All the Light We Cannot See(107)
Volkheimer has taken to switching on his field light and focusing its frail beam into the far corner, where eight or nine white plaster heads stand on two shelves, several toppled onto their sides. They look like the heads of mannequins, only more skillfully fashioned, three with mustaches, two bald, one wearing the cap of a soldier. Even with the light off, the heads assume strange power in the dark: pure white, not quite visible but not entirely invisible, embedded into Werner’s retinas, almost glowing in the blackness.
Silent and watchful and unblinking.
Tricks of the mind.
Faces, look away.
In the blackness, he crawls toward Volkheimer: a comfort to find his friend’s huge knee in the darkness. The rifle beside him. Bernd’s corpse somewhere beyond.
Werner says, “Did you ever hear the stories they told about you?”
“Who?”
“The boys at Schulpforta.”
“A few I heard.”
“Did you like it? Being the Giant? Having everyone afraid of you?”
“It is not so fun being asked how tall you are all the time.”
A shell detonates somewhere aboveground. Somewhere out there the city burns, the sea breaks, barnacles beat their feathery arms.
“How tall are you?”
Volkheimer snorts once, a bark of a laugh.
“Do you think Bernd was right about the grenades?”
“No,” says Volkheimer, his voice coming alert. “They would kill us.”
“Even if we built some kind of barrier?”
“We’d be crushed.”
Werner tries to make out the heads across the cellar in the blackness. If not the grenades, then what? Does Volkheimer really believe someone is going to come and save them? That they deserve saving?
“So we’re just going to wait?”
Volkheimer doesn’t answer.
“For how long?”
When the radio batteries die, the American eleven-volt should run the transceiver for one more day. Or he could wire the bulb from Volkheimer’s field light to it. The battery will give them one more day of static. Or one more day of light. But they will not need light to use the rifle.
Delirium
A purple fringe flutters around von Rumpel’s vision. Something must have gone wrong with the morphine: he may have taken too much. Or else the disease has advanced far enough to alter his sight.
Ash drifts through the window like snow. Is it dawn? The glow in the sky could be the light from fires. Sheets soaked in sweat, his uniform as wet as if he has been swimming in his sleep. Taste of blood in his mouth.
He crawls to the end of the bed and looks at the model. He has studied every square inch of it. Bashed a corner to pieces with the butt of a wine bottle. The structures in it are mostly hollow—the château, the cathedral, the market—but why bother to smash them all when one is missing, the very house he needs?
Out in the forsaken city, every other structure, it seems, is burning or collapsing, but here in front of him is the inverse in miniature: the city remains, but the house he occupies is gone.
Could the girl have carried it out with her when she fled? Possible. The uncle didn’t have it when they sent him to Fort National. He was well searched; he carried nothing but his papers—von Rumpel made sure of it.
Somewhere a wall goes to pieces, a thousand kilograms of masonry crashing down.
That the house stands while so many others have been destroyed is evidence enough. The stone must be inside. He simply needs to find it while there is time. Clamp it to his heart and wait for the goddess to thrust her fiery hand through its planes and burn away his afflictions. Burn his way out of this citadel, out of this siege, out of this disease. He will be saved. He simply has to drag himself up from this bed and keep looking. Do it more methodically. As many hours as it takes. Tear the place apart. Begin in the kitchen. One more time.
Water
Marie-Laure hears the springs of her bed groan. Hears the German limp out of her room and go down the stairs. Is he leaving? Giving up?
It starts to rain. Thousands of tiny drops thrum onto the roof. Marie-Laure stands on her tiptoes and presses her ear to the roofing beneath the slates. Listens to the drops trickle down. What was the prayer? The one Madame Manec muttered to herself on Bastille Day as the fireworks went up?
Lord Our God Your Grace is a purifying fire.
She has to marshal her mind. Use perception and logic. As her father would, as Jules Verne’s great marine biologist Professor Pierre Aronnax would. The German does not know about the attic. She has the stone in her pocket; she has one can of food. These are advantages.
The rain is good too: it will stifle the fires. Could she capture some of it to drink? Punch a hole in the slates? Use it in some other way? Maybe to cover her noise?