sidewalks with us, but most are at work-everyone in Chicago is required to work if they're able.