All the Light We Cannot See(70)
Far up a third climb, Werner unfolds the map and double-checks his bearings with a compass. Everywhere the silent trees gleam. No tracks save their own. The school lost behind them. “Shall I set out the transceivers again, sir?”
Hauptmann puts his fingers to his lips.
Werner triangulates again and sees how close they are to his original reading—under half a kilometer. He repacks the transceivers and picks up his pace, hunting now, on the scent, all three dogs sensing it too, and Werner thinks: I have found a way in, I am solving it, the numbers are becoming real. And the trees unload siftings of snow and the dogs freeze and twitch their noses, locked on a scent, pointing as if at a pheasant, and Hauptmann holds up a palm, and finally Werner, coming up through a gap between trees, laboring as he carries the big cases, sees the form of a man lying faceup in the snow, transmitter at his feet, antenna rising into the low branches.
The Giant.
The dogs tremble in their stances. Hauptmann keeps his palm up. With his other hand, he unholsters his pistol. “This close, Pfennig, you cannot hesitate.”
Volkheimer’s left side faces them. Werner can see the vapor of his breath rise and disperse. Hauptmann aims his Walther right at Volkheimer, and for a long and startling moment, Werner is certain that his teacher is about to shoot the boy, that they are in grave danger, every single cadet, and he cannot help but hear Jutta as she stood beside the canal: Is it right to do something only because everyone else is doing it? Something in Werner’s soul shuts its scaly eyes, and the little professor raises his pistol and fires it into the sky.
Volkheimer leaps immediately into a squat, his head coming around as the hounds release toward him, and Werner’s heart feels as if it has been blown to pieces in his chest.
Volkheimer’s arms come up as the dogs charge him, but they know him; they are leaping on him in play, barking and scampering, and Werner watches the huge boy throw off the dogs as if they were housecats. Dr. Hauptmann laughs. His pistol smokes, and he takes a long drink from his flask and passes it to Werner, and Werner puts it to his lips. He has pleased his professor after all; the transceivers work; he is out in the luminous, starlit night feeling the stinging glow of brandy flow into his gut—
“This,” says Hauptmann, “is what we’re doing with the triangles.”
The dogs circle and duck and romp. Hauptmann relieves himself beneath the trees. Volkheimer trudges toward Werner lugging the big KX transmitter; he grows ever larger; he rests a huge mittened hand on Werner’s cap.
“It’s only numbers,” he says, quietly enough that Hauptmann cannot hear.
“Pure math, cadet,” adds Werner, mimicking Hauptmann’s clipped accent. He presses his gloved fingertips together, all five to five. “You have to accustom yourself to thinking that way.”
It is the first time Werner has heard Volkheimer laugh, and his countenance changes; he becomes less menacing and more like a benevolent, humongous child. More like the person he becomes when he listens to music.
All the next day the pleasure of his success lingers in Werner’s blood, the memory of how it seemed almost holy to him to walk beside big Volkheimer back to the castle, down through the frozen trees, past the rooms of sleeping boys ranked like gold bars in strongrooms—Werner felt an almost fatherly protectiveness for the others as he undressed beside his bunk, as lumbering Volkheimer continued on toward the dormitories of the upperclassmen, an ogre among angels, a keeper crossing a field of gravestones at night.
Proposal
Marie-Laure sits in her customary spot in the corner of the kitchen, closest to the fireplace, and listens to the friends of Madame Manec complain.
“The price of mackerel!” says Madame Fontineau.” You’d think they had to sail to Japan for it!”
“I cannot remember,” says Madame Hébrard, the postmistress, “what a proper plum tastes like.”
“And these ridiculous shoe ration coupons,” says Madame Ruelle, the baker’s wife. “Theo has number 3,501 and they haven’t even called 400!”
“It’s not just the brothels on the rue Thévenard anymore. They’re giving all the summer apartments to the freelancers.”
“Big Claude and his wife are getting extra fat.”
“Damned Boches have their lights on all day!”
“I cannot bear one more night stuck indoors with my husband.”
Nine of them sit around the square table, knees pressed to knees. Ration card restrictions, abysmal puddings, the deteriorating quality of fingernail varnish—these are crimes they feel in their souls. To hear so many of them in a room together confuses and excites Marie-Laure: they are giddy when they should be serious, somber after jokes; Madame Hébrard cries over the nonavailability of Demerara sugar; another woman’s complaint about tobacco disintegrates midsentence into hysterics about the phenomenal size of the perfumer’s backside. They smell of stale bread, of stuffy living rooms crammed with dark titanic Breton furnishings.