“Where’s your optimism now?” you want to ask, but wherever he’s wound up he’s still not in your world.
Long ago, a fire or two was kindled on the cottage floor, in what used to be the living room, under the shelter of one sagging wall. Blackened splotches left behind provide the evidence, tell you that even after Area X, people lived here for a time. Did your mother make those fires?
Dead beetles litter the floor, crushed into glossy emerald pieces, teal moss and thick vines creating a chaotic green sea. Wrens and warblers hop through the underbrush outside, settle on the gaping window frame that looks out landward, then are gone again. The window you’d look through when expecting your dad to come for visits, driveway outside erased by a proliferation of bushes and weeds.
Cans of food, long since rusted and rotted, along with a thick layer of soil erupting out of the corners, through the insect-chewed floorboards, what’s left of them. The anomaly of cracked, ancient dishes barely recognizable, and stacked in a sink that has fallen in on itself and been transformed by mold and lichen, the cupboards below rotted away.
There’s a regret in you, a kind of daymark you’ve let become obscured. The expeditions are never told that people had lived here, worked here, got drunk here, and played music here. People who lived in mobile homes and bungalows and lighthouses. Better not to think of people living here, of it being empty … and yet now you want someone to remember, to understand what was lost, even if it was little enough.
Whitby stands there like an intruder as you explore, knows you’re hiding something from him about the cottage. The flat, grim line of his mouth, the resentment in his gaze—is it natural, or is Area X already turning him against you? When you burst out of the tower, escaping whatever had risen up with such speed, you found him still screaming, babbling about something that had attacked him. “There wasn’t any sound. Nothing. Then … a wall behind me, running through me. Then it was gone.” But since then he hasn’t said more, nor have you shared what you saw right before you leapt up those last steps into the light. Perhaps neither thinks the other would believe. Perhaps you both just want to be back in the world first.
No bodies here in the cottage, but what did you think? That you would find her huddled inside this place, cocooned from disaster somehow as the world changed around her? That was never your mother’s nature. If there had been something to fight, she would have fought it. If there had been someone to help, she would have helped them. If she could have struck out for safety, she would have. In your daydreams, she held on, like you have held on, hoping for rescue.
Sitting there at the Star Lanes Lounge, scribbling, you found the cottage coming back to you at odd moments, along with the lighthouse. Always that riptide compulsion dragging you down into the water, that need to know overriding the fear. The sound of the midnight waves at high tide, how from the window of your room in your mother’s bungalow back then you could see the surf under the moonlight as a series of metallic-blue lines, dark water squeezed between them. Sometimes those lines had been broken by her figure as she walked the beach late at night, kept awake by thoughts she never shared, her face turned away from you. As if searching even then for the answer you seek now.
* * *
“What is this place?” Whitby asks, again. “Why are we here?” His voice giving away his stress.
You ignore him. You want to say, “This is where I grew up,” but he’s endured one shock too many already, and you still have to deal with Lowry, with the Southern Reach, when you get back. If you get back.
“That vine-strewn shadow there—that was my room,” you would tell him if you could. “My parents divorced when I was two. My dad left—he’s kind of a small-time crook—and my mom raised me, except I spent the winter holidays with him every year. Until I stayed with him for good because I couldn’t go home anymore. And he lied to me about the reason why until I was older, which was probably the right thing to do. And I’ve been wondering my whole life what it would be like to come back here, to this place. Wondered what I would feel, what I would do. Sometimes even imagined there would be some message, something my mom had had the foresight to put in a metal box or under a rock. Some sign, because even now I need a message, a sign.”
But there is nothing in the cottage, nothing you didn’t already know, and there’s the lighthouse at your back—laughing at you, saying, “I told you so.”
“Don’t worry, we’ll go home soon,” you say. “Just the lighthouse, and we’ll go home.” Saving the best for last, or the worst for last? How much of a childhood can be destroyed or twisted before the overlay replaces the memories?