“No,” you lie, shoot back your own cliché: “We all have our jobs to do.”
Back when she worked for the Southern Reach, you’d liked her—sharp, charming, and she’d done a good job of fine-tuning logistics, of diving in and getting work done. But since she’s chained to Lowry, you can’t risk that her presence isn’t his presence. Sharing a swig of brandy with Grace: “A living bug—can’t exactly just pull her out of the ceiling tiles.” And the glamour has begun to fade: At times, Severance looks to you like a tired, faded clerk at a makeup counter in a department store.
Severance sits with you, observing the returnees through closed-circuit cameras for long minutes, coffee in hand, checking her phone every few minutes, often drawn off into some side conversation about some other project altogether, then coming back into focus to ask questions.
“You’re sure they’re not contaminated with something?”
“When do you send in the next expedition?”
“What do you think of Lowry’s metrics?”
“If you had a bigger budget, what would you spend it on?”
“Do you know what you’re looking for?”
No, you don’t know. She knows you don’t know. You don’t even know what you’re looking at, these people who became ever more gaunt until they were living skeletons, and then not even that. The psychologist perhaps even blanker than the rest, like a kind of warning to you, as if it were a side effect of his profession, encountering Area X. But a closer look at his history reveals Lowry probably leaned on him the most, thought, maybe, that his profession made him stronger than the rest. The bindings, the reconditioning sessions, the psychological tricks—surely a psychologist could absorb them, armed with foreknowledge. Except the man hadn’t, and as far as they knew this “coiled sting” inside his brain had made no difference at all to Area X.
“There must be things you would have done differently,” Severance says.
You make some noncommittal sound and pretend you’re scribbling something on your notepad. A grocery list, maybe. A blank circle that’s either a representation of the border or of Central. A plant rising out of a cell phone. Or maybe you should just write Fuck you and be done with it. Gnaw your way out of Lowry’s trap.
* * *
At some point after the last of the last eleventh passes away, you get black paint from maintenance, along with thick black markers, and you open the useless door that gives you access to the blank wall—casualty of a clumsy corridor redesign. You write out the words collected from the topographical anomaly, the words that you know must have been written by the lighthouse keeper (this flash of intuition, unveiled at a status meeting, allowing you to order a deeper investigation into Saul’s background than ever before).
You draw a map, too, of all the landmarks in Area X. There’s the base camp, or as you call it now, the Mirage. There’s the lighthouse, which should be some form of safety but too often isn’t, the place that journals go to die. There’s the topographical anomaly, the hole in the ground into which all initiative and focus descended, only to become hazy and diffuse. There, too, is the island and, finally, the Southern Reach itself, looking either like the last defense against the enemy or its farthestmost outpost.
Lowry, drunk out of his mind at his going-away party, headed for Central, only three years after you had been hired, had said, “How goddamn boring. Fucking boring if they win. If we gotta live in that world.” As if people would be living in “that world” at all, which wasn’t what any of the evidence foretold, or kept foretelling, as if there were nothing worse than being bored and the only point of the world people already lived in was to find ways to combat boredom, to make sure “all the moments,” as Whitby put it when he went on about parallel universes, might be accounted for in some way, so minds wouldn’t fill up with emptiness that they bifurcated simply to have more capacity to be bored.
And Grace, fearless, an opposing voice from years later at some other party where a member of the staff had voiced an equally cynical, depressing opinion, but as if answering Lowry: “I’m still here because of my family. Because of my family and because of the director, and because I don’t want to give up on them or you.” Even if Grace could never share with her family the struggles she faced at the Southern Reach, being your “right-hand gal” as Lowry puts it, sarcastically. The profane voice of reason when yours is perceived as too esoteric, too distant.
Halfway through drawing the map, you feel eyes on you, and there’s Grace, arms folded, giving you the stink eye. She closes the office door behind her, just keeps staring at you.