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A Winter Dream(67)

By:Richard Paul Evans


As necessity is the mother of profit, he began renting a line of men’s dinner jackets with great success. It was at this time that my friend, while dressed in one of those suits, had, unbeknownst to me, engaged the proprietor in a lengthy discussion on the state and future of his business. Having been impressed with expectations of my marketing prowess, the owner called me directly and after many long-distance phone conversations offered to sell me a portion of the new company in exchange for my expertise and a small cash outlay, which Keri and I managed to scrape together. The opportunity was all we could have hoped for, and the business showed signs of great promise.

Under my direction, we increased our market by producing picture catalogs of our suits and sending them to dressmakers and wedding halls outside of the metropolitan area. They became the retailers of our suits, which they rented to their clientele, and received no small commission in the transaction. The paperwork of this new venture was enormous and complex, but the success of my ideas consumed me and I found myself gradually drawn away from the comparatively relaxed environment of home. In modern business vernacular, there is a popular term: “opportunity costs.” The term is based on the assumption that since all resources, mainly time and money, are limited, the successful businessman weighs all ventures based on what opportunities are to be lost in the transaction. Perhaps if I had seen my daughter’s longing eyes staring back at me from the gold-plated scales, I would have rethought my priorities. I adroitly rationalized my absence from home on necessity and told myself that my family would someday welcome the sacrifice by feasting, with me, on the fruits of my labors. In retrospect, I should have tasted those fruits for bitterness a little more often.





Chapter IV





DON’T RECALL the exact night when the dreams began. The angel dreams. It should be stated that I am a believer in angels, though not the picture-book kind with wings and harps. Such angelic accoutrements seem as nonsensical to me as devils sporting horns and carrying pitchforks. To me, angel wings are merely symbolic of their role as divine messengers. Notwithstanding my rather dogmatic opinions on the matter, the fact that the angel in my dream descended from the sky with outspread wings did not bother me. In fact, the only thing I found disturbing at all about the dream was its frequent recurrence and the dream’s strange conclusion. In the dream I find myself alone in a large open field. The air is filled with soft, beautiful strains of music flowing as sweet and melodic as a mountain brook. I look up and see an angel with wings outspread descending gradually from heaven. Then, when we are not an arm’s length removed, I look into its cherubic face, its eyes turn up toward heaven, and the angel turns to stone.

Though I have vague recollections of the dream haunting my sleep more than once after we moved into the Parkin home, it seemed to have grown clearer and more distinct with each passing slumber. This night it was alive, rich in color and sound and detail, occupying my every thought with its surrealism. I awoke suddenly, expecting all traces of the nocturnal vision to vanish with my consciousness, but it didn’t. This night the music remained. A soft, silvery tune plucked sweetly as a lullaby. A lullaby of unknown origin.

Except tonight the music had an origin.

I sat up in bed, listening intently while my eyes adjusted to the darkness. I found the flashlight kept in the pine nightstand next to our bed, pulled on a terry-cloth robe, and walked quietly from the room, following the music. I felt my way down the hall past the nursery where I stopped and looked in at Jenna. She lay fast asleep, undisturbed by the tones. I followed the music to the end of the hall, pausing where the melody seemed to have originated, from behind the attic door. I grasped the handle and opened the door slowly. The flashlight illuminated the room, creating long, creeping shadows. Apprehensively, I climbed the stairs toward the music. The room was still and, except for the music, lifeless. As I panned the room with the light, my heart quickened. The cradle was uncovered. The dusty, draped sheet that had concealed it now lay crumpled at its base on the attic floor. Anxiously, I continued my examination, until I had centered the light on the source of the enchanted disturbance. It was the ornate heirloom box that Barry and I had discovered the afternoon that we had moved in our belongings. The Christmas Box. I hadn’t known at the time it was capable of music. How odd it should start playing in the middle of the night. I looked around once more to be sure that I was alone, then balanced the flashlight on one end so that its beam illuminated the rafters and lit the whole attic. I lifted the box and inspected it for a lever with which to turn off the music. The box was dusty and heavy and appeared just as we had seen it a few days previous. I inspected it more closely but could find no key and no spring, in fact no mechanism of any type. It was simply a wooden box. I unclasped the silver buckle and opened the lid slowly. The music stopped. I moved the flashlight close to examine the box. Inside lay several parchment documents. I reached in and lifted the top page. It was a letter. A hand written letter, brittle with age and slightly yellowed. I held it near the flashlight to read. The handwriting was beautiful and disciplined.